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Firstly, the Russian tendency of the national new culture and the third international activity in northeast region came to a decision that Modern Northeast Literature in its beginning was under the influence of Russian culture and literature profoundly. Since 1931 northeast was occupied by Japan, the center topic of occupied era northeast literature became exposing the violence of Japanese and emblazing people\'s striving and exploring the darkness of society bottom. In this case, the Soviets revolutionary literature which went through October revolution and expressed the similar conflict topic turned into the study model of northeast writers. The creations of northeast writers was under the influence of Soviets revolutionary literature deeply in the topic, conceive outline, the character building.

首先,全国新文化运动的俄苏倾向和东北地区第三国际共运活动的开展共同决定了东北新文学在其开端就受到俄苏文化和文学的积极而深远的影响。1931年东北沦陷后,揭露日伪统治者的暴行,颂扬人民的反抗斗争,探究社会底层的黑暗成为沦陷时期东北文学的中心主题,在这种情况下,经历了十月革命炮火洗礼、表现相似的斗争主题的苏俄革命文学就成为文学素养相对薄弱的东北作家的学习榜样,东北作家的创作在主题、构思、人物形象塑造等多方面都受到了苏俄革命文学的深刻影响。

Firstly, the Russian tendency of the national new culture and the third international activity in northeast region came to a decision that Modern Northeast Literature in its beginning was under the influence of Russian culture and literature profoundly. Since 1931 northeast was occupied by Japan, the center topic of occupied era northeast literature became exposing the violence of Japanese and emblazing peoples striving and exploring the darkness of society bottom. In this case, the Soviets revolutionary literature which went through October revolution and expressed the similar conflict topic turned into the study model of northeast writers. The creations of northeast writers was under the influence of Soviets revolutionary literature deeply in the topic, conceive outline, the character building.

首先,全国新文化运动的俄苏倾向和东北地区第三国际共运活动的开展共同决定了东北新文学在其开端就受到俄苏文化和文学的积极而深远的影响。1931年东北沦陷后,揭露日伪统治者的暴行,颂扬人民的反抗斗争,探究社会底层的黑暗成为沦陷时期东北文学的中心主题,在这种情况下,经历了十月革命炮火洗礼、表现相似的斗争主题的苏俄革命文学就成为文学素养相对薄弱的东北作家的学习榜样,东北作家的创作在主题、构思、人物形象塑造等多方面都受到了苏俄革命文学的深刻影响。

At the center of the argument is that it is travel, not an essentialized notion of race, that informs the characters' understanding of who they are and who they can be.

本文的中心论点是,作品通过旅行而不是通过对种族概念的抽象化,传达出作品人物对自己身份和身份归宿的理解。

Haranguing a local politician in 2006, Warner promised to give the fellow the keys to the Centre if he retains his parliamentary seat at the next election.

2006年,华纳向当地的某位政治人物慷慨呈辞,表示如果在下次议会选举中能够保住自己的议席,他愿意把这个中心拱手相赠。

Haranguing a local politician in 2006, Warner promised to give the fellow the keys to the Centre if he retains his parliamentary seat at the next election.

2006年,沃纳向当地的某位政治人物慷慨呈辞,表示如果在下次议会选举中能够保住自己的议席,他愿意把这个中心拱手相赠。

Obviously, the reason why these figures presented so terrible and lousy, is because of the inseparably clou that the artist would like to express, and that is the desire.

很显然,这些人物形象之所以呈现出如此令人恐惧和恶心的容貌,与艺术家要表达的一个中心观念密不可分,那就是欲望。

The key figure at Houston Mission Control is Gene Kranz.

休斯顿控制中心的领军人物是吉恩。克兰茨

On a level spot in the centre was a company of odd-looking personages playing at nine-pins.

一名在该中心的现场是一个古怪的人物在9玩耍针公司。

Yet, as culture-centric dictators, they bribed and remoulded the finest examples to their own needs.

作为中心文化的独裁者,他们根据自己的需要,对各文化阶层中最杰出的人物实行贿赂和重现编排。

As the years went by, the fighting on Little Round Top became more and more legendary, and by choosing to center on Chamberlain, Shaara focuses on one of the most popular characters of the battle.

随着岁月的流逝,战斗很小的圆形顶成为越来越多的传奇,并选择中心张伯伦,沙拉的重点之一,最热门的人物战斗。

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在对危险的南部地区访问时,他斥责什叶派民兵领导人对中央集权的挑衅行为。

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