世界时间

To let these similar pictures which were largely identical but with minor difference present themselves together, perhaps this was one of the real purposes, because only with such presentation could you see a realistic as well as a surrealistic world,a conjecturally invented as well as really existing world, a world which you have already placed yourself thereinto while you have no regard for, a world of "no value,but a value judgement itself",a world among which time and space has been twisted and interveined.

让这些看似大同小异的照片集体呈现，也许才是其目的之一，因为只有在这样的呈现中，你可以看到一个既是现实的却又是超现实的世界，一个既是臆想虚拟的却又是真实存在的世界，一个已经置身其中却又置之度外的世界，一个"没有任何价值，但本身就是价值判断"的世界，一个扭曲交错了时间和空间的世界。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

Not a single person has more time in any 24-hour day than you have-not the CEO of the world's largest corporation, not the president of the United States, not the parent of ten children-not even Bill Gates.

在每天的24个小时中，没有一个人会比你的时间更多。世界上最大的公司的CEO不会比你的时间多，美国总统不会比你的时间多，10个孩子的父母不会比你时间多，比尔盖茨的时间也不比你多。

For my purpose is not to furnish mere matter of much talk, but to throw light upon the number of years from the foundation of the world, and to condemn the empty labour and trifling of these authors, because there have neither been twenty thousand times ten thousand years from the flood to the present time, as Plato said, affirming that there had been so many years; nor yet 15 times 10,375 years, as we have already mentioned Apollonius the Egyptian gave out; nor is the world uncreated, nor is there a spontaneous production of all things, as Pythagoras and the rest dreamed; but, being indeed created, it is also governed by the providence of God, who made all things; and the whole course of time and the years are made plain to those who wish to obey the truth.

我的目的不是为了提供单纯的事多谈，但以投掷轻后数年内，从基础的世界，并谴责空洞的劳动和琐碎的这些作者，因为那里既没有得到20000倍， 10 1000年，从洪水到现在的时间，正如柏拉图说，肯定有过了这么多年，也尚未15倍10375年，正如我们已经提到apollonius埃及了，也不是世界uncreated ，也不是有自发生产的所有事情，因为毕达哥拉斯和其余梦想，但目前确实造成了，它也是由普罗维登斯的上帝，谁做好了各种东西，以及整个过程中的时间及年资，都是平原那些要服从真理。

Though space, time and causality (together with logic and substance) organiseour world," he writes at one point,"the paradoxes that infect theseconcepts—space and time being neither finite nor infinite, choices beingneither caused nor uncaused—prove they are not part of the self-consistentworld but part of our not-necessarily-consistent minds.

虽然我们的世界是由空间、时间和因果关系组织在一起的，"比如他说，"但是隐含在这些概念中间的矛盾——空间与时间之有限与无限，影响选择之外因及内因——证明它们并非属于自相一致的世界而是属于我们未必一致的思想。

This thesis is composed to the following contents: in Chapter 2, it is mainly focused on the necessity of recognition for the universe of discourse out of a new point of view, that is, its point of view on the basis of the dialectical world outlook and the regular order arrangement between relative temporal meaning and absolute temporal meaning which the professor, MA QING-ZHU have suggested in Chinese and propose the background of UGFF theory.

本文是对"的"字结构的系统的阐述，在论文中首先是显示了在"的"字结构里，其先行词组和后行词组之间的关系功能，进而是以代词的约束方向及相对时间世界与绝对时间世界之间的区别作为先行论据，提出了形式和功能统一语法（Unifying Grammar of Form and Function，简称UGFF）的基本模型。

Moon I watch you spin from afar I drink you in and breath you out I'm camouflaged by the timeline I'm camouflaged when the sun shines Two ships passing in the night [01:17.72]Two lips pressing ground the tides [01:28.98]I believe the world it spins for you [01:39.97]We will never be, I am the moon [01:51.24]I believe the world it spins for you [02:02.57]We will never be, I am the moon [02:13.49]I long to be a part [02:24.07]I isolate my heart [02:34.96]You've drawn me into your world [02:46.65]Now I too spin limbless [02:57.34]One hand clapping, where's the wind [03:08.73]I stand spanning at your distant wings [03:20.62]I believe the world it spins for you [03:30.89]We will never be, I am the moon [03:42.90]I believe the world it spins for you [03:57.78]We will never be, I am the moon [04:03.95]I believe the world it spins for you [04:16.12]We will never be, I am the moon

我看你自旋远方我喝你在和呼吸你出我很伪装的时间线我很伪装阳光照两个船舶通过在夜里 [01：17.72]按下的两个唇地面潮汐 [01：28.98]我相信它旋转为你的世界 [01：39.97]我们永远不会，我月亮 [01：51.24]我相信它旋转为你的世界 [02：02.57]我们永远不会，我月亮 [02：13.49]我渴望一部分 [02：24.07]我找出我的心 [02：34.96]您已经卷入我你的世界 [02：46.65]现在我太自旋 limbless [02：57.34]一只手鼓掌的风在哪里 [03：08.73]我站在你遥远的翅膀跨越 [03：20.62]我相信它旋转为你的世界 [03：30.89]我们永远不会，我月亮 [03：42.90]我相信它旋转为你的世界 [03：57.78]我们永远不会，我月亮 [04：03.95]我相信它旋转为你的世界 [04：16.12]我们永远不会，我月亮

Eschatology concerns antinomy in blessing and cursing, destroying and producing, and attributes the destructive time to man's original sin, which will lead to the end of the world. Meanwhile, eschatology combines the cyclical time with religious pilgrimage, thus bringing forth the function of production and creation, and moreover, assumes that time is in a state of spatialization during the chaotic period of creating a new world or a new age.

末世论&赋予时间以祝福和诅咒、摧毁和催生的基督教二律背反特征，将时间的线性运动所带来的摧毁性质归咎于人的原罪，并认为原罪所生发的邪恶时间导致了世界末日的来临；与此同时，&末世论将时间的圆形运动与宗教朝圣联系起来，形成了时间的催生和创世功能，而在创世的混沌时刻，时间的表现形态则是空间化的。

In this study, World Elite Women 400 m Hurdlers for study, and through the published literature for the results of the world Elite 31 Women 400 m Hurdlers (53.923 s±0.668), 0-10-1 hurdle time and steps, 1-10 hurdle and the time between steps, 10 hurdle and the end time and so on. With the use of Microsoft Excel 2003 software to analyze raw data, then use SPSS11.5 software on the mathematical statistics data processing, summed up the results, analysis and comparative studies.

本研究以世界优秀女子400m栏运动员为研究对象，通过已公开发表的文献资料获得世界优秀女子400m栏运动员31人的比赛成绩(53.923 s±0.668)，0-1栏时间和步数、1-10栏各栏间时间和步数、10栏-终点时间等原始数据，使用Microsoft Excel2003软件对原始数据进行必要的计算，再运用SPSS11.5软件对有关数据进行数理统计处理，对结果进行归纳、分析与比较研究。

Sometimes I just feel like, quitting I still might Why do I put upthis fight, why do I still write Sometimes it's hard enough just dealin wit real life Sometimes I wanna jump on stage and just kill mics And show these people what my level of skills like But I'm still white, sometimes I just hate life Something ain't right, hit the brake lights Case of the stage fright, drawin a blank light Da-duh-duh-da-da, it ain't my fault Great big eyeballs, my insides crawl And I clam up, I just slam shut I just can't do it, my whole manhoods Just been stripped, I have just been vicked So i must then get, off this bus then split Man fuck this shit yo, I'm going the fuck home World on my shoulders as I run back to this 8 mile road I'm a man, I'ma make a new plan Time for me to just stand up, and travel new land Time for me to just take matters into my own hands Once I'm over these tracks man I'ma never look back (8 mile road) And I'm gone, I know right where I'm going Sorry mama I'm grown, I must travel alone Ain't gunna follow these footsteps, I'm making my own Only way I know how to escape from this 8 mile road I'm walking these train tracks, tryin to regain back the spirit I had fore I go back to the same crap To the same plant, in the same pants Tryin to chase rap, gotta move ASAP And get a new plan, mommas got a new mam Poor little baby sister, she don't understand Sits in front of the T.V, buries her nose in the pad And just colors until the crayon gets dull in her hand While she colors her big brother, her mother and dad Ain't no tellin what really goes on in her little head Wish I could be the daddy that neither one of us had But I keep runnin from something I never wanted so bad!

有时候，我不安，因为我不是尚未引爆这就像我长大的，但我是不会长大我两个坚果尚未不要有代表我的一步，没有获得足够的肽的压力很大的人，我只是设法做最新最好的和我尝试，单独坐在我哭泣哟我不会告诉任何谎言，而不是目前的推移我不祈求天空，请我开始你的上帝请不要让我bitchin holdin没有固定工作哟我希望你能听到我家无论身处何地哟我tellin您dawg我白琳这拖车明天告诉我的妈妈我爱她，亲吻婴儿的妹妹再见说你需要我whenevr婴儿我永远远但是，你我有爱摆脱的唯一途径，我知道和我回到你的第二个，我的打击我拥有的一切，我会成为我自己去工作，我去，回到这个八英里道我一个人，我作出了一项新的计划时间对我来说，只是站起来，新的土地和旅行时间对我来说，只是考虑到我的问题自己手中一旦我对这些歌曲的人我从来没有回头看（ 8英里路）和我走了，我知道在那里我会对不起妈妈我长大，我必须单独旅行不是贡纳按照下列脚步，我让我自己唯一的办法，我知道如何摆脱这个8英里道你得活到觉得，你没有你不会得到它或看到什么大问题是，为什么这不是skillest 这是walkin寄宿线底特律城市的界限这是不同的，这在一定意义，证书的真实性，您甚至从来没有见过但everthing对我来说，这是我的信誉你从来没有见过或听说闻见了一个真正的三菱商事谁是难以置信的相同pedastal为我可是我仍然未签名的，有一个粗略的时间坐在门廊智慧我的所有朋友和踢哑巴儿歌去工作和服务三菱商事的在lunchline 但是在关键时刻，我punchlines哪里去谁，我必须表明，我国流动到胸部如果要我去，我必须知道谁还是我刚才在另一个蟹斗因为我不是没有运气havin与这个小兔子，以便他妈的它也许我需要一个新的出路，我startin怀疑狗屎我有点怀疑feelin谁余空闲时我看起来像一个流浪汉，你我的衣服是不是狗屎在救世军设法挽救一个装备和它的冷设法前往这道另外我觉得对滞留在该battlin模式我的防守是如此，并有一件事我不想遗憾的是没有人，这个城市是没有乐趣没有太阳，真是太黑暗有时候，我只是觉得我被分开从每一个我的四肢，每一个我的一个朋友这足以使我只是想跳出我的皮肤有时我觉得自己像一个机器人，有时我只是不知道是我的乐队我的打击，我的头是一个炉灶顶部我只是爆炸，水壶会这么热有时候，我的嘴刚刚超载的屁股，我没有但是，我学到了，现在是时候让我掉头你只需要一个时间，我引火烧身不是不属于任何下一次我遇到一个新的女孩我可以不再扮演笨或未成熟我每一个组成部分，我需要的是勇气就像我已经有了节拍，所有我需要的话得到的冲动，突然它的进口激增突然爆发的一个新的能源已经发生时间显示这些自由世界领导人在三个第三我不再害怕现在，我作为一个自由鸟然后我又和越过中间遏制击中动词和所有你看到的是一个模糊的8英里道我一个人，我作出了一项新的计划时间对我来说，只是站起来，新的土地和旅行时间对我来说，只是考虑到我的问题自己手中一旦我对这些歌曲的人我从来没有回头看（ 8英里路）和我走了，我知道在那里我会对不起妈妈我长大，我必须单独旅行不是贡纳按照下列脚步，我让我自己唯一的办法，我知道如何摆脱这个八英里道

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。