丑陋的

Unexpectedly, we suddenly entered for an anxious time: Old has thevalue idea has lost the potency, each kind of known boundary graduallyis vanishing, lofty with popular, the tradition with the modern age,is ugly beautifully with, constrains and bold, the trade and art, theyare not again the opposition concept...... We cannot identify againthrough the traditional way oneself with opposite party, we cannotsay, I am the proletariat, but he is the bourgeoisie; I am a farmer,but he is the worker...... In we already fell into the huge status tobe anxious.

不期然，我们突然进入了一个焦虑的时代：旧有的价值观念失去了效力，各种已知界限在逐渐消失，高雅的与通俗的，传统的与现代的，丑陋的与美丽的，压抑的与奔放的，商业的与艺术的，它们再也不是对立的概念……我们再也不能通过传统的方式辨认自己与对方，我们不能说，我是无产阶级，而他是资产阶级；我是农民，而他是工人……我们已经陷入巨大的身份焦虑之中。

As the greatest British playwright, William Shakespeare had written 37 famous plays throughout his life. It is believed that a lot of readers would become deeply impressed by the jesters in Shakespeare's plays, who may have ugly semblance and strange attire and their quick-witted and coarse language as well.

作为英国最伟大的作家，莎士比亚一生写了37部著名的戏剧，相信看过莎士比亚戏剧的读者都会对戏剧中小丑这一角色有很深的印象，这些小丑有着丑陋的外表，奇怪的装束，但最让人难忘的是他们的语言，即机智幽默又粗俗难听。

As the greatest British playwright, William Shakespeare had written 37 famous plays throughout his life. It is believed that a lot of readers would become deeply impressed by the jesters in Shakespeare's plays, who may have ugly semblance and strange attire and their quick-witted and coarse language as well.

摘要作为英国最伟大的作家，莎士比亚一生写了37部著名的戏剧，相信看过莎士比亚戏剧的读者都会对戏剧中小丑这一角色有很深的印象，这些小丑有着丑陋的外表，奇怪的装束，但最让人难忘的是他们的语言，即机智幽默又粗俗难听。

As the greatest British playwright, William Shakespeare had written 37 famous plays throughout his life. It is believed that a lot of readers would become deeply impressed by the jesters in Shakespeare's plays, who may have ugly semblance and strange attire and their quick-witted and coarse language as well.

作为英国最伟大的作家，莎士比亚1生写了37部著名的戏剧，相信看过莎士比亚戏剧的读者都会对戏剧中小丑这1角色有很深的印象，这些小丑有着丑陋的外表，奇怪的装束，但最让人难忘的是他们的语言，即机智幽默又粗俗难听。

The theory applied in this thesis relies on aesthetics developing in three parts, namely, the origin of jester, ugliness presented in Shakespearean drama and function of ugly jesters in Shakespearean drama, in order to illustrate the significance of jesters in Shakespearean drama: the spokesman of the author.Key Words: Shakespeare; drama; jester; ugly; Aesthetics value

本文将在美学的基础上，通过小丑的起源、莎剧中小丑的丑态呈现以及丑陋的小丑在莎士比亚戏剧中的作用这3个方面的研究，来阐述小丑在莎士比亚戏剧中的重要意义：在莎剧中，他们是作者的代言人，在戏剧里，作者借小丑的语言评价讽刺其他角色，从而体现出当时社会的现实。

The theory applied in this thesis relies on aesthetics developing in three parts, namely, the origin of jester, ugliness presented in Shakespearean drama and function of ugly jesters in Shakespearean drama, in order to illustrate the significance of jesters in Shakespearean drama: the spokesman of the author.Key Words: Shakespeare; drama; jester; ugly; Aesthetics value

本文将在美学的基础上，通过小丑的起源、莎剧中小丑的丑态呈现以及丑陋的小丑在莎士比亚戏剧中的作用这三个方面的研究，来阐述小丑在莎士比亚戏剧中的重要意义：在莎剧中，他们是作者的代言人，在戏剧里，作者借小丑的语言评价讽刺其他角色，从而体现出当时社会的现实。

Nigeria's election was the shoddiest since the country's return to civilian rule in 1999; Kenya, east Africa's hub, succumbed to ethnic mayhem after a disputed poll; and South Africa, easily the sub-Saharan continent's leading power in every way, producing one-third of its entire GDP, has entered an ugly phase of politics, authoritarian if not yet undemocratic, just when it should be setting an example of tolerant pluralism to the rest of Africa.

刚结束的尼日利亚大选是该国1999年回归文官统治以来最差的；东非港口国家肯尼亚在有争议的选举以后，已经屈服于种族混乱；南非在各个方面都无疑成为撒南非洲国家的领军人物，贡献了1/3的GDP；但是政治上却进入了一个非常丑陋的层面——在需要他为非洲其他地区树立包容典范的时候他却进入了独裁阶段，如果说还没有达到不民主的话。

Certainly some of the seediest of journalists, whether we're talking about the Middle East or Northern Ireland, are those who pile on one set of adjectives --- squalid, butchering, oppressive --- for terrorism of whose aims they disapprove , and quite another set committed, dedicated, idealistic --- for the same thing done by those they like.

当然也会有一些行为丑陋的记者，不管是谈论关于中东或者是北爱尔兰问题的时候，他们为那些反对恐怖主义的人们堆砌一系列的形容词，如：肮脏的、屠戳的、压迫的来形容恐怖主义；然而他们同样也会为支持恐怖主义的人们堆砌一系列的，如：忠心耿耿，鞠躬尽瘁，理想主义的词来形容。

Such an interview, perhaps, would have been more terrible than even to meet him as she now did, with the hot, mid-day sun burning down upon her face, and lighting up its shame; with the scarlet token of infamy on her breast; with the sin-born infant in her arms; with a whole people, drawn forth as to a festival, staring at the features that should have been seen only in the quiet gleam of the fireside, in the happy shadow of a home, or beneath a matronly veil, at church.

个人。或许，在另外一种场合同他邂逅要益发可怕。如今呢，她那本来只该在壁炉旁恬静的柔光中b在家中幸福的暗处或在教堂的庄严气氛笼罩下才能看到的姿容，却在聚拢来的全镇人面前，被大家象看热闹似的死盯著：炎炎的午日烧灼著她的面孔，照亮了脸上的耻辱，她胸前佩著丑陋的鲜红标记，怀中抱著因罪孽而生下的婴儿。

Such an interview, perhaps, would have been more terrible than even to meet him as she now did, with the hot, mid-day sun burning down upon her face, lighting up its shame; with the scarlet token of infamy on her breast; with the sin-born infant in her arms; with a whole people, drawn forth as to a festival, staring at the features that should have been seen ssbbww.com in the quiet gleam of the fireside, in the happy shadow of a home, or beneath a matronly veil, at church.

或许，在另外一种场合同他邂逅要益发可怕。如今呢，她那本来只该在壁炉旁恬静的柔光中b在家中幸福的暗处或在教堂的庄严气氛笼罩下才能看到的姿容，却在聚拢来的全镇人面前，被大家象看热闹似的死盯着：炎炎的午日烧灼着她的面孔，照亮了脸上的耻辱，她胸前佩着丑陋的鲜红标记，怀中抱着因罪孽而生下的婴儿。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。