世上的

Sloan introduced an array of products that announced their owners' standing in the world: As Fortune put it,"Chevrolet for the hoi polloi ..., Pontiac...for the poor but proud, Oldsmobile for the comfortable but discreet, Buick for the striving, Cadillac for the rich."

斯隆说各种车代表了车主的在世上的地位，正如《财富》杂志所说"雪佛兰车是给社会大众开的，庞蒂克车---穷而好面子的人开的，奥斯默比车是贪图舒适而精打细算的人开的，别克车是创业者开的，卡迪拉克车是富人开的"。

And, since Mr. Dimmesdale had taken her in charge, the good grandams chief earthly comfort- which, unless it had been likewise a heavenly comfort, could have been none at all- was to meet her pastor, whether casually, or of set purpose, and be refreshed with a word of warm, fragrant, heaven-breathing Gospel truth, from his beloved lips, into her dulled, but rapturously attentive ear.

而由于丁梅斯代尔先生已经对她负起责任，这位好心的老太婆在世上的主要安慰--若不是这种今世的安慰也是一种天国的安慰，也就算不得数了--就是同她的牧师会面；不期而遇也罢，专程拜访也罢，只要能从他那可爱的双唇中说出片言只语的带有温馨的天国气息的福音真谛，送进她那虽已半聋却喜闻恭听的耳朵中，她就会精神焕然一新。

But the plight of the world compels his unwilling attention, and when he sees that human stupidity and greed are about to plunge Europe into chaos and destroy the most glorious civilization which the worlds had destroy the feels that it is high time for men of good sense and good will to intervene and to take politics out of the hands of the plutocrats of the Right and the woolly-minded idealists of the Left.

但是世上的困境迫使他关注自己所不情愿关注的事务。当他看到人间的愚蠢和贪婪即将使欧洲陷入一片混乱，并且将摧毁人类所经历的最辉煌的文明的时候，他觉得这该是从右派财阀和头脑朦胧的左派理想家的手中把政治夺过来的恰当时候了。

Each safe life in the world person, constantly does not bathe on the creek which the parents love, that is bay supple supple dear ones, light showing loving concern with the deep hope, silent accompanies us to pass through an spring, summer, fall, and winter, we also slowly aged, the parents have been also older, only was the look which was concerned to the children such is still sincere, limpidly, as soon as saw the bottom!

每一个平安生活在世上的人，无时无刻不沐浴在父母爱的小河上，那是一湾柔柔亲情、淡淡的关爱和深深的期盼，无声无息中相伴我们走过一个又一个春夏秋冬，我们也慢慢变老了，父母的也更老了，只是对儿女关切的眼神仍那样深切、清澈，一望见底！

Some were born in the rich while others in the poor.The problems of life always more or less hang in the heart of each person.It is resulting the same consequence for the vagabond who is fallen to wander in the streets and the presental class' figures,although during the course from being born to the earth to entry to tombs silently there are full of various and different things.One is born without anything and dies without taking anything.

有人生来富贵，有人生来贫寒，好多的人生问题总是或多或少挂在世上的每个人心间，但是从一个游落街头的流浪汉到国家的总统级人物在呱呱落地到默默倒下进入坟墓，虽然过程充满了太多的不同，但两个结果相同，生，赤裸裸的生，死，活生生的死。

And as the mole on my right breast is where it was when I was born, though all my body has been woven of new stuff time after time, so through the ghost of the unquiet father the image of the unliving son looks forth.

尽管我的肉身反复用新的物质编织起来，我右胸上那颗胎里带来的痣还在原先的地方。同样地，没有生存在世上的儿子的形象，通过得不到安息的父亲的亡灵，在向前望着。

It is in virtue of his own desires and curiosities that any man continues to exist with even patience, that he is charmed by the look of things and people, and that he wakens every morning with a renewed appetite for work and pleasure.

人们之所以有持久的耐心生存下去是因为他们的愿望与好奇心，由于这两样，人们对于世上的一切总是兴致勃勃，每天早上醒来的时候便重新充满了对工作的热情和对快乐的渴求。

And see no end to the landscape,new objects presenting themselves as we advan ce;so,in the commencement of life,we set no bounds to our inclinations.nor to the unrestricted opportunities of grastifying them.we have as yet found no obs tacle,no disposition to flag;and it seems that we can go on so forever.we look round in a new world,full of life,and motion,and ceaseless progress;and feel in ourselves all the vigour and spirit to keep pace with it,and do not foresee from any present symptoms how we shall be left behind in the natural course o f things,decline into old age,and drop into the grave.it is the simplicity,and as it were abstractedness of our feelings in youth,thatidentifie s us with nature ,and(our experience being slight and our passions strong)delu des us into a belief of being immortal like it.our short-lives connexion with existence we fondly flatter ourselves,is an indissoluble and lasting union-a h oneymoon that knows neither coldness,jar,nor separation.as infants smile and s leep,we are rocked in the cradle of our wayward fancies,and lulled into securi ty by the roar of the universe around us0we quaff the cup of life with eager h aste without draining it,instead of which it only overflows the more-objects p ress around us,filling the mind with their magnitude and with the strong of de sires that wait upon them,so that we have no room for the thoughts of death.

此时，但觉好风光应接不暇，而且，前程更有美不胜收的新鲜景致。在这生活的开端，我们听任自己的志趣驰骋，放手给它们一切满足的机会。到此为止，我们还没有碰上过什么障碍，也没有感觉到什么疲惫，因此觉得还可以一直这样向前走去，直到永远。我们看到四周一派新天地——生机盎然，变动不居，日新月异；我们觉得自己活力充盈，精神饱满，可与宇宙并驾齐驱。而且，眼前也无任何迹象可以证明，在大自然的发展过程中，我们自己也会落伍，衰老，进入坟墓。由于年轻人天真单纯，可以说是茫然无知，因而将自己跟大自然划上等号；并且，由于经验少而感情盛，误以为自己也能和大自然一样永世长存。我们一厢情愿，痴心妄想，竟把自己在世上的暂时栖身，当作千古不变、万事长存的结合，好像没有冷淡、争执、离别的密月。像婴儿带着微笑入睡，我们躺在用自己编织成的摇篮里，让大千世界的万籁之声催哄我们安然入梦；我们急切切，兴冲冲地畅饮生命之杯，怎么也不会饮干，反而好像永远是满满欲溢；森罗万象纷至沓来，各种欲望随之而生，使我们腾不出工夫想死亡。

The entire array, moreover, clad in burnished steel, and with plumage nodding over their bright morions, had a brilliancy of effect which no modern display can aspire to equal.

想到牧师弥留世上的时间已经不长，他那番布道词所产生的效果就更增加了最终强调的力量；如同一个天使在飞往天国的途中在人们的头上扇动了一下明亮的翅膀，随着一片阴影和一束光彩，向他们洒下了一阵黄金般的真理。

The shorter catechism, 'Agreed upon by the Reverend Assembly of Divines at Westminister,' as the old New-England Primer has it, asks the ancient questions what and why and answers them in one short sentence hardly matched in any uninspired work.

韋斯敏斯特會議所訂定的「教義小問答」及「新英格蘭教義初階」仿照古老的方式，所提出「是什么」和「為什么」的問題，并用最簡短的字句作答，都是普通世上的文字所不能做到的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。