世上的

Upon the whole, here was an undoubted Testimony, that there was scarce any Condition in the World so miserable, but there was something Negative or something Positive to be thankful for in it; and let this stand as a Direction from the Experience of the most miserable of all Conditions in this World, that we may always find in it something to comfort our selves from, and to set in the Description of Good and Evil, on the Credit Side of the Accompt.

总而言之，从上述情况看，我目前的悲惨处境在世界上是绝无仅有的。但是，即使在这样的处境中，也祸福相济，有令人值得庆幸之处。我希望世上的人都能从我不幸的遭遇中取得经验和教训。那就是，在万般不幸之中，可以把祸福利害一一加以比较，找出可以聊以自慰的事情，然后可以归入账目的"贷方金额"这一项。

Ah, if thou issueless shalt hap to die, The world will wail thee like a makeless wife, The world will be thy widow and still weep, That thou no form of thee hast left behind, When every private widow well may keep, By children's eyes, her husband's shape in mind: Look what an unthrift in the world doth spend Shifts but his place, for still the world enjoys it; But beauty's waste hath in the world an end, And kept unused the user so destroys it: No love toward others in that bosom sits That on himself such murd'rous shame commits.

哦，如果你不幸无后离开人间，世界就要哀哭你，象丧偶的妻。世界将是你寡妇，她永远伤心你生前没给她留下你的容貌；其他的寡妇，靠儿女们的眼睛，反能把良人的肖像在心里长保。看吧，浪子在世上的种种浪费只换了主人，世界仍然在享受；但美的消耗在人间将有终尾：留着不用，就等于任由它腐朽。这样的心决不会对别人有爱，既然它那么忍心把自己戕害。

"And, since Mr. Dimmesdale had taken her in charge, the good grandam's chief earthly comfort- which, unless it had been likewise a heavenly comfort, could have been none at all- was to meet her pastor,"

而由于丁梅斯代尔先生已经对她负起责任，这位好心的老太婆在世上的主要安慰--若不是这种今世的安慰也是一种天国的安慰，也就算不得数了--就是同她的牧师会面

"Hester could only account for the child's character- and even then most vaguely and imperfectly- by recalling what she herself had been, during that momentous period while Pearl was imbibing her soul from the spiritual world, and her bodily frame from its material of earth."

海丝特只能靠回忆自己当时的情况来分析这孩子的性格：在珠儿从精神世界汲取自己的灵魂、从世上的物质中形成自己的躯体曲关键内期，她本人如何如何；但这样推断出来的孩子的性格，仍然是十分模糊不全的。

Everyone living in the world would like to put in the pure loves to their family、friends and isomerism, that is love be likely read with admiration by people from ancient time to now.

我们来到世上的每个人都会付出自己最纯洁的爱，包括对家人的爱、对朋友的爱，还有就是对异性的爱，也就是人们乐于传诵的爱情。

Opened in April 1903, the hotel today resembles a majestic, fairy-tale castle with all the modern comforts in a luxurious hotel. Mr. Thomas Kleber scrupulously keeps and protects the old traditions of this mystical castle, the Paradise in the World.

Thomas Kleber先生是从2004年12月开始接管瑞士菲茨瑙花园酒店的，一直致力于不断完善有着百余年历史的著名酒店的管理与服务，恪守着神奇城堡的古老传统，守住并不断护卫着这座被称之为世上的天堂。

I would like to be the last leaver among my parents and husband.

我愿意在父亲、母亲、丈夫的生命圆环里做最后离世的一个，如果我先去了，而将这份我已尝过的苦杯留给世上的父母，那么我是死不瞑目的，因为我明白了爱，而我的爱有多深，我的牵挂和不舍便有多长。

Or, again, where the night life quivers in the electric glare like a kinetoscopic picture, and the millinery of the world, and its jewels, and the ones whom they adorn, and the men who make all three possible are met for good cheer and the spectacular effect.

又或者，在那里，夜生活像自动放映的影片画面一样在电灯下颤动；世上的女帽、珠宝及其它们所装饰的女人，与使所有这三样成为可能的男人们又一次为了狂欢闹腾和这蔚为壮观的景象汇聚到一样。

Then I realized that it is good and proper for a man to eat and drink, and to find satisfaction in his toilsome labor under the sun during the few days of life God has given him--for this is his lot.

然后我意识到，一个人用神给地在世上的有限的日子吃喝，在阳光下辛苦的苦力中找到满足感，是好的并且适当的。

In his letter to the church in Colossi, Paul admonished,"See to it that no-one takes you captive through hollow and deceptive philosophy, which depends on human tradition and the basic principles of this world rather than on Christ..."

在致歌罗西教会的书信中，保罗坦诚地说：&你们要谨慎，恐怕有人用他的理学和虚空的妄言，不照著基督，乃照人间的遗传，和世上的小学，就把你们掳去……&这是初期教会的现象。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。