丑陋的

French author Victor Hugo s classic 1831 novel , set in 15th century Paris around the cathedral of Notre Dame , tells the tragic story of a deformed bell ringer Quasimodo and his love for a beautiful gypsy girl Esmeralda .

法国作家维克多-雨果的这部作于1831年的名著以15世纪的巴黎圣母院为背景，讲述了关于丑陋的敲钟人加西莫多以及他对美丽的吉普赛女郎埃斯梅拉达的爱慕的悲惨故事。

Manda:"The doctrine, or belief, that everything is beautiful, including what is ugly, everything good, especially the bad, and everything right that is wrong"...that's Ambrose Bierce, by the way.

："这个学说，或者信念是说，每件东西都是美丽的，包括了丑陋的东西，每样东西都是好的，特别是坏的，并且每件事都是对的，包括错的"……这是 Ambrose Bierce 的解释。

It has the poorest millionaires, the little great men, the haughtiest beggars, the plainest beauties, the lowest skyscrapers, and the dolefulness pleasures of any town I ever saw.

在这座城市里有的是心灵最空虚的百万富翁，人格最渺小的伟人，最高傲的乞丐，最丑陋的，最低级龌龊的摩天大楼和最令人悲哀的娱乐，比我所见到的任何城市都有过之而无不及。

It has the poorest millionaires , the little great men , the haughtiest beggars , the plainest beauties , the lowest skyscrapers , and the dolefulness pleasures of any town I ever saw.

在这座城市里有的是心灵最空虚的百万富翁，人格最渺小的伟人，最高傲的乞丐，最丑陋的美女，最低级龌龊的摩天大楼和最令人悲哀的娱乐，比我所见到的任何城市都有过之而无不及。

Impossible for me to know her thought, but she did everything whole-hearted: taking care of the child who only called her auntie with great patient and love, treating the kind country parents-in-law who could give her nothing but burden filially, loving her husband who brought her only poverty and ugliness with virtuousness. She supported the poor home selflessly, exhausting her energy.

她有没有后悔自己当初的选择我不知道，但是她认认真真做好了每一件她觉得应该做好的事情：她用亲生母爱都不及的呵护对待这个已经上小学只愿意叫她阿姨的小孩；她用对待亲生父母的心孝顺着这个什么都不能给她的善良的农村父母；她用热情和贤惠回馈着这个带给他贫穷与丑陋的丈夫；她用自己的生命无私地支撑着这个贫困的家。

I had another belt not so broad, and fastened in the same manner, which hung over my shoulder; and at the end of it, under my left arm, hung two pouches, both made of goat's-skin too; in one of which hung my powder, in the other my shot: At my back I carried my basket, on my shoulder my gun, and over my head a great clumsy ugly goat-skin umbrella, but which, after all, was the most necessary thing I had about me, next to my gun: As for my face, the colour of it was really not so Moletta-like as one might expect from a man not at all careful of it, and living within nine or ten degrees of the equinox.

另一条皮带斜挂在我的肩膀上，它不那么宽，也是用同样的方法系上的；它的末端，也就是在我左胳膊下，挂着两个袋子，也是羊皮做的，一个装着火药，一个装着子弹。我背上背着筐子，肩上扛着枪，头上撑着一把笨拙丑陋的羊皮大伞。不过这伞毕竟是我随身最需要的东西，仅次于枪。至于我的脸，并不像一个住在赤道九度、十度以内地区不修边幅的穆拉托人（原文为moletta-like）那样黑。

Such an interview, perhaps, would have been more terrible than even to meet him as she now did, with the hot, mid-day sun burning down upon her face, and lighting up its shame; with the scarlet token of infamy on her breast; with the sin-born infant in her arms; with a whole people, drawn forth as to a festival, staring at the features that should have been seen only in the quiet gleam of the fireside, in the happy shadow of a home, or beneath a matronly veil, at church.

或许，在另外一种场合同他邂逅要益发可怕。如今呢，她那本来只该在壁炉旁恬静的柔光中b在家中幸福的暗处或在教堂的庄严气氛笼罩下才能看到的姿容，却在聚拢来的全镇人面前，被大家象看热闹似的死盯着：炎炎的午日烧灼着她的面孔，照亮了脸上的耻辱，她胸前佩着丑陋的鲜红标记，怀中抱着因罪孽而生下的婴儿。

This new material has a very strong character: patterns of abstract dots, the juxtapositions like germ breed and associations with this ugly creature…..looking like pieces of rotten leaves or pieces of ugly butterfly wings.

这种新材料具有非常强的特征：抽象的点状图案，细菌繁殖式的组织排列方式，以及对来源于丑陋的生命体的联想……看上去既象一片片烂树叶，又象一片片难看的蝴蝶翅膀。

It shows you an infinite world, ugly, beautiful, joyful, that is a kind of life, that is an instinct towards "life", and maybe there's nothing more than that.

它就是给你看万千世界，丑陋的、美丽的、愉悦的，那是一种生命，是一种对&生&的本能，可能没有别的更多的东西。

Let us start with nationalism, and her more hideous sibling racism, which were once seen as the products of a dying feudalism or a short lived illusion – a mere "socialism of fools" as Bebel would have put it.

我们从民族主义谈起，从她丑陋的血缘种族主义谈起，它们一度被视为垂死的封建制度的产物，或者一种短命的幻觉——正像Bebel所指出的，仅只是&愚蠢者的社会主义&。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。