不飞的

He steps out of the way of your hand. And alights on the back of it.

而苍蝇只是振翅一飞，不费吹灰之力从你手掌下溜走，一转眼又轻巧的降落于你的手背上。

As you can see, six hearts is a desirable contract, only a tad worse that one out of two finesses.

如您所看到的，6H 是一个合理的定约，仅仅不坏于两飞一中。

Even if occasionally can have hobbles, after but could return to the free condition

像一只在天上飘的风筝，飞哪算哪，不一定要有固定的依靠。

The meaning of that spell refers to levitating a feather (the root word "wing" in there is clearly not Latin, which has no letter 'w', but refers to the object they were supposed to be lifting).

这个咒语的意思是使羽毛飞起来（词根是&翅膀&这显然不是拉丁文，因为拉丁文中没有字母'W'，它指那些被提升的物体）。

The Rangers' three-run fifth began when Bobby Abreu misplayed Gerald Laird's windblown fly ball into a leadoff triple.

游骑兵第五局的三分开始於阿不累唷误判Laird一记被风吹偏的飞球形成首棒打者三垒安打。

Z5 d王建民加油站 The Rangers' three-run fifth began when Bobby Abreu misplayed Gerald Laird's windblown fly ball into a leadoff triple.

游骑兵第五局的三分开始於阿不累唷误判Laird一记被风吹偏的飞球形成首棒打者三垒安打。

S7 \, P8 R* V% Y王建民加油站 The Rangers' three-run fifth began when Bobby Abreu misplayed Gerald Laird's windblown fly ball into a leadoff triple.

U王建民加油站游骑兵第五局的三分开始於阿不累唷误判Laird一记被风吹偏的飞球形成首棒打者三垒安打。

Coz they wouldn't dare to, US has to seriously think about the outcome after nuking China, thousands of American would be blowed up at the same time.

因为他们不敢这么做，美国必须小心考虑对中国用核武所产生的结果，成千上万的美国人也会被同时炸飞。

Coz they wouldn'y dare to, US has to seriously think about the outcome after nuking China

为他们不敢这么做，美国必须小心考虑对中国用核武所产生的结果，成千上万的美国人也会被同时炸飞

Coz they wouldn'y dare to, US has to seriously about the outcome after nuking China, thousands of American would be blowed up at the same time.

因为他们不敢这么做，美国必须小心考虑对中国用核武所产生的结果，成千上万的美国人也会被同时炸飞。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。