中国艺术风格

The development of Chinese calligraphy is not the result of the logic of itself, and the birth of styles is not the product of the so-called theory of "art for art's sake".

本文认为中国书法艺术的发展并不只是书法艺术自身逻辑的演绎，而艺术作品风格的产生也不是"为艺术而艺术"的产物。

This paper traces the migration of the Chinese garden pavilion to the West during the seventeenth and eighteenth centuries, as part of the European passion for "things Chinese" that came to be called Chinoiserie.

17—18世纪期间，由于欧洲人对"中国事物"的热情，中国的园亭作为中国风格的艺术建筑出现在了西方。

After Islamic came into being, the Arabian attracted other nations' drawing art results to form Arab Islamic drawing art. Although it was affected by classical, Persian and Chinese drawing art, it always maintained its Islamic style. It was being ripped in the period of Umayyad and Abaas.

伊斯兰教产生后，阿拉伯人吸纳了其他民族的绘画艺术成果，形成阿拉伯伊斯兰绘画艺术，后虽受到古典、波斯和中国等绘画艺术的影响，但却一直保持着它的伊斯兰风格，到倭马亚朝和阿拔斯朝，已臻成熟。

Paintings in different styles and different genres live and stretch here, with fresh breath, presenting the latest pattern of the booming cotemporary art in China.

在中灰色、亚麻色和砖红色的包豪斯风格的废弃工厂中，墙面被涂成了大面积的白色或红色——实验水墨、影像艺术、政治波普、艳俗艺术……形态各异的绘画在这样的空间中排列、延伸、呼吸，向你昭示着蓬勃的中国当代艺术的最新形态。

The use of "the linear skill" plays an important part in the performing art of Chinese cymbalo. In this way, the thesis explores the meaning and role of "the linear skill" in the performance art of the cymbalo, through the practice of the cymbalo performance and each performing style of the four traditional schools of the cymbalo.

在中国扬琴的表演艺术中，&线性技巧&的运用占据着很重要的位置，本文以此为切入口，联系扬琴演奏的实践以及扬琴四大传统流派的各自演奏风格特点，探索&线性技巧&对于中国扬琴演奏艺术的意义和作用。

When American Pop art met the Chinese modernism in that very context, a certain mystery was produced: Pop art was readily understood as a Dadaist destructive art, while its cultural deconstructive property seemed to be ignored. By the early 1990s, due to the political reason, China had undergone its rapid social and cultural transition from Enlightenment era to consumerist era, while artists, who were still in despair because of the failure of cultural Enlightenment movement, found themselves confronted with a completely new economic market and their ideas mingled with those of modernist Enlightenment and post-modern deconstruction.

它以风格上挪用、平面化、去意义、去价值这类语言策略解构和消除现代主义的启蒙神话，成为与后现代主义哲学同构的文化思潮。80年代初沃霍尔访华，尤其是1985年劳申伯在北京和拉萨举办个展开始了美国波普主义在中国的传播，而这时正值中国85现代主义运动的高潮，启蒙和反叛是这一运动的主题，正是这种语境使这种传播产生了十分吊诡的意义落差：波普主义很轻易地被理解为一种达达式的破坏性艺术，而它的文化解构主义色彩反倒不易被体会。90年代初中国社会由于政治的原因急促地完成了由启蒙文化向消费文化的转型，艺术家们还沉迷在文化启蒙运动失败的悲壮气氛中却突然发现自己已深陷在一个一完全陌生的经济世界中，理想的失落和批判身份的丧失使他们的思想开始混杂于现代主义的启蒙建设和后现代主义的解构观念之间，于是，波普主义成为这个时代的一种自然的风格选择。

Art by India,"Gandhara","Mathura", such as the impact of imaging style, combined with national traditions, and gradually form a colorful Chinese-style.

艺术上受到印度&犍陀罗&、&马土腊&等造像风格的影响，结合民族传统，逐步形成中国的彩塑风格。

The using of font is represented by calligraphic art in the graphic design,so it amalgamates the calligraphic art and the representing style of modern times design,it inherits the calligraphic culture and develops modern times design of China.

在平面设计中，字体的运用以书法的形式得以表现，使传统的书法艺术和现代设计表现风格进行融合，不仅继承了书法文化，同时又突出了中国现代的风格。

China contemporary art eventually returns to a real "Individual Era", during those flourishing years, some independent artist who keeps individual style was corned to the other side of market. No one really cares the inners feelings and personal experiences from the bottom of artist's heart; and everyone was pursuing and chasing the "china contemporary art" which can be obviously recognized at sight; while finally, there is little real collection to be kept in euro-American state galleries during those 30 years.

中国当代艺术终于开始真正回归到&个人时代&了，在最火的那些年里，一些长期独立保持个人风格的艺术家们常常被市场推到了一边，没有人关心那些真正来源于艺术家内心的感受和自身的经验，大家都去追捧那些一眼就能辨识出来的&中国当代艺术&，而三十年的风光却并没有在欧美国家级的美术馆中留存几件像样的终极收藏也就说明了那种虚假繁荣的水份和浮夸。

Into Beijing International Home Living Museum of the large 3000 square meters of space, not only have come from Milan, Paris, New York and other international cities to display the latest home fashion trends, and the most fashionable furniture dynasty romantic of the seven series, more than brand-name products section, such as a layer of wood Santa brands internationally popular Scandinavian style and the Italian brand new perfect combination of modern minimalism, with a slight浅紫Medium lavender blue color, pure , simple, extremely elegant; second floor of the "I HOME" series of products will be China's traditional red and western gray perfect combination of fashion, with the color of the most poetic, and then add pure white decorations, pieces of furniture will become a pleasant works of art, constructed by the home, it is full of art; came three Dynasty furniture is the most "cool" furniture series - light series, Sapele series, only use material neat and simple metal the plates, just a crisp, beating about the bush in no way express the modern flavor; enter the four-story, we will see more than 1000 million family favorite, with traditional Eastern United States, another implication of modern simplicity and art of "Collected Essays" shallow Hu, black HU Series .

到北京国际家庭生活的大型3000平方米的空间，不仅有来自米兰，巴黎，纽约和其他国际城市来，博物馆展出最新的家居流行趋势，以及最时尚的家具浪漫的王朝7个系列，品牌名称的产品部分，如木材层圣品牌在国际上流行的北欧风格和意大利全新现代简约完美结合，有轻微浅紫中等薰衣草蓝色，纯净，简单，非常优雅，第二次&我主页&产品系列地板将是中国传统的红色和灰色的西方时尚的完美结合，与最富有诗意的颜色，然后添加纯白色装饰，几件家具将成为愉快的工作艺术，是由民政兴建，它充满了艺术；来到三时期的家具是最&酷&的家具系列-灯系列，沙比利系列，只使用简单的材料整齐，金属板，只是一个清晰的，转弯抹角绝不表达现代气息，进入四层，我们将看到1000多万个家庭喜爱，与传统的美国东部，另一个现代简单，&文集艺术的影响&浅胡，黑胡系列。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。