中国

Pyrograph China's greatest gourd art that is, ZHANG Tai-Ling Zhang, March 1952 Health, Liaocheng, Shandong origin, Han nationality, the Department of artists Warren Member, Beijing Oriental Culture and Arts Co., Ltd. canals were a member of the International Association of Fine Arts, Arts and Crafts Society of China, China pyrograph art director of the Preparatory Group, the Beijing Association of folklore.

中国烙画艺术泰斗葫芦张即张太岭，1952年3月生，祖籍山东聊城，汉族，系奇人艺术家会员、北京东方运河人文化艺术有限公司会员、国际美术家协会会员、中国工艺美术学会会员、中国烙画艺术筹备组理事、北京民间文艺家协会会员、中国国际传媒总顾问。

Transfer pricing also injured Chinese tax revenue seriously and weakened Chinese tax law recessively.

中国也是转移定价高发的国度，转移定价在中国的广泛使用对中国的税收利益造成了损害，对中国的税法也造成了隐性削弱。

The main contributions of this research lie in that, Firstly, with reference to major research in this field, the study does not confine itself to the common methods used. With the study of the foundermental financial institutions as a starting analysis point, it helps to broaden the view of international academic research on operational risks, and deepen the understanding of the intensions, characteristics and attributes of commercial banking operational risks. Secondly, studying operational risks on the basis of the unique economic and institutional conditions of China and utilizing the concept of operational risks to redissect the risk structure of SOBs contributes to the comprehensive understanding of the root risk structure of China's financial risks and the practical difficulties encountered in the governance of SOBs. It also helps to implore how to combine the international standard rules with the economic development and the financial system reform.

本研究的主要意义在于：第一，博采众长，不拘泥于现有银行风险研究方法，从对基本金融制度的探讨展开分析，有助于拓宽学术界研究操作风险的视角，同时也深化了对商业银行操作风险的内涵、特征和属性的认识；第二，立足中国国情研究操作风险，利用操作风险概念重新解析国有商业银行风险结构，有助于更全面地理解中国金融风险的深层结构和中国国有银行治理的真正困难，为探索如何将国际通行规则与中国经济发展和金融体制改革有机结合开辟了新思路；第三，在理论研究和实证研究的基础上，为商业银行操作风险管理和监管部门监管提供对策，对于操作风险管理和监管的现实操作具有借鉴意义。

Much as Gao's analysis is used to critique the problems arising from the West's selection of contemporary Chinese art, the application of this realist reflectionist approach on contemporary art is also remarkably popular among critics in China today.

高名潞的这段论述虽然是用来批评西方在选择中国艺术时出现的问题，但用这种现实主义反映论来论证当代艺术的方法在中国当下的评论界也随处可见，他们把前卫艺术的介入社会，理解成反映社会，然后把反映社会现实的作品当作当代艺术，所谓的现在是数码时代，艺术要反映数码，现在是卡通时代，艺术要反映卡通，还有就是高名潞所批评的，只要在艺术中反映了一点中国的变化就是当代艺术，而其实它只是现实主义反映论的一种表现，鲁虹等人的文章都属于这一类，我称为&改革开放现实主义艺术&模式，我们看到今天的中国艺术和评论都是在这种模式中制造当代艺术的假象。

This article tries to analyze the depth and breadth of Chinese modern national character research in theoretical perspective; The theoretical visual angle it chosen is a kind of cultural comparing research macroscopic threshold;"The Chinese question" globalization goes through the historical perpetual flow; Standing on such dynamic platform, this article reveals multi-dimensionality meanings of cultural anthropology, sociology, psychology, politics and ethnology which the question refers to, and analyzes the thinking course of modern people seeking conscious liberation; It resets the national character question into the space which Chinese modern national politic salvation and culture enlightenment exist in to prove the national character's social value; Furthermore, it opens up and develops the profoundly influencing inertia, which is implicated in the generation's considering, inheriting, criticizing and innovating, thereby it gains some enlightenment of persons modernization through regressively examining.

文章力图对中国近代国民性问题研究的深度与广度进行理论透视，其选择的理论视角是一种文化比较研究的宏观界阈，站在&中国问题&逐步世界化这一贯通绵延历史长河的动态平台上，揭示中国近代国民性问题指涉的文化人类学、社会学、心理学、政治学、民族学的多维意蕴，透视近代国人寻求主体自觉解放的心路历程，将其还置于中国近代民族政治救亡和思想文化启蒙的生存空间中来求证其本寓的社会价值，并拓衍其代际省思、承继、批判以至创新所寓意的深远影响惯性，在逆向审视中获取人的现代化的某些启示。

Belgian local time the morning of October 11,"Chinese New Year - China's fine art collection of folk art exhibition" as the 22nd欧罗巴利亚China Arts Festival, one of the most important items on display in Belgium, la rubia Graphic Arts Center the opening ceremony, Chinese Museum of Fine Arts Fan Di'an represented and made a speech.

比利时当地时间10月11日上午，《中国新年——中国美术馆藏民间美术精品展》作为第22届欧罗巴利亚中国艺术节最重要的展出项目之一在比利时拉鲁维亚版画艺术中心举行了开幕仪式，中国美术馆馆长范迪安作为代表出席并发表讲话。

Belgian local time the morning of October 11,"Chinese New Year -China's fine art collection of folk art exhibition" as the22nd欧罗巴利亚China Arts Festival, one of the most important items ondisplay in Belgium, la rubia Graphic Arts Center the openingceremony, Chinese Museum of Fine Arts Fan Di'an represented andmade a speech.

比利时当地时间10月11日上午，《中国新年——中国美术馆藏民间美术精品展》作为第22届欧罗巴利亚中国艺术节最重要的展出项目之一在比利时拉鲁维亚版画艺术中心举行了开幕仪式，中国美术馆馆长范迪安作为代表出席并发表讲话。

China foot ball first opened up Chinese PE specialistic and market road, but more and more difficult let Chinese professional football have difficulty in taking a step. It is the intensify in deep contradiction and the inevitalbe outcome of administration pattern collides the economic fate for long time.

中国足球率先开辟了中国体育职业化、市场化的道路，但是中国职业足球面临的重重困难使得其发展举步维艰，暴露的问题也越来越多，这是中国足球职业化深层次矛盾的激化，是行政管理模式和商业化运作模式长期碰撞积累的必然结果。

Back row: Stevan Breeze, Chief Executive, BSI; Sir David John, Chairman, BSI; Mr Liu Pingjun, Administrator, Standardization Administration of China; Mr Wang Zhongmin, Vice Administrator, Standardization Administration of China.

2005年11月16日，英国标准协会与中国国家标准化管理委员会签订合作协议后排：BSI首席执行官Stevan Breeze、BSI主席David John爵士、中国国家标准化管理委员会主任刘平均先生、中国国家标准化管理委员会副主任王忠敏先生前排：BSI英国标准部门董事 Mike Low；中国国家标准化研究院院长矫云起先生

But China's leaders also face rumblings of discontent from leftist nationalists, who see the downturn as a chance to halt market-oriented reforms at home, and for China to assert itself more stridently abroad.

但是中国领导人们也面临着来自极左派国家主义者的不满，他们认为中国现在的经济下滑是阻止中国继续进行市场化改革的机会，也是使中国更加引人注目的机会。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。