中世纪

However, its Middle English meanings,"a ribald, abusive person" and "a shrewish, chiding woman," may be related to sk ld, as shown by the senses of some of the Old Icelandic words derived from sk ld.

然而，它在中世纪英语中的意思是"说脏话、辱骂人的人"和"悍泼的、好骂人的女人"，可能与 skald 有关，如一些起源于 skald 的冰岛古词语的意思显示的那样。

The myth of the origin of the world out of the members of a dead giant or Ur-man is extremely ancient, not only in Iranian speculations but also in Indian mythology (Rig-Veda, X, 90), Indeed if the myth of giant Ymir in Norse Cosmogonies is not merely a medieval invention, as is sometimes asserted, this legend must be one of the earliest possessions of the Aryan race.

神话的起源，世界的成员死巨头或乌尔人是极其古老的，不仅在伊朗的猜测，而且在印度神话（钻机，吠陀，十， 90 ），事实上，如果神话巨人Ymir在北欧Cosmogonies不仅是一个中世纪的发明，因为有时是断言，这个传奇人物必须是最早的财物雅利安种族。

From the classic Italian risotto to the exotic Mushroom Bhaji, Ever Wondered unearths the true magic of mushrooms.

中世纪的爱尔兰人认为蘑菇是小妖精的雨伞，必须在月圆之夜才可采摘烹煮。

Now he seems bent on using another medieval Scottish hero, Robert the Bruce, to work the same magic for his Scottish National Party.

如今的萨尔蒙德正努力搬来另一位中世纪苏格兰英雄罗伯特·布鲁斯，希望依样画葫芦能为他的苏格兰民族党抹上同样的奇幻色彩。

IN THE rolling hills and medieval villages of France, a modern rebellion is stirring.

在法国延绵起伏的山丘和中世纪的村落里，一场现代反击战正积极上演。

The style of the vaults of the cellar seems Romanesque but the architecture of this medieval building is Gothic.

风格的拱顶的地下室，但似乎是罗马式建筑，这个中世纪的哥特式建筑。

It introduced the idea of realistic images in art and it laid the groundwork for the Romanesque period which was to come in the High Middle Ages.

在艺术上出现了现实主义风格，并为后来中世纪中期出现的罗马式风格打下坚实的基础。

The Romanesque architecture of the early Middle Ages was notable for strong, simple, massive forms and vaults executed in cut stone.

古罗马建筑的早期中世纪值得注意的是强有力的，简单的，大规模的形式和墓穴执行削减石头。

It was not until the Middle Ages, when their true origin was forgotten even by most of the learned, that these apocryphal stories began to enter largely into sacred legends, such as the "Aurea Sacra", into miracle plays, Christian art, and poetry.

直到中世纪时，其真正的来源是被遗忘甚至大多数的经验教训，这些未经证实的故事开始进入基本上纳入神圣传说，如"金叶萨克拉"，到奇迹发挥，基督教艺术和诗歌。

After the intermediate stage in the Medieval Europe, the deed theories of Hebrew culture was not only enormously promoted the economic development , with contracting freedom inherited from the ancient Rome culture, Moreover, it had expedited the people sovereignty theories. After the combination of the neoteric commodity economy with the theories of Christianity\'s original sin, belief doctrine, and the wealth view, which gave birth to the supreme status of constitution, and the conception of equality, freedom, and so on. Christianity\'s wealth view (especially the Protestantism ethics) enormously promoted the capitalism expansion and finally forms the conception that private property are sacrosanctity. The ideology of successive authority restriction from Christianity, and the Christianity\'s exercise to partial legislative power and jurisdiction power, combined with autonomous cities based on commodity economy, and the political phenomenon that merchants exerted legislative power and jurisdiction power. Those had made the mundane ruler such as king, and so on, could only take the exertion of tax revenue power as the main symbol administrative authorities. It provided historical and psychological foundation for the birth of modern decentralization theories .

希伯来文化中的"约"和古罗马的契约自由不仅极大地促进中世纪中期以后欧洲商品经济的发展，而且催生了人民主权理念；基督教的"原罪说"、信仰主义和财富观等与近代商品经济的结合，生成了宪法至上及平等、自由等权利观念；基督教的财富观极大地促进了资本主义扩大再生产的实现并最终形成私有财产神圣不可侵犯的财产权观念；基督教会传承的权力制约思想及基督教会对部分立法权和司法权的行使，与建立在商品经济基础上的自治城市及商人行使立法权、司法权等政治现象相耦合，使得国王等世俗的统治者习惯于只行使以税收权为主要标志的行政权，为近代分权学说的产生和分权制度的建立提供了历史和心理的基础。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。