不随意的

Refusing a car, in secret and casually Taking roots in a wettish place Before the arrival of spring wind Learn the basic knowledge of flowers' living Then sitting on the branch in imitation of the favorite flowers Brewing farina A butterfly comes, two bees come I am now budding and ready to blossom out, restraining myself from smiling When the field is filled with vast of golden yellow, I am living with a flower Drinking glittering dewdrops, counting shining stars Planning to give birth to little flowers on the whole hillside Contributing, to the color covering the sky and the earth I am intoxicated, but I won't Tell you the name of that flower I have, with elopement, already walked so far, and forgetting to come back

拒绝汽车，秘密而随意在湿润的地方扎根在春风到达之前学习花类基础生活知识然后模仿爱着的花，坐在枝头酝酿花粉，一只蝴蝶飞来，两只蜜蜂飞来我已经会含苞欲放，会克制痒痒的笑声当金黄无垠，我已经和一朵花同居喝晶莹的露水，数眨眼的星星计划生下满山遍野的小花为铺天盖地的色彩，做出贡献我醉，但我不会告诉你那朵花的名字我和私奔，已经走远，忘记回来

In about a century' s time, their livelihood of swidden agriculture has been changing greatly along with the natural and social environment change. Before 1950s, as a minor group frequently move in the subtropical mountainous area characterized by scarce arable land, high forest coverage rate and sparse population, Kemu people has long been engaged in swidden agriculture which was simple, called for no sophisticated production tools and was suitable for frequent movement. At that time, they adapted to the environment change mainly by moving frequently from one place to another, and their livelihood was featured by complete dependence on environment, frequent movement and swiddening without continuous cultivation. From 1950s to early 1970s, their way of adaptation changed into migration within defined territory and shortterm fallow featured by complete dependence on environment, migration within limited area and short fallow. In early 1970s, they leaned from outside to cultivate irrigated fields and plant cash forest and their livelihood was featured by complete dependence on environment and agro-forestry.

近一个世纪以来，随着其所处自然环境和社会环境的变迁，其刀耕火种的生计方式在不断地变化：20世纪50年代以前，作为频繁迁徙于山多地少、森林覆盖率高、人烟稀少的热带、亚热带山区的弱小族群，以开发容易，便于流动作业不需要复杂生产设施的刀耕火种为其传统的生计方式，主要以迁徙的方式对环境变迁进行调适，其刀耕火种生计方式的特征表现为完全依赖型、随意迁徙型、无轮作型；20世纪50年代至70年代，其主要以固定区域内迁徙和短期轮作的方式对环境变迁进行调适，其刀耕火种生计方式的特征表现为完全依赖型、在固定区域迁徙型、短期轮作型刀耕火种；20世纪70年代初，其主要以外文化——开拓水田及人工造林的方式对环境变迁进行调适，其刀耕火种生计方式的特征表现为部分依赖型、粮林轮作型刀耕火种；20世纪80年代以后，其主要以发展橡胶种植业对环境变迁进行调适，其刀耕火种生计方式的特征表现为暂时依赖型刀耕火种。

The utility model has the advantages that the operation process of medicine adding is simplified because the three-way switch is capable of randomly changing the injection direction of medicine liquid; the filter is capable of filtering the insoluble substances in the medicine liquid; the tapered needle head of side port avoids the phenomena of pollution of the medicine liquid and clog of the needle head owning to peeling off of rubber crumb on a rubber plug resulting from cut of a traditional needle head with an inclined plane.

本实用新型由于三通开关可随意改变药液的注入方向，使加药的操作过程更简化，过滤器可起到将药液中的不溶性物质滤除的作用，锥形侧孔针头则避免了因传统的斜面针头的切割作用导致胶塞上的橡皮屑脱落污染药液和阻塞针头的现象。

I visited his studio once and found all sorts of little visual treasures: from sketchbooks and painting journals to collages, calendars, and books. The journals did not seem to be thematic experiments, but sincere and humble explorations of an inner self. While these quiet paintings speak volumes about Cao's introverted character, they also betray the psychological mystery of his persistence in painting insects.

我曾经在他的工作室里看到大批他未发表的作品，那些作品是一种绘画日记，用报纸、日历、文字的碎片随意拼贴起来，并加以感性的图绘，那些绘画日记不是一种主题式的表达，而是一种发自内心的叙述，我认为它们十分真实地表现了曹静萍内倾的性格，也多少透露出曹静萍持续地描绘昆虫世界的心理奥秘。

I visited his studio once and found all sorts of little visual treasures: from sketchbooks and painting journals to collages, calendars, and books. The journals did not seem to be thematic experiments, but sincere and humble explorations of an inner self. While these quiet paintings speak volumes about Cao's introverted character, they also betray the psychological mystery of his persistence in painting insects.

我曾经在他的工作室里看到大批他未发表的作品，那些作品是一种绘画日记，用报纸、日历、文字的碎片随意拼贴起来，幷加以感性的图绘，那些绘画日记不是一种主题式的表达，而是一种发自内心的叙述，我认为它们十分真实地表现了曹静萍内倾的性格，也多少透露出曹静萍持续地描绘昆虫世界的心理奥秘。

There is a divine right in Louis XVI., there is because a Bourbon in Louis Philippe; both represent in a certain measure the confiscation of right, and, in order to clear away universal insurrection, they must be combated; it must be done, France being always the one to begin.

原则不容阉割，真实的逻辑是直线条的，真理的本质不能随意取舍，因此，没有让步的余地，任何对人的侵犯都应当镇压下去，路易十六身上有神权，路易－菲力浦身上有波旁的血统，两人都在某种程度上负有践踏人权的责任，为了全部清除对权力的篡窃行为，必须把他们打倒，必须这样，因为法国历来开山劈路。

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势，并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。