中国及日本的

Therefore, based on relation between asymmetric information and efficiency of corporate governance, this paper studies the influence of cultural backgrounds of China, Japan and U.S.

为此，本文从不对称信息与公司治理的关系出发，通过构造不对称信息的流动模型，分别研究了中国、日本和美国的不同文化背景对不对称信息流动的影响及由此对公司治理效率产生的影响，为探索适合我国文化背景下的公司治理模式提供参考。

The Mandarin duck is mainly distributed in China, Russia, Japan, Korea and Taiwan. Among these countries, Japan enjoys the largest distribution in Asia.

鸳鸯主要分布於中国大陆、俄罗斯、日本、韩国及台湾，其中日本是鸳鸯在亚洲族群分布最多的国家。

Retrocession to China of Manchuria , Taiwan and Penghu according to Cairo Declaration , Potsdam Declaration and the Treaty of Taipei

根据开罗宣言，波茨坦公告和台北条约，日本军队从中国的满洲，台湾及澎湖列岛撤回日本本土

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

The representative families are Dryopteridaceae, Athyriaceae, Polypodiaceae, Thelypteridaceae, Selaginellaceae and Aspleniaceae. The main genera are Dryopteris, Selaginella, Asplenium, Arachniodes, Pteris, Allantodia and Plagiogyria. The top families' distribution types are cosmopolitan and pantropic ones, the main genera are pantropical ones, while species distribution type belong to the east Asia type and represents the feature of subtropics transition to warm temperated areatype. As for the order of closeness, the sequence of pteridophytes floristic relations between Songyang and the adjacent regions goes as Southwest China, South China, Central China, Japan, North China, Northwest China and Northeast China. The six upland pteridophytes next to Songyang can be put into the same natural flora because of its closest relationship. But compared with other 11 upland fern flora in China, fern in Songyang is not rich enough. There are 37 species endemic to China in Songyang.

结果表明，松阳蕨类植物共有38科72属161种7变种；优势科为鳞毛蕨科、蹄盖蕨科、水龙骨科、金星蕨科、卷柏科、铁角蕨科，优势属为鳞毛蕨属、卷柏属、铁角蕨属、复叶耳蕨属、凤尾蕨属、短肠蕨属、瘤足蕨属；科的分布以世界分布和泛热带分布为主，属的分布以泛热带分布为最多，种以东亚分布类型为主，特别是中国—日本分布类型最多，表现出亚热带向暖温带过渡的特点；本区与邻近地区蕨类植物区系关系的密切程度由大到小依次为西南、华南、华中、日本、华北、西北、东北；与邻近的6个山地蕨类植物区系的亲缘关系密切，可以划为同一自然区；与国内11山地蕨类植物区系相比，松阳的蕨类植物丰富程度不高；松阳拥有37种中国特有蕨类植物及一些珍稀蕨类植物，有较高的保护价值。

Meanwhile, after the adjustment of the Japanese government's ODA to china in recent years , the changement of Sino Japan relationship and the running of relations between Japan and China fortunes have been analyzed short and sweet.

这次调整在很大程度上反映了日本在新世纪的战略调整及外交方向，随着日本ODA政策的调整，日本对华ODA的作用也发生了变化，成为一柄既促进两国交往与合作，又防范与限制中国发展的&双刃剑&。

One hundred years ago,it was a bridge for china to learn from the West,today it can still be a mirror for our Chinese to accept and absorb Western culture.Therefore,this paper will definitely contribute to be a positive reference for our Chinese development and improvement in painting arts,as it has made commitment to study and dialyze the success and failure of Japanese contemporary oil paintings,their various confusion and conditions.

一百年前它是中国向西方学习的桥梁，今天它仍然可以作为我们接受和吸收西方文化的镜子，所以通过本文对日本当代油画的研究与透析，它所获得的成功和失败及面临的各种困惑与处境，对我国油画艺术今后的发展和前进，肯定会起到积极的借鉴作用。

Member of the Japan Society of Engineering Plastics in China, Hong Kong, Shenzhen and other places, respectively, with offices and manufacturing plant, operates mainly in major Japanese chemical enterprises of various plastic materials and textile materials; main varieties: PMMA, PC, POM, PA, ABS, AS, HIPS, GPPS, PP, PE, PO, such as one-time factory outlet, corner, plate, sheet and crushed material, size, Products smash, plastic roll film back materials; the large number of PET bottle chip hair net piece grinding, adhesive tape, reel, foam materials, cigarette holder materials, waste silk, waste cloth and all kinds of chemical fiber materials; polyester, polyester cotton, waste silk products such as eye-lun, vol silk, silk products; white cloth , where material, fabric; diversicolor waste silk, garment edge materials.

日本工程塑料协会会员之一，在中国香港、深圳等地分别设有办事处和生产工厂，主要经营日本各大化工企业的各种塑料原料和纺织原料；主要品种有：PMMA、PC、POM、PA、ABS、AS、HIPS、GPPS、PP、PE、PO等工厂一次性水口、边角、板材、片材及其粉碎料、块头、产品粉碎、塑料卷膜等回料；现有大量PET瓶片、毛净片粉碎、胶纸、卷筒、泡料、烟嘴料、废丝、废布及各类化纤原料；涤纶、涤绵、睛纶等成品废丝、卷丝、成品丝；白色胚布、里料、面料；杂色废丝，服装边料等。

Since its establishment, the Association has organized one large-scale concert and 8 master classes on performing skills of chromatic, tremolo, chord, 10-hole blues harmonicas, harmonica trio and workshops on harmonica maintenance, hosted by masters like Mr. Yasuo Watani from Japan, Mr. Yang Jing-min from Guangxi, China, Mr. Lee Hsiao-ming and Judy's Harmonica Ensemble from Taiwan, Adler Trio from Israel, Mr. Robert Bonfiglio from USA, Mr. Chang Ah-kow from Malaysia, Mr. Juko Saito from Japan and Mr. Rick Epping from USA, with a total audience of over 1800. These events have greatly escalated the local level of harmonica playing and appreciation.

由创会至今，协会已筹划过一个大型音乐会，八个由海外口琴名家，包括日本和谷泰扶先生、中国广西杨敬民先生、台湾李孝明先生及茱蒂口琴乐团、以色列艾德勒三重奏、美国罗拔邦菲利奥先生、马来西亚张雅诰先生、日本斋藤寿孝先生及美国艾特叶平先生等主持之口琴大师班，内容涵盖半音阶、复音、和弦、十孔蓝调口琴及口琴三重奏之演奏技巧，及口琴维修的工作坊，参与口琴乐迷超过一千八百人次，大大提升本地口琴演奏及欣赏水平。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。