与

In the dissertation, a new stabilization method, equal-density method was adopted to prepare modified asphalts with storage stability at high temperature. In this method, a compound was prepared by premixing polymer and filler, and the compound was mixed with asphalt to prepare Polymer-Modified Asphalt by changing the ratio of polymer and filler. The asphalts with good storage stability were formed with the addition of filler, by regulating the density difference between polymer and asphalt. With identifying the effect of composition factor and the technique conditions on mechanical properties of polymer/filler compound and the molecular distribution of the polymer, identifying the effect of composition factor and the technique conditions on the properties and structure of polymer/filler modified asphalt, Styrene-Butadiene-Styrene copolymer, Low Density PolyEthylene, Styrene-Ethylene-Butadiene-Styrene block copolymer modified asphalts with good storage stability and performance were prepared. Rheological method, gel content analysis and swelling measurement were adopted to elucidate the interaction between the polymer and filler. Filler reduced the difference between the polymer and asphalt with the premixing technique, which led to the improvement of the storage stability of the modified asphalts. The thermo-oxidative aging process of base asphalt and PMA were studied and the effect of antioxidant additives on the base asphalt and PMA were analyzed.

本论文采用等密度方法，即预先混合聚合物与填料制备复合物，复合物在沥青中会吸收油份而溶胀，改变填料的用量从而调节聚合物与沥青的密度差异的方法，制备出高温贮存稳定的改性沥青，并研究了工艺条件和配方因素对聚合物/填料复合物力学和聚合物分子量分布的影响，系统考察了工艺条件和配方因素对聚合物/填料改性沥青性能与形态结构的影响，研制出性能优良、高温贮存稳定的苯乙烯-丁二烯-苯乙烯三嵌段共聚物、氢化SBS、低密度聚乙烯改性沥青，并通过流变学分析方法及凝胶和溶胀测试探讨了聚合物与填料的相互作用，指出经过预混工艺填料改变了聚合物与沥青的密度差异，以此说明聚合物/填料改性沥青高温贮存稳定的原因；研究了基质沥青和聚合物改性沥青热氧老化过程，并分析了抗氧剂对基质沥青及聚合物改性沥青的影响，探讨了抗氧剂提高沥青耐老化性能的原因。

Prince and beggar, sinner and saint, butcher and baker and candlestick-maker, tinkers and tailors, and ploughboys and sailors -- all jostling along together.

王子与乞丐，罪人与圣人，屠夫、面包师与烛台商，铁匠与裁缝，农民与海员，所有的人一起向前拥挤着。

Prince and beggar, sinner and saint, but cher and baker and candlestick maker, tinkers and tailors, and ploughboys and sailors — all jostling along together.

王子与乞丐，罪人与圣人，屠夫、面包师与烛台商，铁匠与裁缝，农民与海员，所有的人一起向前拥挤着。

Putting Chinese dress style and Chinese arts under big cultural background,this paper points out that the dress style is consistent with paiting art in certain extent through two kinds of direct relationship between dress and arts,such as draping and Cao clothing out of water,elegant and Wu belt used as wind,the consistent is culture reflection in image.

将中国服饰风格与中国美术置于文化大背景下，通过悬垂与曹衣出水、飘逸与吴带当风两种服饰与美术最直接的联系，阐述服饰艺术与绘画艺术的某些一致性。而这种一致性正是文化的形象反映

Putting Chinese dress style and Chinese arts under big cultural background,this paper points out that the dress style is consistent with paiting art in certain extent through two kinds of direct relationship between dress and arts,such as draping and Cao clothing out of water,elegant and Wu belt used as wind,the consistent is culture reflection in image.

将中国服饰风格与中国美术置于文化大背景下，通过悬垂与曹衣出水、飘逸与吴带当风两种服饰与美术最直接的联系，阐述服饰艺术与绘画艺术的某些一致性。

The time from saturated soil moisture content to wilting percentage of Aeolian sandy soil, Loessial soil and Lou soil was extended by 244.72%,251.11% and 36.31% respectively when Sodium Polyacrylate was applied at the suggested dosage.

风砂土、黄绵土与塿土的蒸发强度随着高分子化合物聚丙烯酸钠用量增加而降低，聚丙烯酸钠用量为0.5%时，砂土、黄绵土与塿土10天累积蒸发量分别较对照降低了59.89%、48.92%与55.81%；综合考虑对土壤蓄水与蒸发能力的影响，聚丙烯酸钠用量为风砂土、黄绵土应控制在0.08%～0.2%，塿土中用量必须严格控制在0.2%左右；在上述用量条件下，风砂土、黄绵土、塿土从饱和含水量蒸发失水至凋萎含水量的时间分别被延长了244.72%、251.11%与36.31%左右。

The present paper focuses on the dual aspect of sinology: the interactive process of sinology and Chinese scholars' response to it, i.e., Chinese scholars' critical re-cognition and re-interpretation of China through the perspective of sinologists' research.

本文通过对上述过程的具体展开，对以下主旨进行了论证：西方汉学与中国人对西方汉学的认识与研究，是一个互动过程；中国人通过&汉学家&（包括传教士与早期汉学家）这一中介、对本土对象进行&再认识&，不仅对本土对象取得了新斩获，而且也对&汉学家&的视角和方法有所借鉴与批判；&汉学家&把从中国学者的借鉴与批判中得到的反馈，进一步运用到汉学研究中去。

The tuning hand wheel is connected to spindle of drive bevel gear. The tuner joint is inside case. The worm wheel is fixed on stepped shaft fixed by nut. The worm engage to the worm wheel is fixed inside case. The upper end of worm is connected to the driven bevel gear. The spindle of drive bevel gear across the hole on the upper cover is connected to the hand wheel.

其特征在于：壳体上有一槽体，调音手轮与主动锥齿轮的轴相连接，调音器接头安装在壳体相应调孔内，蜗轮固定在调音器接头后端的阶梯轴上，用螺母固定，与蜗轮相啮合的蜗杆固定在壳体相应的孔内，用空心螺栓将其固定，蜗杆上端与从动锥齿轮连接，从动锥齿轮与壳体之间有垫片，主动锥齿轮的轴穿过壳体上盖的孔内，并且与手轮连接，用固定螺栓固定上盖。

Water area and cropland were the main land cover types that reed converted. Lower places in north and east parts of Baiyang Lake were the ones occurred the conversion between reed land and water area, and higher places in northwest and southwest occurred the conversion between reed land and cropland.

研究结果表明，16年间，就整个白洋淀而言，苇地变化经历了&落－起－落&的过程，水域与耕地是苇地变化的两个主要方向，苇地与水域的转变主要发生在地势较低的北部与东部地区，苇地与耕地的转变主要发生在西北与西南的地势较高地区。

First of all, Chinese unique geographical surroundings result in cultivation civilization, in which people's living and production were utterly influenced or even controlled by sun and such disasters as floods and droughts caused by sun made our ancestors much more dread and hate the moon. On the contrary, in the view of our ancestors, moon not only is beneficial to the growth of crops, but brings about brightness, coolness and enjoyment, which in turn makes moon much more popular than sun. As a carrier of national emotion, mythology also contributes to the development of "valuing moon above sun"in that the collective unconscious of hating sun but loving moon reflected in mythologies such as "Hou Yi Shot the suns"and "Chang E's fly to moon"easily finds its expression in the course of selecting poetic images. Philosophically,"masculine"and "feminine"are realized in many aspects of social life, but the trinity of sun, monarchy and father, which is identical with "masculine"dominates the political and ethical field while the trinity of moon, mother and daughter, which represents "feminine", plays a leading part in culture and art. So far as poetry is concerned, the image of moon has an overwhelming superiority. Aesthetically speaking, the moon spirit has been embodied in several ways. Moon is both the origin and the summit of such aesthetic standards as softy, sweetness and clearness, so it is reasonable that the image of moon has been regarded as aesthetic object in poetry much more frequently than the image of sun.

中华民族所处的独特的地理环境孕育出了农耕文明，在农业社会中，太阳对人们的生产生活具有绝对的控制与影响，因日而起的水旱灾害更加深了先民对太阳的畏惧与仇恨；而月亮在先民心中，不仅能促进农作物的生长，而且带来了与太阳相反的皎洁、清凉、闲适，所以月亮比太阳受到更多的欢迎；神话是是民族情感的载体，&后羿射日&与&嫦娥奔月&所映射的恨日爱月的集体无意识，在诗歌意象的选取中自然地流露出来，有助于&重月轻日&现象的形成；哲学上的&阴&&阳&范畴在人们社会生活的多个方面均有体现，但与&阳&直接同一的&日—君—父&三位一体控制了政治、伦理领域；而代表&阴&的&月—母—女&则在文化、艺术领域占据了突出地位，具体到诗歌中，则是月亮意象完全压倒日意象；审美上的月神精神，在月亮意象上得到了多方面的反映，月亮既是阴柔美、恬静美、澄澈美等艺术审美准则的来源，也是其最高体现，月亮意象自然比日意象更多地进入诗歌审美领域，成为审美对象。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。