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The development of new nuclear weapons will be stopped, a sharp change from the Bush administration, which pushed for a new generation of warheads, and the new administration will work with Moscow to take US and Russian missiles off their current hair-trigger alert, while seeking "dramatic reductions in US and Russian stockpiles of nuclear weapons and material".

新的核武器发展将会停止,这是与布什政府推进新一代核弹头的政策一个显著的不同。并且新任政府将会在寻求"显著削减美俄两国的核武器和核材料的储存"的同时,与莫斯科合作将美俄两国的导弹从他们现在的"一触即发式警觉"中卸下。

Hamilton Function represents overall profit prospect decided by all kinds of policies and it takes account the present and future effects, that mean Hamilton Function actually considers the balance of present and future profits.

Hamilton函数代表了各种政策所决定的总利益前景,它同时考虑到了当前效应与未来效应,也就是说,Hamilton函数实质上考虑到了当前利益与长远利益的权衡。

Meanwhile, on the basis of simulation model, the paper introduces the concepts of the combination of ship types, combination of berths, hectometer coastline throughput capability and coastline utilization ratio. By using curve fitting, the function between Tw/Tb and hectometer throughput capacity is achieved. Further more, the analysis of the optimal and suboptimal ship types combination and berths combination correspond to the fixed coastline and the optimal coastline length to the fixed ship types combination and berths combination is obtained.

同时,基于仿真模型,本文引入了船型组、泊位组、百米岸线通过能力及岸线利用率四个新的规划指标,拟合分析了到港船舶的待泊时间与靠泊时间比值Tw/Tb与百米岸线通过能力的函数关系,并进一步分析了在固定岸线长度下与其相适应的最优、次优的船型组合及泊位组合,确定船型组合、泊位组合情况下的最优岸线长度。

By using curve fitting, the function between Tw/Tb and hectometer throughput capacity is achieved. Further more, the analysis of the optimal and suboptimal ship types combination and berths combination correspond to the fixed coastline and the optimal coastline length to the fixed ship types combination and berths combination is obtained.

同时,基于仿真模型,本文引入了船型组、泊位组、百米岸线通过能力及岸线利用率四个新的规划指标,拟合分析了到港船舶的待泊时间与靠泊时间比值Tw/Tb与百米岸线通过能力的函数关系,并进一步分析了在固定岸线长度下与其相适应的最优、次优的船型组合及泊位组合,确定船型组合、泊位组合情况下的最优岸线长度。

But it's very hard to be both loved and needed, to be both high fidelity and high convenience.

但是,要同时被热爱与被需要、兼具高质感与高便利性,是很困难的。

Significantly negative relationship was found between the FA in hind wing and the rate of larva survival in stress treatment (r=-0.64, p.05 ), there is also a negative relationship in control too.

同时,对照种群在个体水平上雄成虫翅脉L1的不对称与幼虫发育历期呈极显著的正相关关系,而与蛹重呈极显著的负相关关系。

First of all , it is seen in Zhang Wei"s long writing that continuous changes occurs with the following era contexts which is shown. First, the gradual desalinization of " earth image " on the space," earth " is not only a creation in Zhang Wei"s novel, but the main source of the poesy of its works. It declines after " September fable ", not only indicating Zhang Wei "s decay of poesy of the novel, but also reflecting the disobeyed pross of light appear contemporary China social urbanization and common customs to . Second, the change of " writing subject projection " in the spiritual meaning, Its characteristic displayed by the reduction of image of spokesman as write thought representation .and on the other side represent" person who want more that resist actively " which also shows contemporary intellectual predicament and adjustment of value. Third, in " changeable and separate characteristics in the stylistics ",It changes " epic body " of" Ancient ship "," body not mythical " to " September fable "," pour out body " of" Bai Hui "" Family "," the discipline spreads the body "of Book of other provinces"," lie body " of" Can not recall the hollyhock ". Its constant changes persuing of recreation and sports, has entered into the different book mode and narration of different class gradually too.

首先,张炜的长篇写作中可以看出一种跟随时代语境而不断发生的变化,这表现在:一是空间上的"大地意象"的渐趋淡化,"大地"不但是张炜小说中的一个创造,而且也是其作品的诗意的主要源泉,它在《九月寓言》之后的衰退,不但表明了张炜小说中诗意的衰减,而同时也反照出当代中国社会城市化和世俗化进程的不可违拗;二是精神意义上的"写作主体投影"的变化,其特征主要表现为作为作家思想代言者的"正面的知识者"形象的弱化,代表其另一面的"积极反抗的多欲者"的凸显,这也显示了当代知识分子价值的困境与调整;三是在"文体上的多变与另类化",由《古船》的"史诗体",到《九月寓言》的"神话体",再到《柏慧》、《家族》的"倾诉体",《外省书》的"纪传体",《能不忆蜀葵》的"诳语体",其文体不断求变,也逐渐走入了异书模式和另类叙述。

We present an efficient approach for generating the correspondence between two homeomorphic 3D polyhedral models. The user can select vertices on the polyhedra to decompose the boundary of each polyhedron into the same number of morphing patches. Further, the user can specify the feature points on the morphing patch pairs to improve the morph. After the morphing patch pairs are be mapped to 2D regular polygons, they are merged and reconstructed to generate a morph. In the main procedures of our approach, we propose an easy mapping method and a foldover-free warping technique. And we also propose a most efficient merging algorithm. The merging can be completed in O.

我们的对应演算法主要的流程架构是(1)设计一套良好的介面提供给使用者在物体表面上点选圈选点;(2)利用最短路径将圈选点作两两相连,以切割勿体表面;(3)利用Relaxation的方式进行摊平的目的;(4)利用Warping技术以增进使用者的便利性,因此无须圈选太多快patch以精确对齐物体的特徵,同时还提供一套自行避免相交情况的演算法以保证不相交;(5)我们研发出一套极快速的merge演算法,其利用最小轮廓涵盖结构而有效地达成区域搜寻与区域merge,因此在效率上达到O;(6)最后藉由Remesh与3D位置资讯的建立,重构出对应的结果整体而言,透过本论文所研发的对应演算法将不用花费太多的执行时间,因此符合经济效益。

The first one and the eleventh one are concentrate to the tensibility of finger,the second one are famous of it"s fingering techri-ique which is the typical fingering of Chopin,the third and six one are experience the layer of multi voice parts,the fourth one is difficult at it"s sharp-- pointed music proceeding and the fifth one are playing almost all black keys,humorousness is performance in the bass field in the eighth one,the ninth and the twelfth one are training stretching and running technique of left hand,harmonic innovate are visibly reflected at the seventh,the tenth and the eleventh one.

在分析其技术特征的同时,为了体现肖邦钢琴语汇的实用价值及练习的目的性,还采用对比比较分析的方法,有针对性地列举谱例,比较肖邦练习曲及其与肖邦其他钢琴作品典型技术课题的对应关系;还在演奏技术方面稍作探讨并在艺术性与美学方面略有探究,论述了肖邦练习曲的音乐个性和宝贵练习价值。

On the contrary, there were no significant alternation in the levels of PKCδ and PKCε after HupA treatment, indicating no contribution of these two subtypes.

同时还观察到,石杉碱甲对PKC另外两个亚型PKC与PKC的蛋白水平没有明显的影响,提示石杉碱甲增加sAPPα分泌的作用与PKC、PKC没有关联。

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We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称;三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起,称之为挽歌体诗人或者史诗诗人,他们被称为诗人,似乎只是因为遵守格律写作,而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。

This is not paper type of business,it's people business,with such huge money involved.

这不是纸上谈兵式的交易,这是人与人的业务,而且涉及金额巨大。