世纪

Following this context and along different viewpoints of personality-character arrangement and music interpretation for love and death, this research is trying to explore: firstly, comparing the characters of Jago Otello and Desdemona separately in original text with them in opera text, the specific aesthetic viewpoints of conflict and evil in nineteenth century would in this way be clarified. Hence, basing on the ending of the act IV in the opera, the representation of different viewpoints of death in nineteenth century from that in the era of Shakespeare will be musically interpreted.

对此，本研究没要从人物性格的设计以及音乐里如例诠释爱与死的看法两方面进行探讨：首先比较原著与歌剧文本在Jago、Otello、Desdemona三人情格刻划方面的差异，藉此突显属於十九世纪时代的对立冲突性以及恶的美学观；尔后，再以歌剧中第四幕的结束场景为出发点，探究音乐手法如何同样地反映出十九世纪有别於莎士比亚时代的死亡观。

Jaques Henri Lartigue is one of the most important photographers in 20 century, his photos vividly documented his life as well as the French society for almost one century.

雅克·享利·拉蒂格（1894-1986）是20世纪最重要的摄影大师之一，他的作品栩栩如生地记录了其个人生活和法国近一个世纪的社会风貌。

Before the middle of the nineteen century, around 1850, before this time, everything was political economy, but around the middle of the nineteen century, a group of people broke with political economy to start economics, you don't need to know the names, Marshal, Jevons, mostly British political economist who wanted more scientific, more narrow, more focused on scholarship, no focus on history.

在19世纪中叶以前，也就是1850年左右，在此之前，一切都是政治经济学的范畴，但是到了19世纪中叶，一群人打破了政治经济学的领域，开创了经济学，大家无需知道每个人的名字，有马歇尔，杰文斯，他们中大多数原本是英国政治经济学家，他们想要更科学化，更精细，更专注于学术，而不是关注历史。

In the 19th century Léon Walras and William Stanley Jevons both started their work with a view to importing the insights of physics into the economic sphere.

经济学家总是热衷于借鉴自然科学的基本原理。19世纪，莱昂·瓦尔拉(Léon Walras)和威廉·斯担利·杰文斯都开始着眼于将物理学的真知灼见引入经济学领域。20世纪初，伟大的新古典主义经济学家欧文·费雪甚至是在物理学家的指导下撰写的自己的博士论文。

Economists have always been keen to borrow principles from the hard sciences. In the 19th century Léon Walras and William Stanley Jevons both started their work with a view to importing the insights of physics into the economic sphere.

经济学家总是热衷于借鉴自然科学的基本原理。19世纪，莱昂·瓦尔拉(Léon Walras)和威廉·斯担利·杰文斯都开始着眼于将物理学的真知灼见引入经济学领域。20世纪初，伟大的新古典主义经济学家欧文·费雪甚至是在物理学家的指导下撰写的自己的博士论文。

Here lies Walpole's legacy for, as Mr Pearce puts it, he "created the politics of the next hundred years", perfecting the system of jobbery and rotten boroughs that was swept away only by the Reform Acts of the 19th century.

这样，沃波尔完善了假公济私和腐败选区的系统，一直遗留到19世纪的"改革法案"才被扫除。正如皮尔斯所说，"他创造出了后面几个世纪政治学"。

People look on the question differently in nineteenth and twentieth century. FromField Code in 1848 to Federal Rules of Civil Procedure in 1938 different systemsabout joinder of parties are established in legislature and judicial practice, but thediscussion continues behind it, and how to join parties is still a problem which has notassured answers.

在当事人合并制度方面，19世纪和20世纪对这一问题的认识是不同的，从1848年的Field法典到1938年的联邦民事诉讼规则，立法和实务虽然确立了不同的当事人合并制度，但其背后却在延续着争议，如何合并当事人仍是一道没有确定答案的难题。

Jhering, lived in Germany in 19 century, who is one of the greatest jurisconsult in that century of Western Europe.

中文摘要：生活在19世纪的耶林，是那个世纪西欧最伟大的法学家之一。

Justina of Padua. In Italy the chief groups had their centres at Cluse in Piedmont, at Fonte Avellana, which united to the Camaldolese congregation in 1569, La Cava, which joined the congregation of St. Justina in the fifteenth century, and Sasso-Vivo, which was suppressed as a separate federation in the same century and its forty houses united to other congregations of the Benedictine family.

在意大利的主要群体有其中心Cluse在皮埃蒙特，在丰特Avellana ，其中美国的Camaldolese聚集在1569年，拉卡瓦，其中加入了教会的圣太在15世纪，和萨索体内，这是抑制作为一个单独的联合会在同一世纪，其第四十四房屋统一到其他教区的本笃家庭。

Mandalas existed at early Buddhist centers in central Asia, e.g. Dunhuang and Khotan, both frequented by Tibetans during the eighth and ninth centuries.

曼陀罗存于于早期中亚的佛教中心，两者在八世纪和九世纪都与西藏有密切来往。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。