东

The Park Guell,located on a hillside in Barcelona ,Spain, is one of the masterpieces of Antonio Gaudi an outstanding architect.

古埃尔公园建于西班牙巴塞罗纳一座山坡上，是杰出建筑师安东尼奥·高迪的代表作之一，始建于1900年。

In this version, the spike columns were given heavily textured surfaces, employing a style reminiscent of Antonio Gaudi, architect of Barcelona's Cathedral of the Holy Family in Spain.

在这个设计里，尖顶圆柱被赋予一种沉重粗糙的表面，使用了一种安东尼奥·古地——西班牙巴塞罗纳圣家族大教堂的建筑师——的怀旧式样。

Temple Expiatori de la Sagrada Familia by Antonio Gaudi, Royalty-Free Stock Photo Image Collection on CD.

庙expiatori德香格里拉sagrada家庭，由安东尼奥高迪（巴塞罗那，加泰罗尼亚，西班牙），免版税，风景， Photo图像采集的

Half of your money is now Antonio's.

你的财产的一半现在是安东尼奥的了。

"Don't worry," said Antonio. I know what you can do.

"别担心，"安东尼奥说，我知道你该怎么做。

Antonio: I do what I can.

安东尼：有什么我可以做的。

But as your punishment,half of your money is now Antonio's.

但因为你的惩罚，你的一半钱现在在是安东尼奥的。

Let me see this agreement,this promise of Antonio to you.

让我看看这份协议，这是安东尼奥答应你的。

Antonio is my enemy, and I hate him.

安东尼奥是我的敌人，我恨他。

Antonio is my enemy,and I hate him.

安东尼奥是我的士兵，我恨他。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。