东西

A thousand times more fair, ten thousand times more rich, that only to stand high in your account, I might in virtues, beauties, Iivings, friends, exceed account. But the full sum of me, is sum of something, which, to term in gross, is an unlessoned girl, unschooled, unpractised. Happy in this, she is not yet so old that she may learn.

我会在道德、美貌、生活上和朋友上，超越自我，但是我的全部，大概是由这样一些东西构成的：一个从未涉世的女孩，没受过教育，没有经验，乐于认为她还没老到要开始学东西，更乐于认为她的教养没有闷到要开始学东西，最高兴的是，她温柔的心灵要交付给你来引导。

Smokers like their food scalding hot.often with a predilection forthe cloyingly sweet,and almost all the wares on offer were kept atthe requisite temperature over braziers of glowing charcoal chips,the sellers of hot ham rice cakes catering neatly to demand by alsocarrying rice cakes stuffed with sweet larded beanpaste or sugaredjujubes,whose consumption boosted the appetite for a late nightaround the lamp drawing heavily and deeply on a few more pipes.

欢吃烫热的东西，有的欢喜吃甜腻的东西。那些待沽的东西几乎全是烫热的，都搁在一个小炉子上，炉子里红红地烧着炭屑；而卖火腿热粽子的，也带着猪油豆沙粽，白糖枣子粽；这可谓恰投所好了；买来吃下去，烫的感觉，甜的滋味，把深夜拥灯的情味益发提起来了，于是又重重地深深地抽上几管烟。

I wish my work is both expressive and concretive. I would like to mix these to opposite concepts together and strive for it for many years.

我愿把自己当成个短跑运动员来看，希望我画的东西既有表现力，又激情得画出具象的东西，我想把这两个对立的东西融合在一起来表达，努力了这么多年。

At one time, a philosopher might have said,"The universal 'doghood' is a thing that does not change. Therefore, questions about its nature belong to metaphysics, the science of things that do not change. But dogs are things that change. Therefore, questions concerning the relation of dogs to doghood do not belong to metaphysics."

在一段时间，哲学者会说：&普遍性东西'狗-属'是一个不变的东西，因此，关于其nature的问题属于形上学，但是狗是可变东西，所以，'狗属'和'狗'的关系问题不属于形上学。&

The thing that there are any lazinesses in consciousness ", it is disturbed forever with what change, be one kind denies and change emptily, make serve as the person that is oneself thereby " it is its place is not not be its place is , not be what thing always wants to make what thing again forever.

意识中没有任何惰性的东西&，它永远是不安和变动的，是一种否定和虚无化，从而使作为自为的人&是其所不是又不是其所是，永远不是什么东西又总要成为什么东西。

Boy with eyes looking at you begging, he knew he had no feathers to the Princess to eat, but we have not been eating. More afraid of the boy, he can not afford to lose Yu Fei, he turned around in the bag, and try to find some things to eat, but ...... all of a sudden, his eyes, yes, he found the miracle is that Fei Yu-box Do not eat instant noodles, instant noodles, he immediately won, but the Gangan eat instant noodles how Fei Yu, Yu Fei did not have the strength. When the boys open the instant noodles, and there have been a miracle, even inside the meat, boys come up with a knife, chopped meat, a feather to a feed under the Princess. Another at a second time in the past, boys have been exhausted, he fell, the fourth day in the morning, the cave was opened, which re-launched into the sun, some of the passengers, including boys and girls were taken to hospital emergency treatment, because the boys Fei Yu Love left, and the boy was gone, with infinite love and comfort never left, even though he failed to accompanied Princess feather in the side, but he realized he had tears of angels and the desire to promise: I would like to Yu Fei at the expense of all.

男孩用乞求的目光看着大家，他知道自己已经没有可以给羽妃吃的东西了，但是大家也早已没有了吃的东西男孩更加害怕了，他不能失去羽妃，他在包里到处翻，希望可以找到一些可以吃的东西，然而……忽然，他眼前一亮，是的，他找到了奇迹，是那盒羽妃没有吃的泡面，他马上拿下泡面，可是干干的泡面羽妃怎么吃啊，羽妃已经没有力气了当男孩打开泡面时，又一个奇迹出现了，里面竟然有肉，男孩拿出刀子，把肉切碎，一口一口给羽妃喂下时间又一分一秒过去，男孩已经筋疲力尽，他倒下了，第四天早晨，山洞被打开了，里面重新射入阳光，一些乘客，包括男孩和女孩被医院带去抢救，羽妃因为男孩的爱留下了，而男孩却走了，带着无限的爱和宽慰永远离开了，虽然他没能陪在羽妃身边，但他实现了他在天使眼泪下的愿望和诺言：我愿意为羽妃牺牲一切

This is not only because the name "Dongxi" is monstrous and his novels are filled with "absurd","humorous" and "human organs", but because they are unique reveals and expressions of two main cultural themes—surviving and disaster—through "direct realism", and are showing stories and morals harmonistically through "straight to the nature", and most important, because Dongxi adopts fresh, unique and successful narrating skills and strategy in his writing.

这不仅是因为&东西&这一笔名的怪异和其小说富含&荒诞&、&幽默&与&身体器官&的特征，还因为东西的小说以一种&直接现实主义&对生存与苦难两大文化母题的独特揭示与表达和一种&直问本心&的人文精神的叙事伦理，更因为东西采用了比较新奇、独特而成功的叙事技巧与叙事策略。

Instead of updating inveracious and insignificant stuff, why not focus arrowhead on something instructive, or something meaningful.

与其一直更新一些不切实际不重要的东西，为什么不将方向指向更新学习提高学习性的东西或者有意义的东西。

To awaken means to realize one's nothingness, that is to realize one's complete and absolute mechanicalness and one's complete and absolute helplessness…When he begins to know himself a man sees that he has nothing that is his own, that is, that all that he has regarded as his own, his views, thoughts, convictions, tastes, habits, even faults and vices, all these are not his own, but have been either formed through imitation or borrowed from somewhere ready-made.

清醒意指了解一个人的一无是处，也就是了解一个人的完全且绝对的机械性以及完全且绝对的无助…当它开始认识自己他便开始看见他没有东西是属於他自己的，也就是说，所有他认为属於他的东西，他种种的见解、想法、深信不疑的、品味、习惯、甚至缺点与恶行，所有这些都不是他自己的，而是形成的，透过模仿或借用某处现成的东西。

But that the reference to delight is wholly different where what gratifies is at the same time called good, is evident from the fact that with the good the question always is whether it is mediately or immediately good, i. e., useful or good in itself; whereas with the agreeable this point can never arise, since the word always means what pleases immediately-and it is just the same with what I call beautiful.

假如我把令人享受的东西同时也称之为善的，那它与愉悦的关系就截然不同，这从下面就可以看出：善总是伴随这样的疑问：是间接的善还是直接的善（是作为手段的善还是自身为善）；但对快适来说完全不可能存在这个问题，因为快适这个词总是指向某种直接令人欢喜的东西（这与我称之为美的东西的情况一样）。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。