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At night there was never a traveller passed my house, or knocked at my door, more than if I were the first or last man; unless it were in the spring, when at long intervals some came from the village to fish for pouts — they plainly fished much more in the Walden Pond of their own natures, and baited their hooks with darkness — but they soon retreated, usually with light baskets, and left "the world to darkness and to me," and the black kernel of the night was never profaned by any human neighborhood.

从没有一个人在晚上经过我的屋子,或叩我的门,我仿佛是人类中的第一个人或最后一个人,除非在春天里,隔了很长久的时候,有人从村里来钓鳘鱼,——在瓦尔登湖中,很显然他们能钓到的只是他们自己的多种多样的性格,而钩子只能钩到黑夜而已——他们立刻都撤走了,常常是鱼篓很轻地撤退的,又把"世界留给黑夜和我",而黑夜的核心是从没有被任何人类的邻舍污染过的。

It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness. Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex. Because of the southern Americans special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life.

第二章从福克纳创作的心理动势出发,对作者的创作发生及其创作的心理轨迹进行跟踪,认为,福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向,正是这种自主情结引导作者超越个人的局限,遨游于个人利害的范围之外,反映了超个人的、更为深邃的集体无意识,从而创作出了具有永恒艺术生命的作品;福克纳的小说创作及其相关主题的发生,在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分,是自卑情结积聚成优越情结,进而过分补偿的结果;同时,由于美国南方特殊的历史、政治及福克纳的生活遭际等原因,福克纳在几十年的创作生涯中,情系荒原,创造了约克纳帕塔法县这个精神王国,使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所。

Starting with the developments of the author\'s creation, the dissertation follows up the scent of the occurring of his novels and the\'track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner\'s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner\'s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author\'s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American\'s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发,对作者的创作发生及其创作的心理轨迹进行跟踪,认为,福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向,正是这种自主情结引导作者超越个人的局限,遨游于个人利害的范围之外,反映了超个人的、更为深邃的集体无意识,从而创作出了具有永恒艺术生命的作品和崇高的美学景象;福克纳的小说创作及其相关主题的发生,在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分,是自卑情结积聚成优越情结,进而过分补偿的结果;同时,由于美国南方(来源:A6c8cBC论文网www.abclunwen.com)特殊的历史、政治及福克纳的生活遭际等原因,福克纳在几十年的创作生涯中,情系荒原,创造了约克纳帕塔法县这个精神王国,使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所,其创作动因在于既关注对南方人们精神荒原的描绘,也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Starting with the developments of the author"s creation, the dissertation follows up the scent of the occurring of his novels and the"track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner"s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American"s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发,对作者的创作发生及其创作的心理轨迹进行跟踪,认为,福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向,正是这种自主情结引导作者超越个人的局限,遨游于个人利害的范围之外,反映了超个人的、更为深邃的集体无意识,从而创作出了具有永恒艺术生命的作品和崇高的美学景象;福克纳的小说创作及其相关主题的发生,在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分,是自卑情结积聚成优越情结,进而过分补偿的结果;同时,由于美国南方特殊的历史、政治及福克纳的生活遭际等原因,福克纳在几十年的创作生涯中,情系荒原,创造了约克纳帕塔法县这个精神王国,使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所,其创作动因在于既关注对南方人们精神荒原的描绘,也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Historically speaking, in accordance with the three phases of collective subjectivity, individual subjectivity, and species subjectivity, there have been three moral patterns ---- normative ethics, individual subjective morality, and discourse ethics, corresponding to which are three moral education patterns respectively of didacticism, individual subjectivity, and communication.

历史地看,与人类社会发展的三个阶段--群体主体、个人主体和类主体相一致,依次也有三种不同的道德范型:规范伦理、个人主体道德和商谈伦理,与这三种道德范型对应的道德教育范型分别是灌输式的、个人主体式的、交往式的。

On the other hand, I argu'd with my self, That this really was the way not to deliver my self, but entirely to ruin and destroy my self; for unless I was sure to kill every one that not only should be on Shore at that Time, but that should ever come on Shore afterwards, if but one of them escap'd, to tell their Country People what had happen'd, they would come over again by Thousands to revenge the Death of their Fellows, and 1 should only bring upon my self a certain Destruction, which at present I had no manner of occasion for.

另外,我也认识到,这种主动攻击野人的计划不仅不能拯救自己,反而会完全彻底地毁灭自己。因为,除非我有绝对把握杀死当时上岸的每一个人,还能杀死以后上岸的每一个人;否则,如果有一个人逃回去,把这儿发生的一切告诉他们的同胞,他们就会有成千上万的人过来报仇,我这岂不是自取灭亡吗?这是我当前绝对不应该做的事。

The third point, most difficult of all to understand, is that students of history seem intentionally to refuse to see that this march cannot be ascribed to any one man, that no one foresaw it at any time, that, like the retreat to Fili, the manuvre was, in reality, never conceived of by any one in its entirety, but arose step by step, incident by incident, moment by moment from a countless multitude of the most diverse circumstances, and is only conceived of in its entirety, when it is an accomplished fact, and has become the past.

第三,令人最难以理解的是,研究历史的人故意不愿看见,这次侧翼进举不能归功于任何一个人,在任何时候都没有任何一个人对它有所预见,从菲利的撤退也和它完全一样,在任何时候都没有任何一个人看清楚它的全貌,它是由无数的各种各样的条件一步一步地、一个事件接着一个事件、随着时间的推移逐渐显露出来的,只有当它已经完成和已经成为过去的时候,它的全貌才呈现出来。

Individual website is a of diversity Internet world fundamental strength all the time, attribute careless root kind more as a result of individual website, lack capital keep an eye on and professional group run, because of this numerous individual website can little ground gropingly is ongoing.

个人网站一直是多元化互联网世界的一支重要力量,由于个人网站多属于草根类型的,缺乏资金关照和专业团队的运作,因此众多的个人网站只能一点点地摸索着前进。

A person birth folding fan is near to have the traditional culture environment and the determination behavior rule society, individual incapably changes this kind of situation, in other words, a person then becomes the culture for the masses knot individ composition member from the birth which he is at, it only has gradually the approval and the adaption to this kind of culture for the masses knot individ.

一个人一出生便面临着一个具有传统文化环境和确定行为规则的社会,个人是无力改变这种情况的,也就是说,一个人从出生起便成为他所在的集团文化的组成成员,对这种集团文化它只有逐步地认同和适应。

These are: samadhi in which one gets Emancipated from the notion of matter by meditating on matter, samadhi in which one seeks Emancipation by meditating further on the external phase of matter, though internally the matter notion has already been done away with, samadhi in which one seeks Emancipation and its actualisation in one's own body through the meditation on purity, boundlessness-of-space Emancipation samadhi, boundlessness-of-consciousness Emancipation samadhi, existencelessness Emancipation samadhi, thoughtlessness-non-thoughtlessness Emancipation samadhi, and cessation Emancipation samadhi.

他们是通过对物质的冥想获得关于物质的观念的解脱的三摩地寻求进一步对外部阶段物质的冥想的解脱的三摩地,尽管是内部的这个物质的观念已经被去除了,通过对纯净的冥想在自己身体内部实现,一个人寻求在三摩地中解脱。无限空间解脱的三摩地非想非非想解脱三摩地,和终止解脱三摩地。

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