中期

In this article, the medium-term tendency of observation data of clinometer in Sheshan Seismic Station is analyzed with EIS 2000 software.

通过对上海观测的形变资料，运用EIS 2000软件，分析佘山地震台倾斜记录资料的中期趋势。

It is found that before the occurrence of strong earthquake the medium tendency of clinometer observes in Sheshan Seismic Station shows obvious tendency transition, acceleration and change phenomena.

发现强震发生前，余山地震台的倾斜仪器从中期趋势上出现了明显的趋势转折、加速、变化现象。

With this method, firstly, we investigate the influences of the collisional angle, the frictional coefficient and the viscosity of the continents on deformation, and then we study the influence of the collision between the India and Eurasia continents on the deformation of Tibetan plateau in the different periods.

首先探讨了碰撞断裂带倾角、断裂带摩擦系数及断裂带两侧块体介质粘性对陆—陆碰撞变形的影响，在此基础上进一步研究了印度和欧亚大陆碰撞对青藏高原早期、中期和晚期变形的影响，揭示了青藏高原的变形过程。

When notes are in short supply, holders can profit by using them as collateral for loans.

当中期国库券供给短缺时，这些持有者就可以通过质押贷款的方式赚取利润。

In the mid-1980s, with farm collectivization going horribly wrong, the country was on the brink of famine.

在1980s 中期，由于极其错误的集体农业，这个国家徘徊在饥饿的边缘。

All in all, the works of the Middle Period most significantly reflect Twains style of colloquialism.

总的说来，中期作品在体现吐温作品的口语化风格上尤为显著。

This chapter mainly explains the development condition of Chinese opera in 12 years, from to 1957"The new opera colloquium".

第三 中国歌剧的全面发展，本章节主要论述了中国歌剧自1957年"新歌剧讨论会"召开后到50年代末60年代中期，开始呈现出前所未有的繁荣兴盛局面。

In England the middle Baroque produced a cometary genius in Henry Purcell, who, despite dying at age 36, produced a profusion of music and was widely recognized in his lifetime.

巴洛克中期的英格兰有一位如彗星划过般的天才音乐家普塞尔，尽管只活了区区36个年头，但是他创作了大量的音乐作品并在他的有生之年得到广泛的认可。

By the mid-1960s, observed Alison Lurie, a novelist, the city looked "like a stage set for some lavish comic opera".

在上世纪60年代中期小说家Alison Lurie曾对洛杉矶作出如下的评论："这里就像为一出过分奢华的喜歌剧准备的舞台。"

The problem of universals is no longer a philosophical problem, but also a problem in belief. The history of this problem is ended here in this thesis with Abelards conceptualism.

然后文章再从关于共相讨论的演变出发，梳理了一条清晰的哲学史发展线索，那就是从古希腊到中世纪中期关于共相问题的争论，并以阿贝拉尔的观点做一个时间上的收尾。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。