中国-伦敦

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Firstly, we collected and sorted out the GPS data, established the uniform velocity field for the Chinese mainland and the surrounding regions, and the horizontal deformation field relative to the Eurasia plate; Secondly, we established a motion model for the entire rotation and homogeneous strain of the first and second level blocks in Chinese mainland, analyzed the motion pattern and strain behavior of active blocks in Chinese mainland, as well as the motion pattern of principal fault zones in Chinese mainland; Thirdly, considering the heterogeneity of strain distribution inside a block and supposing that the strain tensor inside the block is the linear function of location, we derived and established an equation for the entire rotation and linear strain of block and a motion model for the entire rotation and linear strain of principal blocks in Chinese mainland; We also calculated the principal strain field and the maximum shear strain field in Chinese mainland and the surrounding regions, analyzed the basic characteristics of strain field in Chinese mainland, as well as the relationship between the spatial distribution of strain field and large tectonic zones; Finally, we established the 2-D geotectonic model and digital model for Chinese mainland and the surrounding regions, calculated the stress field in Chinese mainland and the surrounding regions, and analyzed the basic features of stress field in Chinese mainland and the principal driving force for the motion and deformation in Chinese mainland.

收集整理了已有GPS资料，建立了中国大陆及周边地区统一的速度场以及相对欧亚板块的水平形变场；建立了中国大陆一、二级地块整体旋转与均匀应变的运动模型；分析了中国大陆活动地块的运动状态，应变状态，以及中国大陆主要断裂带的运动状态；考虑到一个块体内部应变张量空间分布的非均匀性，假设块体内部的应变张量是位置的线性函数，推导建立了块体整体旋转与线性应变方程，建立了中国大陆主要地块整体旋转与线性应变的运动模型；计算了中国大陆及周边地区的主应变场与最大剪应变场，分析了中国大陆应变场的基本特征，以及应变场的空间分布与大型构造带的关系；建立了中国大陆及周边地区二维的地质构造模型和数值模型，计算了中国大陆及周边地区的应力场，分析了中国大陆应力场的基本特征以及中国大陆运动、形变的主要驱动力。

China Bentley Culture Development Co., Ltd cooperates with China Fashion Association to hold China Professional Models Contest, China Model Star Contest, Charming Girl China Model Contest, China Super Model Contest and Asian Super Model Contest, meanwhile, to cooperates with China General Chamber of Commerce to hold China Underwear Model Contest, to cooperates with CAAM to hold the China International Auto Models Contest, which is the stage for China Model Industry to find and select talents.

东方宾利文化发展中心与中国服装设计师协会共同举办&中国职业模特选拔大赛&、&中国模特之星大赛&、&'美少女'中国模特选拔大赛&、&中国超级模特大赛&和&亚洲超级模特大赛&，与中国商业联合会共同举办&中国内衣模特大赛&，与中国汽车工业协会共同举办&中国国际汽车模特大赛&，是中国模特业和演艺界发现、选拔人才的舞台。

Relax's time,I would hope use favorite way to spent it,The end of the morning's course,When my partner Jane said to me,It so happened have two movie tickets,At 19:00,Whether with me together go to watch movie,After my heart feel delight,Though we have been reached before the consensus,Prepare to look at 19:10 the movie,《Red Cliff》,Actually,I hope to watch a local movie in china,I franked told she i have not seen the movie of the first half,But she said that will not affect,The pm 7:00,I already in the cinema At the door of wait for a long time,Has yet to see my companions,Maybe i in the kill of time,I watch of the film table,Screening of the it seem chinese movie,《Red Cliff》and《Madagascar》2 Some less the introduction of the movies,Despite I would not be surprise,But I would watch the 《Red Cliff》 should the good choice,I saw Jane,She let me wait a full 15 minutes,I think he will find for themselves better reason,To avoid being late forpsychological,Her own apology for being late because of traffic congestion on the road,Although I am a taxi to the,I feel Chengdu Crowded is Traffic,The sky already dark,The streets are constantly whistle sound,Finally,I can not on forgive her,We enter the cinemas,Cinema is no Imagine as spacious,But is a very delicate environment,The film should have been broadcast,I think we are 10 minutes late,So we quietly went to the location,To watch the movie,I feel to have chinese classical music,To surround the movie,Aslo let me fusion of the atmosphere in China,Maybe the movie has some humorous language,But sometimes have small number of comments Voice,At least that let me feel sick discomfort,We are seriously watch to the movie,Cinema is about to go out,Maybe this is for me is breath of fresh air,The best,But is the helpless's choose,Very fond three kingdoms of my friend,In U.S,They are very fond the Japanese game 《Dynasty Warriors》,They say he is cool,No have complex plot,Can let you full of crazy and direct,These maybe can to me as a reference,Because I do not know three kingdoms of lot,Jane asked in how I feel when,I told her I like Zhou Yu,,WHich have a scene,When he performed the sword dance when,In front of Xiao Qiao,I feel the ancients are the comfort and fine and smooth, And has a strong China atmosphere,Although in my thoughts,Zhuge Liang is the wisdom,And Cao Cao more are poetry and brutality,Maybe They are contrary,But i not longing the latter,In the movie has a Cao Cao poetry recitation,I ever for that memory,Is clearlr,It makes me feel he to near for me,My favorite watch movie,Maybe in U.S,Many people will because leisure watch movie,In U.S,Movie ticket prices low,That let me feel the can more depth and perfect sound quality,In U.S,I only know the Chinese movie is 《Crouching Tiger, Hidden Dragon》,This is my ever for China's thought,Martial arts and essence's experience,I like the director Ang Lee,He's movie has the ease,And sometimes,In heart was very heavy,Without violence,I feel that the oriental atmosphere,And bamboo's quiet,Maybe and 《Red Cliff》It is different,《Red Cliff》's scenes let me feel endless grand,Although i have not seen the upper part,Many Hollywood great's works,Filled more is behind the emotional and caring,They are usually war deep to aware of human nature,China's ancient war, Full of alertness,Also is the wisdom of the struggle,Even if I am fell,It still is a beautiful works,But I believe,It will become my forever memory,I like the memory,Chinese movie memory,Although it will never be able to replace the first

轻松的时间，我会选择用喜欢的方式度过它，结束了上午的课程，当我的工作伙伴珍对我说，刚好有两张电影票，下午7点，是否一起去看电影，我内心已经为此感到愉快，尽管我们之前已经达成了想法，准备看19点10分的电影《赤壁》，实际上我希望能够在中国看一部中国电影，我坦诚地告诉她并没有看过它的上部，但她说着并没有影响，下午7点，我已经在电影院门口等候多时，很迟没有看见我的同伴，也许在利用时间，我看着电影表，放映着似乎中国的电影《赤壁》，和《马达加斯加》2一些为数不多的引进电影，尽管我并不会感到惊奇，但是我想看《赤壁》，应该是不错的选择，我等到了珍，她让我等了足足有15分钟，我想她会为自己的找到更好的理由，来逃避迟到的心理，她道歉自己因为路上塞车而迟到，尽管我是计程车来的，我感到了成都交通很拥挤，天空已经黑了，街道不断是鸣笛声音，终于我无法不原谅了她，我们进入了电影院内，电影院不是想象那样宽敞，却是一个精致的环境，电影应该已经开始了播放，我想我们已经迟到了10分钟，所以我们安静走到位置，观看影片，我感到浓厚的中国古典音乐，包围着这部电影，也让我在中国气氛中间融合，也许是影片中有着幽默的语言，但有时会出现少量的评论声音，至少这让我感到不适，我们认真观赏完了这部电影，即将走出电影院，也许这是对我是呼吸新鲜空气，最佳的，可是无奈选择，我的朋友很喜欢三国，在美国，他们很喜欢日本的游戏《三国无双》，他们说他很酷，并没有复杂的剧情，可以让你充满疯狂和直接，这也许可以给我作为参考，因为我并知道三国的很多，在珍问我觉得怎么样的时候，我告诉她我很喜欢周瑜，其中有一个场景，他舞剑的时候，在小乔面前，我感到中国古人的舒适和细致，并有着浓厚的中国气氛，尽管在我的想法中，诸葛亮是智慧的，而曹操更多是诗歌和残忍，我不渴望后者，影片有一首曹操诗歌的朗诵，我曾经对那一首的记忆很清晰，它让我感到了他的靠近，我很喜欢看电影，也许在美国，很多人会因为闲暇看电影，美国的电影票价很低，这却让我感到了更加深入和完美的音质，在美国，我只知道的中国电影是《卧虎藏龙》，这是我对中国曾经的想法，武打和精华的观点，我很喜欢李安这位导演，他的电影有着缓和，和有时心里很沉重，没有暴力，《卧虎藏龙》让我感到了那段东方的气息，和竹子的舒适，也许它和《赤壁》的不同，《赤壁》的场面让我无尽感到宏伟，尽管我没有看到它的上部，很多好莱坞伟大的作品，充满更多的是背后的情感和关怀，他们往往是在战争深处而察觉人性，而中国古代的战争，充满着机警，也是智慧的斗争，即使我感到，它仍然是一部美丽的作品，但是我相信，它将成为我永远的记忆，我很喜欢这种记忆，中国电影的记忆，尽管它永远无法取代第部

Chapter One presents the western yearning and the imagination of China, the motivation of Portuguese navigation as well as the formation of the Portuguese social psychology; these were the elements that construct the differences in the shaping of the Chinese image. Chapter Two outlines the images of China for the Portuguese in the 16th century and how these images were used or manipulated. Chapter Three identifies the reasons for Fernao Mendes Pintos excessive praise for China. Chapter Four discusses the attitude held towards China by poets and missionaries, and the European misinterpretations of the Chinese image. Chapter Five reviews the Chinese image portrayed by Eca de Queiroz, a Portuguese novelist, and the translations of Chinese poems by certain poets. Chapter Six investigates how poets, especially those who had once stayed in Macao, viewed and perceived China.

第一章概述西方对中国的向往和想象、葡萄牙海外扩张的动机以及民族心理的构成，这决定了他们在塑造中国形象时的某些相异性；第二章论述16世纪葡萄牙人眼中的中国形象，以及对这一形象的利用；第三章集中讨论费尔南·门德斯·平托狂想式赞颂中国的原因；第四章评述诗人和教士对中国的态度以及欧洲对中国形象的&误读&；第五章论及小说家埃萨(Eca de Queiróz)笔下的中国形象以及一些诗人对中国诗歌的翻译；最后一章聚焦澳门，考察在澳门生活过的葡萄牙作家是如何描述中国的。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

Mr. Ying Yuandao ever summarized the discussions on the Christianity Localization Movement in China in the 1920s, and held that the so-called localized Christian churches should have the following characteristics:"First, churches of the Chinese; Second, set up according to the experiences of the Chinese Christians; Third, with rich quality of Chinese culture; Fourth, combine Christianity and Chinese culture into a whole; Fifth, suits the spirits and psychology of the Chinese People; Sixth, enables the religious life and experience of the Chinese Christians to be adapted to Chinese customs"1. In the 1960s, Japanese scholar Sumiko Yamamoto made more detailed summarization for the definition of the Localization Movement of the Churches in China in her article "The Independent Movement of Christianity in China in the 1920s":"First, churches are formed of Chinese; Second, churches are independent in administration and operation; Third, churches have independence in the economic aspect; Fourth, churches are adapted to the Chinese in the aspects of church building, divine music, divine painting and liturgy etc. Fifth, accommodate the sacrificial fete and customs of the Chinese and Christianize them; Sixth, churches must be involved in the practical issues in the State and the society of China; Seventh, churches must get rid the tradition and colors of the European and American churches; Eighth, churches must be able to control themselves, sustain themselves and spread by themselves."

应元道先生曾对20世纪20年代开展的中国基督教本色运动的讨论加以概括，认为所谓本色的基督教会应有以下几个特点：&一是中华国民的教会；二是根据中国基督教徒自己的经验而设立的；三是富有中国文化的质素的；四是要把基督教与中国文化合而为一的；五是能适合中华民族的精神和心理的；六是能使中国基督徒的宗教生活和经验合乎中国风土的& [1]。60年代，日本学者山本澄子在其所著的《二十年代中国基督教的自立运动》一文中，对中国教会本色化运动的定义作了更详细的概括：&一，以中国人为教会的构成；二，教会的行政与运作等方面的自立；三，教会在经济方面的自立；四，教会在教堂建筑、圣乐、圣画、礼拜仪式等方面的中国化；五，容纳中国人的祭祀与习俗，并与基督教化；六，教会要置身于中国国家与社会的现实问题之内；七，教会要除去欧美教会的传统与色彩；八，教会要能自治、自养、自传。&

11 Guest Professorship in ENSBA, Paris; 11 Shanghai Spirit — Shanghai Biennale, Shanghai Art Museum, Shanghai, China; 7 Sui Jianguo and Zhan Wang, Galerie Loft, Paris, France; 6 Sharing Exoticisms — Contemporary Art Lyon Biennale, Lyon, France; 5 Chinese Contemporary Sculpture Invitational Exhibition, Qingdao Sculpture Museum, Qingdao, China

2000年&中国雕塑邀请展&；&中国当代雕塑展&；&东方广场中国雕塑精品展&；&共享异国情调——里昂当代艺术双年展&；&隋建国、展望作品展&；&第三届上海双年展&； 11月在法国巴黎高等美术院作为期三个月的客座教授； 11月举办《上海·上海——第三届上海双年展》； 9月举办（人文山水----景观艺术展）桂林中国上海美术馆上海·中国； 7月举办《隋建国、展望作品展》 LOFT 画廊巴黎·法国； 6月举办《共享异国情调——里昂当代艺术双年展》里昂·法国； 6月举办《东方广场——中国雕塑精品展》北京·中国； 5月举办《中国当代雕塑邀请展》青岛雕塑艺术馆青岛·中国； 3月举办《中国雕塑邀请展》上海美术馆上海·中国。

NIL KICKSTAND 26" DOUBLE TYPE, CP HEAD AND SPRING STEEL CP CHINA BASKET 33*22.5*22.5 STEEL CP CHINA BASKET SUPPORT LF-P1 Φ6.0MM STEEL CP CHINA BELL STEEL CP CHINA LOCK LOCK ON SEAT STAY STEEL CP CHINA FRONT DYNAMO LIGHT L-B RIGHT WITH FRONT LIGHT 6V-2.4W GRAY CHINA FENDER K-TYPE 26" STEEL SIL CHINA CARRER LF-H3 26" CP CHINA SKIRT PROTECTOR HC-625 26" PP GRAY CHINA CHAIN ADJUSTMENT M6 STEEL UCP CHINA PACKING MATERIAL PAPER TUBE CARTON A=A, 5 PLY, W/ INNER BOX ASSEMBLY 85% SKD BRAKE CABLE: LEFT REAR / RIGHT FRONT PAINTING MANUAL AS SUPPLIED BY CUSTOMER DECAL MYLAR DIE-CUT STICKER, AS DESIGN BY CUSTOMER

无 支架26 &双师型，处长头和弹簧钢处长中国篮33 * 22.5 * 22.5钢处长中国篮支持LF炉，小Φ6.0MM钢处长中国钟钢处长中国锁锁座斜拉索钢处长中国前灯的LB迪纳摩权与前端轻至6V - 2.4W灰色中国挡泥板K型26 &钢铁南港中国载体低频-蛋白H3 26 &郊野公园中国裙保护的HC - 625 26 &灰色中国聚丙烯链调整M6中国钢跟单信用证统一惯例包装材料

China's China Petroleum and Chemical Corporation, the national electrical network, the petroleum, the Yangtze River industry, the great wild goose sea group, Taiwan model the group, China move, the national well-known craftsman line, China renshou, the Chinese telecommunication, the group, the Shanghai Baoshan Steel Corporation, Chinese Construction bank, south the electrical network, Bank of China, Chinese steam, the Chinese agriculture business, the grain group, five ore groups, the Haire group, on the steam group, east the steam group, the hard project, the ocean shipping, China construct, the hard construction, China Netcom and so on 27 brands qualify, this selected Chinese World Famous Brand Enterprise year business income surpasses 10,000,000,000 US dollars.

中国的中石化、国家电网、中石油、长江实业、鸿海集团、台塑集团、中国移动、中国工行、中国人寿、中国电信、中化集团、上海宝钢、中国建行、南方电网、中国银行、中国一汽、中国农行、中粮集团、五矿集团、海尔集团、上汽集团、东汽集团、中铁工程、远洋运输、中国建筑、中铁建筑、中国网通等27个品牌榜上有名，此次入选的中国世界著名品牌企业年营业收入均超过100亿美元。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失