世纪

The streets of old market towns and country villages are often infinitely pleasing and harmonious, with the half-timbered houses of the 16th century in the south and midlands, and the dignified town terraces of the 18th and early 19lh centuries in many parts of the country.

旧集市和村庄的街道总是那么和谐那么赏心悦目：南部和中部是建于16世纪的半木结构的房屋，而建于18世纪和19世纪初庄严的排屋则散布在小镇的其他地方。

In the preparation of this book, a few of my friends have been especially helpful with their contributions and advice: Po Chuyi of the eighth century, Su Tungp's of the eleventh, and that great company of original, spirits of the sixteenth and seventeenth centuries- the romantic and voluble T'u Ch'ihshui, the playful, original Yuan Chunglang, the deep, magnificent Li Chown, gay old hedonist Yuan Tsets'ai, and the bubbking, joking, effervescent, Chin Shengt'an-unconventional souls all, men with too much independent judgment and too much feeling for things to be liked by the orthodox critics, men too good to be "moral" and has too moral to be "good" for the Confucianists.

我写这书的时候，他们藉着贡献和忠告，给我以特殊的帮助，第八世纪的白居易，第十一世纪的苏东坡，以及十六、十七两世纪那许多独出心裁的人物——浪漫潇洒，富于口才的屠赤水；嬉笑诙谐，独具心得的袁中郎；多口好奇，独特伟大的李卓吾；感觉敏锐，通晓世故的张潮；耽于逸乐的李笠翁；乐观风趣的老快乐主义者袁子才；谈笑风生，热情充溢的金圣叹——这些都是脱略形骸不拘小节的人，这些人因为胸蕴太多的独特见解，对事物具有太深的情感，因此不能得到正统派批评家的称许；这些人太好了，所以不能循规蹈矩，因为太有道德了，所以在儒家看来便是不"好"的。

Our record shows a palaeoenvironmental transition from a warm 'greenhouse' world, during the late Palaeocene and early Eocene epochs, to a colder 'icehouse' world influenced by sea ice and icebergs from the middle Eocene epoch to the present.

我们的记录显示一幕由古老环境由处于旧世纪晚期和新世纪早期温暖的'温室'世界向由从新世纪中期到目前由海冰和冰山造成的比较寒冷的'冰室'世界转变。

The twenty-first century is a new century in which intellectual economy will develop impetuously.

21世纪是知识经济迅猛发展的新世纪，这个世纪的游戏规则将是：知识雇佣资本，知本家雇佣资本家。

At the beginning of 18th century, the neoclassic principle becomes the fashion, 18th century are the prose century, Johnson's 散文集 Latin prose inelegance, the imposing manner and English prose are vigorous and simply in a body.

在18世纪初，新古典主义成为时尚，18世纪是散文的世纪，约翰逊的散文集拉丁散文的典雅，气势与英语散文的雄健和朴素于一体。

Theologians now find themselves comfortable with a much more flexible concept of scriptural inerrancy, and consequently of inspiration, than was possible after the great religious controversies of the sixteenth century and before the era of modern biblical scholarship in the nineteenth and twentieth centuries.

神学家现在发现自己舒服更灵活概念圣经无误，因此灵感，而不是有可能在重大的宗教争议的16世纪之前的时代，现代圣经奖学金在19世纪和20世纪。

Images include photographic gems by key early circus photographers such as Frederick Whitman Glasier and Edward Kelty, about 180 of the earliest color photographs ever taken of the circus from the 1940s and 1950s, 200 posters by the famous Strobridge lithographers, iconic circus photographs by Mathew Brady, Cornell Capa, Walker Evans, Weegee, Lisette Model, and little-known circus images by Stanley Kubrick and Charles and Ray Eames; also included are rare color and black-and-white lithographs and engravings from the 16th-19th centuries illustrating the worldwide roots of the circus, as well as original sideshow banners by legendary sideshow banner artists Nieman Eisman, Fred G.

图象由钥匙早期的马戏摄影师包括摄影宝石例如 Frederick Whitman Glasier 和爱德华 Kelty ，大约 180 最早期的颜色照片拍摄从 20 世纪 40 年代的马戏和 20 世纪 50 年代，200 张海报由著名 Strobridge 平版家，偶象马戏照片由 Mathew Brady ，康奈尔Capa ，步行者伊万斯、Weegee、Lisette 模型和罕知的马戏图象由斯坦利}39； Kubrick 和查尔斯和光芒 Eames；也包括罕见的颜色和从说明马戏的全世界根的 16 第 19 个世纪的黑白平板印刷和板刻，以及原始的杂耍横幅由传奇杂耍横幅艺术家 Nieman Eisman ，弗雷德 G。

How enterprises can find their own core competitive advantage to realize that If they know themselves and their enemy, they'll never lose a battle,and how to show their strong points and hide their weaknesses are both problems that many enterprises are faced with. The 21st century is the century of "competitiveness", also is the century of spread's leading to win, the more is much attention to brand.

企业如何能找到自身的核心竞争力，做到"知己知彼，百战不殆"，如何能扬长避短，发挥自身优势是许多企业面临的问题。21世纪既是"竞争力"的世纪，也是传播制胜的世纪，更是一个讲求品牌的时代。

It will be seen, however, that majolica can give significant indications regarding the use and disuse of certain instruments over the centuries as well as being a depositary for the conservation, uncontaminated by time, of images narrating past realities; we will see, for example, how during the Renaissance the lute and the vielle were widespread, as was the organ, whether portative or positive; we no longer encounter these in baroque majolica and it is above all the violin which we find in majolica of the Eighteenth Century.

人们会注意到，通过对陶器的观察，我们可以知道在那几个世纪的年代中，人们喜欢用哪些乐器，不喜欢用哪些乐器。陶器上还画有关于过去人们生活的写照，这些图画虽经岁月却依然清晰。例如，我们可以看到，在文艺复兴时期，鲁特琴和vielle (或叫 lira da braccio)非常流行，而可携带的或固定的风琴也很流行。在十七世纪的陶器中，我们就看不到这种情况了。而在十八世纪的陶器中，我们只能看到小提琴了。

The studies of McCarthyism in America have gone through three stages. From 1950s to the middle of 1970s is the starting stage. The prosperous stage which I called is from the middle of 1970s to 1990s. In this period, great achievements have been made and some relevant problems have been studied. After 1990s, though the passionate of the studies of McCarthyism has relatively passed, it is still a focus the scholars paid attention to.

美国史学界对麦卡锡主义的研究可分为三个阶段。20世纪50～70年代中期是起步阶段。20世纪70年代中期～90年代初期取得重大成果，相关问题的研究在这一时期展开，可以说是对麦卡锡主义研究的繁荣阶段；20世纪90年代以后对麦卡锡主义研究的热情相对减弱，但仍是学者们关注的焦点。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。