不透明的

A nearly transparent, resilient glazed paper resistant to the passage of air and grease.

玻璃纸一种近乎透明的，有弹性的光滑料纸，不透气和抗油脂

Light holds between its hands The white hill and black oaks, The path that goes o, The tree that stays; Light is a stone that breathes By the sleepwalking river, Light: a girl stretching, A dark bundle dawning; Light shapes the breeze in the curtains, Makes a living body from each hour, Enters the room and slips out, Barefoot, on the edge of a knife; Light is born a woman in a mirror, Naked under diaphanous leaves, Chained by a look, Dissolved in a wink; It touches the fruit and the unbodied, It is a pitcher from which the eye drinks clarities, A flame cut in blossom, a candle watching Where the blackwinged butterfly burns; Light opens the folds of the sheets And the creases of puberty, Glows in the fireplace, its flame becomes shadows That climb the walls, yearning ivy; Light does not absolve or condemn, Is neither just or unjust, Light with impalpable hands raises The buildings of symmetry; Light escapes through a passage of mirrors And returns to light: Is a hand that invents itself, An eye that sees itself in its own inventions.

光 双手拥着白色山峦与黑色橡树林，前行的路，停留的树；光是梦游的河旁呼吸的石光：一个女孩舒展，一束暗色破晓。光勾勒出帘中微风的形状，每时每刻造出一个鲜活的身体，光著脚，踩著刀刃；蹑入房间，又溜走；光是镜中诞生的女人，裸露在透明的叶底，被目光锁定，瞬间消逝；它触摸著果实和无形，眼睛在它的水罐饮著清晰，火焰绽放如花，蜡烛目睹黑翅的蝴蝶燃烧光展开被单的折皱与青春期的皱痕在壁炉里光芒焕发，它的火焰成影在墙上攀爬，怀恋著长春藤光既不赦免也不谴责无公平与不公平而言光，用无法察觉的双手举起对称的建筑；光在镜子的通道里逃遁返回于光：一只发明自己的手，一只在自己的发明中看到自己的眼。

Spikelets pale yellowish, ovate to suborbicular, 1.5–1.8 mm, abruptly acute; upper glume hyaline, 2-veined with the veins marginal, ciliate along margins with long silky hairs; lower lemma similar but not ciliate; upper lemma pallid at maturity, ovate, as long as spikelet, crustaceous, obscurely striate.

浅淡黄的小穗，卵形到近圆形，1.5-1.8毫米，突然锐尖；透明的上面颖片，2脉具脉边缘，具缘毛沿边缘具长绢状毛；更低的外稃相似的但是不具缘毛；灰白色的上面外稃成熟时，卵形，倍于小穗，壳质，具条纹的不明显。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

Further imagine that this pipe is not made of metal but a transparent magnetic field .

进一步想象，这一管道不是由金属制造而是一个透明的磁场区域。

Among those changes, CARAT＇s brightness showed a minimal change; a gradual stability of chromatics was presented and was limited within a certain range though the augment of opaques.

结论不透明层在达到一特定厚度时可完全遮盖底层金属色，其中CARAT组的这一厚度值最小，遮色能力相对较强。

When the carrier a leaky through color, should take the following measures: opening up a piece of the same color and empty color, size is large enough, rich enough ink-specialized business card printing and membership card making bar code; if a bar code business card printing and membership card making and plastic seal in the back part of the decoration, you should close two-layer between a non-transparent, to ensure that the color on the back of the decoration and does not affect the value of p C S bar code.

当载体漏光透色时，应采取以下措施：开辟一块颜色与空色相同、面积足够大、油墨足够浓的基色专门制卡和会员卡制作条形码；若条形码制卡和会员卡制作在塑膜封口处且背面有装潢的部分，应在封口的两层中间夹一不透明夹层，以确保背面装潢色彩不影响条形码p C S值。

And is the transparent shadow of the dog besides her more or less virtual than the painted woman?

旁边那个透明的犬影与这个女人相比是更虚幻还是更不虚幻？

Age, illness, or trauma to the eye can sometimes cause the crystalline lens of the eye to become cloudy and opaque.

年龄，疾病或外伤的眼睛有时可导致晶状体眼成为多云和不透明。

Barium sulfate is relatively translucent and may be used as a pigment extender.

它给小不透明度和几乎是透明的。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。