不遇

And yet she said she was, like an artless forgiving creature

我不是那种随时、随遇改变的人。

This year on October 23, it is I met somebody not to enter an assembly room 10 years.

今年10月23日，是我十年来第三次遇上有人进不了会场。

Connie : I don't know. She might be caught in a snowstorm somewhere.

康妮： 我不知道，她可能在哪儿遇上暴风雪了。

I don't know.She might be caught in a snowstorm somewhere.

我不知道，她可能在哪儿遇上暴风雪了。

Too late when you, I was no longer as it was before, will be duty-bound to love a person

太晚遇上你了，我已经不在像从前那样，会义无返顾爱一个人。

You're single--a heat-seeking bachelor, committed to no one in particular, able to ***** like John Belushi and sleep until noon with no one underfoot to tell you to do otherwise.

假设你是单身——一个热衷艳遇的单身汉，那么你既不需要向谁负责，又可以像John Belushi那样狂欢，还可以一觉睡到自然醒，太阳照到屁股也没人管。

You're single -- a heat-seeking bachelor, committed to no one in particular, able to party like John Belushi and sleep until noon with no one underfoot to tell you to do otherwise.

假如你是单身——一个热衷艳遇的单身汉，那么你既不需要向谁负责，又可以像John Belushi那样狂欢，还可以一觉睡到自然醒，太阳照到屁股也没人管。

You're singlea heat-seeking bachelor, committed to no one in particular, able to party like John Belushi and sleep until noon with no one underfoot to tell you to do otherwise.

假设你是单身一个热衷艳遇的单身汉，那么你既不需要向谁负责，又可以像John Belushi那样狂欢，还可以一觉睡到自然醒，太阳照到屁股也没人管。

Youre single--a heat-seeking bachelor, committed to no one in particular, able to party like John Belushi and sleep until noon with no one underfoot to tell you to do otherwise.

假设你是单身——一个热衷艳遇的单身汉，那么你既不需要向谁负责，又可以像John Belushi那样狂欢，还可以一觉睡到自然醒，太阳照到屁股也没人管。

Ou're single -- a heat-seeking bachelor, committed to no one in particular, able to party like John Belushi and sleep until noon with no one underfoot to tell you to do otherwise.

假设你是单身——一个热衷艳遇的单身汉，那么你既不需要向谁负责，又可以像John Belushi那样狂欢，还可以一觉睡到自然醒，太阳照到屁股也没人管。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。