东

You must except, nevertheless, Marcus Antonius, the half partner of the empire of rome , and Appius Claudius, the decemvir and lawgiver

因为伟大的事业只有罗马的安东尼和克劳底亚是例外(3)。

Moreover, Antonius' behavior became more erratic with each day.

更有甚者，安东尼奥斯的行为开始变得日渐异常。

Accused of daedra worship, Antonius and Aia were chased from the city into the night.

由于被怀疑搞迪德拉崇拜，安东尼奥斯和艾尔被连夜驱赶逐出了城市。

Deprived of sleep and tormented with visions of unspeakable horror, Antonius wandered the streets at night, muttering in the strange language.

受到失眠和不可名状的恐惧的困扰，安东尼奥斯整夜徘徊在街道上，用奇怪的语言喃喃自语。

You must except, nevertheless, Marcus Antonius the half partner of the empire of Rome,and Appius ''.

然而你必须把曾为罗马帝国一半之统治者的安东尼和十人执政之一及立法者阿皮亚斯·克劳底亚斯作为例外

Though he begged her to join him, Aia refused, sensing the passing of the last shreds of human reason within Antonius.

虽然他请求艾尔与他同行，但感到安东尼奥斯身上的最后一点人性已经消失，艾尔还是拒绝了他。

You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems that love can find entrance, not only into an open heart, but also into a heart well fortified, if watch be not well kept.

你可以看到，一切真正伟大的人物（无论是古人、今人，只要是其英名永铭于人类记忆中的），没有一个是因爱情而发狂的人：因为伟大的事业抑制了这种软弱的感憎。只有罗马的安东尼和克劳底亚是例外。前者本性就好色荒淫，然而后者却是严肃多谋的人。

Tower to Antonov, what the hell are you doing?

塔台呼叫安东诺夫，你在做什么啊？

Antonov ASTC is engaged in designing and building new prototype aircraft and modifications of earlier designs.

安东诺夫ASTC公司专门从事新的原型飞机的设计和制造以及以前飞机的改型。

I found us a plane. An Antonov.

我找到一架飞机，一架安东诺夫

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。