东

So he said to Antonio, Don't accept this proposal.

因此他对安东尼奥说：『不要接受他的提议。

Are you Antonio,and is this your agreement with Shylock?

你是安东尼奥？这是你和夏洛克的纠纷？

Antonio: So, which one is she?

安东尼奥：那么，哪一个是她？

Give me three times more than Antonio borrowed from me.

给我安东尼奥借的三倍的钱。

So if you were Antonio, you would pay him with your flesh.

所以如果你是安东尼奥，你愿意用自己的肉来偿还？

I live in San Antonio, Florida.

我住在圣安东尼奥，佛罗里达州。

Antonius Block: No. I never stop.

安东尼奥斯·布罗克：不，我决不停止。

Antonius, and then, after the fall of Perusia in 40, fled to Sicily where Sex.

安东尼乌斯，在佩鲁西亚陷落之后又逃到了西西里，在那里，S。

Upon his return home, Antonius carried with him a bow which he claimed as a trophy of the mission.

他回家后，安东尼奥斯随身带回了一把弓，他说这是这次任务的奖品。

Despite its repulsive state, Antonius compulsively kept the bow close to him, as if in fear of its influence.

尽管它的样子令人厌恶，安东尼奥斯却着魔般的一直带着这把弓，好像被它的影响力所掌控恐吓着一样。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。