中世纪

The palisades or fences enclosing the lists of a medieval tournament. Often used in the plural.

高围栏：用来围住中世纪马上比武大赛赛场的木栏或栅栏，常用复数 8。

The palisades or fences enclosing the lists of a medieval tournament.

用来围住中世纪马上比武大赛赛场的木栏或栅栏。

A medieval European pilgrim who carried a palm branch as a token of having visited the Holy Land.

圣地朝圣者中世纪欧洲的朝圣者，其带着一个棕榈枝作为到过圣地的标记

In many respects the council marked a pinnacle in the power and prestige of the medieval papacy.

在许多方面，理事会，标志着品尼高在权力和威望的中世纪教皇。

Papal sanctions are important in the medieval world, but they don't matter so much during the Enlightenment.

教宗制裁在中世纪是非常重要的，但是在文艺复兴时期并不重要。

Paracelsus the famous medieval alchemist, used to put it straight and simple: it's the dose that makes the poison.

paracelsus著名的中世纪方士，用来把它直接和简单的：它的剂量，使毒药。

The social states fought the assertion of the received rights and demanded to right of the participation in the administrations, so that imposed a condition upon the tyrannical kingdom, and established the parliamentarism.

各个社会阶层在维护已经获得权利的斗争中提出了参与的要求，以限制专制王权，由此在中世纪的晚期产生了议会制政体。

The combination of hushed reverence and overheated chromatic harmonies of Richard Wagner's late opera Parsifal fatally inflated the Holy Grail theme, while it brought the old medieval tale back into a wider public consciousness.

理查德 瓦格纳的晚期歌剧《帕西法尔》把寂静的庄严和热情的色彩结合和融洽起来，把古老的中世纪故事带回到更广泛的公众意识的时候，却致命地把圣杯主题夸大了。

Parterre is one of the most representative plant arrangement models in Europe in the middle ages.

古典模纹花坛是中世纪欧洲园林最具代表性的植物配置手法之一。

It partook of the mysticism of the late Middle Ages.

它partook的神秘主义的中世纪晚期。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。