世纪之交的

When we see Clytemnestra, she is in an almost drug-crazed panic. She's having the archetypal nightmare of turn-of-of-the-century Vienna. But taken to an extreme, and taken into a kind of close-up that is still uncomfortable to watch.

当我们看到克吕泰涅斯特拉时，她几乎处在一种被毒品麻醉的疯狂状态，那种世纪之交的维也纳典型的梦魇，在歌剧中，这种梦魇被发挥到了极致，成为一个特写镜头让人看了很不舒服。

The Livingstone phenomenon, which appears in England in turns of the century, has profound reasons of economics, politics and the social environments.

利文斯通现象出现于世纪之交的英国，有着深刻的经济、政治和社会环境方面的原因。

Millennium Bug (referring to a computer system confusing the year 2000 with 1900); millennium

所有可靠的证据表明，2000年病毒在世纪之交的时候会造成全世界计算机系统的混乱。

In this great epoch at the turn of the century, our motherland is developing toward greater prosperity and powerfulness. People across the Taiwan Straits are bound to strengthen their

在世纪之交的伟大时代，我们的祖国正在走向繁荣富强，海峡两岸人民也将加强交流，共同推进祖国统一大业的早日完成。

Constructed at a cost of nearly $2 million, the building is a beautiful example of Chicago's turn-of-the-century architecture.

花费了2百万美金巨资打造的这幢大楼是芝加哥所有建于世纪之交的建筑的美丽典范。

But while there were countless bicycle shops in turn-of-the-century America, in only one were wings being built as well as wheels.

虽然在当时世纪之交的美国，有着数不清的自行车公司，但只有一个在造轮子的同时造出了翅膀。

And in turn-of-the-century America, the country of Benjamin Franklin, individualism, and self-reliance, it was almost inevitable that the notion of survival of the fittest be applied to competition among individual people as well as the evolution of species Gould, 1981

在世纪之交的美国，本杰明富兰克林，信奉个人主义和自立更生，这都使的"适者生存"的理念和"物竞天择"的观念在人们心中得以普及。

At the turn of the century the Wesleyan tradition, then deeply embedded within the Holiness movement, splintered.

在世纪之交的卫斯理大学的传统，然后深深嵌入的神圣运动，四分五裂。

Born in Israel, Gil Rimmer studied Industrial Design at the Vital center of design in Tel Aviv.

在本教程中，Gil Rimmer同时设计两个动画角色，Francis 与Paulo 。他们是一个虚构的世纪之交的大都市里的典型拳击手形象。

In this DVD, Gil Rimmer simultaneously develops two characters, Francis and Paulo, who are classic pugilists in a fictional turn of the century metropolis.

在本教程中，Gil Rimmer同时设计两个动画角色，Francis 与Paulo 。他们是一个虚构的世纪之交的大都市里的典型拳击手形象。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。