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This paper mainly studies on people Jui-Tu neglected to look further into these questions.:one, through the works of Zhang Rui Figure comprehensive carding, so can their have a comprehensive understanding; 2, the morphological changes from the works start, to explore its origins calligraphy; 3, through their works shall know Handscroll analysis to help determine without the banners section in the approximate age of the work; 4 of their book to learn the concept of analysis, in order to more clearly understand the formation process of calligraphy styles. 5. Allograph home and at the same time learn the concept of the book, we can know that the formation of personality style and its concept of an independent study of the book is closely related to, but also deepen their understanding of the law of Zhang Rui.'s calligraphy.

本文主要就人们研究张瑞图时所忽略的一些问题做进一步的探讨:1、通过对张瑞图作品的全面梳理,以求能对其有一个全面的认识;2、从其作品的形态变化入手,探寻其书法的渊源,并尝试对其书法上一个很长的空白期进行探索;3、通过对其手卷作品进行款识分析,以帮助对无年款的条幅作品进行断代;4、对其书法观念进行论述,以求更清晰地理解其书法风格的形成;5、与同时代书家书法观念的比较,可以知道个性风格的形成与其独立的书学观念密切相关,更能加深对张瑞图书法的理解。

Be contemporary with sb.

与同时代的

During that time, the ground-attack airplane had generally evolved into a twin-engine machine almost indistinguishable from contemporary medium bombers or, on the other hand, the specialized dive-bomber.

在这段时间里,对地攻击机普遍发展成两个发动机的飞机,几乎与同时代的中型轰炸机,或者说是俯冲轰炸机一模一样。

All of these facts stand in stark contrast to what is known about its contemporaries, Mesopotamia and ancient Egypt.

对这些事实的了解可以与同时代的美索不达米亚和古埃及形成对照。

Harvard University professor John Palfrey recently spoke in Taipei on the subject of youth and contemporary media, the digital age, and parenting.

哈佛大学约翰·帕尔弗里教授,最近在台北发表了关于年轻人与同时代媒体,数码时代和教育的为主题的演讲。

It is " modem", certainly, but it is an expressive modernism that was quite at odds with the rectilinear "international style" of its time.

它当然很"现代",但却是一种富于表现力的现代主义,与同时代的垂直式的"国际风格"大相径庭。

The first part elucidates the origin of the term sonata and the relationship between the early sonata and other contemporary instrumental music genres, pointing out the fact that the intertwining and mixing among sonata, canzona, sinfonia and concerto was caused by the obscure defining and distinguishing of different music genres. Since they overlapped in many aspects such as composition and performance, they were often confused with each other in actual practices.

第一部分阐述了奏鸣曲这一术语的起源以及早期奏鸣曲与同时代其它器乐体裁之间的关系,指出奏鸣曲与坎佐纳、交响曲、协奏曲之间的交错与混合在于体裁本身及体裁之间尚未形成明确的界定,它们在创作手法、演奏形式等方面存在着重合,因而在实际运用中经常被混同。

To make sure Xiao"s female tragic consciouness"s great position, Xiao Hongs difference in description of female the achievements in the history of modern female literature and the history ot Chinese modern literature through the comparison between Xiao Hong and the other female writers.

通过萧红与女性作家、男性作家的比较研究,探寻萧红与同时代女性作家、男性作家的个性差异,进而确立她的女性悲剧意识在中国现代女性文学乃至中国现代文学史上不同凡响的地位和意义。

These and modern Catholic critics also (Cardinal Meignan,"De Mose à David," Paris, 1896) thus make the book posterior to the time of Joshua, but, for the greater part, pre-exilic and always based on documents coeval with the events reported.

这些与现代天主教批评也(红衣主教Meignan &者莫伊兹大卫,&巴黎, 1896年),从而使这本书后的时间约书亚,但是,对於大部份,前放逐和文件的基础上始终与同时代事件报告。

The first part presents a comprehensive scene of the art environment in which Soutine was involved, the influences he received and his opinions on the problems he confronted. This is achieved by analyzing the relationships between his paintings and those of his contemporary as well as between his paintings and the classical art works in museums. The second part will, through his landscape, still life and portrait paintings, explore the forming of Soutine\'s characteristically expressive art language and the development of his art style, which integrated the modernism paintings with classical art elements. The third part will discuss the culture background of his art, the psychology of his creation and his techniques in order to point out" the intuitively expressionist nature "of his art. This part will also analyze the achievement of Soutine\'s art and its contribution to art history through critics\' opinions of him and his influences on other artists.

第一部分分析了苏丁绘画与同时代的艺术家的创作及博物馆中的经典作品的关系,尽力全面地描述苏丁在当时所面对的艺术环境,对其所受到的影响及面对的问题有所认识;第二部分分别从风景、静物、人物三个方面,从苏丁艺术自身的形成、发展来论述他在现代艺术的框架下,借助古典艺术以形成其独特的表现性语言的过程;第三部分从苏丁绘画的文化、心理以及艺术技巧等多个方面进行分析,指明其&富于直觉的表现主义&的特质,并通过批评家的评论与他对后来艺术家的影响来认识苏丁艺术的成就及在美术史上的作用。

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As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸,那乌黑、忧郁的眼睛,她便会相信,他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失

But because of its youthful corporate culture—most people are hustled out of the door in their mid-40s—it had no one to send.

但是因为该公司年轻的企业文化——大多数员工在40来岁的时候都被请出公司——一时间没有好的人选。