世上的

Girls in the world regard themselves all like a proud princess(Except minority of most uglily or wise ).

e世上的姑娘总以为自己是骄傲的公主（除了少数极丑和少数极聪明的姑娘例外）。

"I can't believe today is my last day," she chokes through sobs, her voice barely audible above the solemn music.

&我不敢相信今天是我活在世上的最后一天，&她哽咽道。在庄严的哀乐声中，她的声音几乎听不见。

Thatidentifies us with nature ,and(our experience being slight and our passions strong)deludes us into a belief of being immortal like it.

我们一厢情愿，痴心妄想，竟把自己在世上的暂时栖身，当作千古不变、万事长存的结合，好像没有冷淡、争执、离别的密月。

With this more substantial shelter about me, I had made some progress toward sttling in the world.

这更为牢靠的栖身之处，让我在这世上的生活条件有了很大的改善。

But I cannot tell; this same truth is a naked and open daylight that does not show the masques, and mummeries, and triumphs of the world, half so stately and daintily as candle-lights.

但我说不明白，真理就像是赤裸裸的、毫不掩饰的白昼，它不像烛光那样把世上的假面具舞会、哑剧、庆典展现得半明半暗、半严肃半轻松，神秘莫测，真假难辩。

Behind the vast armies and navies which we call the great powers of the world, there is fear.

在那我们称之为世上的巨大武力庞大的陆海军的后面，乃是恐惧。

"God has prepared a path for everyone to follow. You just have to read the omens that he left for you."

&上帝为世上的每个人写出了他应该走的路，你只要读懂他为你所写的就行了。&

In 1860, soon after he encountered his first carnivorous plant—the sundew Drosera—on an English heath, the author of Origin of Species wrote,"I care more about Drosera than the origin of all the species in the world."

他是在英国的某处荒野第一次遇见了肉食性植物——Drosera毛毡苔，没过多久，在1860年，这位《物种起源》的作者如是写到，&我对Drosera毛毡苔兴趣远胜于世上的物种起源之谜。&

It is as if the rulers of the world's most violent nation presumed to declare themselves the arbiters of global peace.

它犹如世上的大多数暴力国家的统治者宣称自己是全球和平的仲裁者。

And that which was dropped among the thorns, this is he who has the word; and the cares of this life, and the deceits of wealth, put a stop to the growth of the word and it gives no fruit.

13：22 撒在荆棘里的、就是人听了道、后来有世上的思虑、钱财的迷惑、把道挤住了、不能结实。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。