中世纪

As George Bernard Shaw puts it,"The maternal instinct leads a woman to prefer a tenth share in a first-rate man to the exclusive possession of a third-rate one." Despite the fact that humans are naturally polygynous, most industrial societies are monogamous because men tend to be more or less equal in their resources compared with their ancestors in medieval times.

正如George Bernard Shaw 所说，&母姓的直觉会导致一名女人宁愿选择要&一流男人&的十分之一，也不愿意要独自占有&三流男人&的全部&尽管说人类自然会选择一夫多妻，但是，大部分的工业化国家都是一夫一妻，因为那里的男性往往和自己在中世纪的祖先相比在资源方面要或多或少地更加平均化。

"The name of the rose" is a detective story happened in a medieval abbey of South Italy,in which seven monks were dying off in a week which compromise the polysemia theme.

《玫瑰的名字》讲述了一个发生在意大利中世纪修道院的侦探故事，七名修道士在七天之内相继死亡，构成了小说的多义性主题。

Cartographic themes include an emphasis on the spatial-cognitive abilities of Europe's prehistoric peoples and their transmission of cartographic concepts through media such as rock art; the emphasis on mensuration, land surveys, and architectural plans in the cartography of Ancient Egypt and the Near East; the emergence of both theoretical and practical cartographic knowledge in the Greco-Roman world; and the parallel existence of diverse mapping traditions (mappaemundi, portolan charts, local and regional cartography) in the Medieval period.

制图主题包括对空间的欧洲史前人类认知能力的重点，通过媒体和他们的制图的概念传送，例如岩石艺术，对测定，强调土地调查，并在古埃及建筑制图计划和近东；在理论和实践的希腊制图知识的出现，罗马世界，和传统的不同映射并存（mappaemundi，波尔托兰图表，地方和区域制图）在中世纪时期。

The Medieval Warm Period was another warm period after postglacial epoch. The research results indicated that drifting sands were fixed in sandy land during the MWP in eastern China.

中世纪暖期是冰后期的又一次回暖期，研究表明当时我国东部沙地均出现不同程度的流沙固定现象。

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成&戏剧之光&、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

The works of Donatus (4th century AD) and Priscian (6th century AD), the most important Latin grammarians, were widely used to teach Latin grammar during the European Middle Ages.

最重要的拉丁语语法学家多纳图斯（公元4世纪）和普里西安（公元6世纪）的作品在欧洲中世纪被广泛用于拉丁文语法教学。

Despite Tertullian's remark regarding this pseudograph, it enjoyed an immense and persistent popularity through the patristic period and the Middle Ages.

尽管德尔图良的话就这一pseudograph ，它得到了巨大的和持续的普及，通过教父时期和中世纪。

Two of the most important rulers of this great dynasty during medieval ages are the illustrious father son duo of Raja Raja and Rajendra.

这个伟大的朝代的两个最重要的统治者在中世纪是显赫的父亲的拉惹拉拉贾和儿子两人。

Students walk dogs in the park that was once the mausoleum of the family of the Emperor Augustus; Raphaelesque madonnas line up for buses on busy corners; a priest in flowing robes walks through a medieval piazza talking on a cell phone.

学生们在曾是奥古斯都皇帝家庭陵园的公园里遛狗；拉斐尔风格的圣母像矗立在繁华的市区的角落，仿佛在那儿排队等公共汽车；身着飘逸长袍的牧师打着手机穿过中世纪的广场。

Students walk dogs in the park that was once the mausoleum of the family of the Emperor Augustus; Raphaelesque madonnas line up for buses on busy corners; a priest in flowing robes walks through a medieval piazza talking on a cell phone.

学生们在曾是奥古斯都皇帝家庭陵园的公园里遛狗；拉斐尔风格的圣母像矗立在繁华市区的角落，仿佛在那儿排队等公共汽车；身着飘逸长袍的牧师打着手机穿过中世纪的广场。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。