不迷失的

And people come to the illusion word unconsciously. wherever you go, it's hard for you to find a settled direction. most of people may dissociate and lose oneself in the wispy world at last…" therefore, we found that there are so many confused and inane eyes. although they makeup, smeared red lipstick and dressing with fashion white-collar suit, still can not cover up their emptiness, loneliness, decadence and connivance. they are still loitering in various places lonely. i think this is the reason why liang guyi named his works "blurred city.

不管你往左或右或前或后，很难找到一个固定的方向，在暧昧的霓虹灯间寻觅着、搜猎着、游离着，但又不知该往那里去，只有不停地看，不停地走，走着走着就没有了目的，更没有了方向或根本不需要方向，到最后变成没有了自我，随风而飘迷失在滚滚的万丈红尘之中……所以我们看到其作品中一个个迷茫而空洞的眼神，尽管她们化了妆，涂抹了红色的口红，身着时尚白领套装，依然掩饰不住她们的空虚、孤独、颓废、纵容自我、沉沦，她们依旧是寂寞的，毫无生气的游荡在各种场所。

Even Hat,the leader of the Miguel Street club,needs to intentionally strengthen his resemblance with Rex Harrison in order to obtain a sense of self-confidence.In a wider sense,the Trinidadian society itself is an awkward imitation of the societies in Europe.This imitation,nevertheless,does not strengthen the historical sense of the society or the self-concept of the street dwellers;instead,it weakens their self-image because they actually get lost in the course of imitation.

摩根设置自己的房子，烟花着火了连帽，米盖尔街俱乐部，需要故意雷克斯·哈里森加强他的相似之处，为了得到一种自信心在更广泛的意义上说，Trinidadian社会本身是一个尴尬的仿社团在欧洲这个模仿，不过，不加强社会的历史意义的自我或街的居民；相反，它会削弱他们的形象，因为它们实际上会迷失在课程的模仿。

Many of us who work in the city fantasise about a working world with a slower pace, less commuting and more fresh air, while those of us who are not city-based sometimes feel that we are missing out on the buzz and excitement of a fast-paced lifestyle.

我们当中有许多人工作在闹市里确享受着幽静的办公环境，舒适的乘车环境和新鲜的空气，而有一些不在城市工作的人却时常感觉我们正在迷失在城市的喧嚣和快节奏的生活方式的欢乐里。

The haunted Austin, Texas, band sounds lost in misery and whiskey, as Will Sheff brays,"It's just a life story/So there's no ***," with ragged Neil Young passion and a guitar solo to match.

鬼魅般的Texas的Austin市，乐队的演奏听起来像是在痛苦和威士忌中迷失了自己，正如Will Sheff所嘶喊的那样，&这只是平淡的故事/所以不会有任何高潮&，与Neil Young粗犷的激情像调和的是一段吉他solo。

First time with time that her meet, I sank into the stray embarrassing situation, on the miscellaneous square in crowd, he the blue night packs the top enchased the water drills, appearing in twinkling and bigly holding the act, the singing revolves the night sky that not in power Shanghai reply , deeply wash the exhausted lead of to work properly to the sex, to let me enchant the direction in a twinkling, Enya host asks intelligence report to out her name, but feared to disturb this quiet and peaceful, that year my 15 years old, like this not period but however of meet of my mind belong to.

第一次与她相遇的时候，我陷入了迷路的窘境，人群嘈杂的广场上，他蓝色的晚装上镶着水钻，出现在闪烁的大屏幕上，歌声旋转在夜上海浮华的夜空，透着洗尽铅华的至灵至性，以瞬间让我迷失了方向，恩雅，主持人顷情报出她的名字，唯恐扰乱了这份安宁，那年我十五岁，就这样不期而然的遇到了我心灵的所属。

Especially in real estate industry, the conception hypes as the main marketing fundamental mode of domestic real estate trend to stylization. Concept overdrawing dazzles and the pursue lose consumers, the word of dishonesty and the superficial concept hype has not been able to catch consumers heart.

而作为目前国内房地产营销主要方式的的概念炒作趋向程式化，概念的透支与追求眩目让消费者迷失，不实之词和肤浅的概念炒作已不能抓住消费者的心。

But the danger of the baobabs is so little understood, and such considerable risks would be run by anyone who might get lost on an asteroid, that for once I am breaking through my reserve.

我从来不大愿意以道学家的口吻来说话，可是猴面包树的危险，大家都不大了解，对迷失在小行星上的人来说，危险性非常之大，因此这一回，我贸然打破了我的这种不喜欢教训人的惯例。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当傍晚的迷雾用它薄纱般的诗意笼罩着河岸，古老的建筑迷失在朦胧的天空，高耸的烟囱幻化成一座座孤立的钟楼，林林总总的仓库就像夜里的宫殿整个城市都悬挂在了天空中，宛如仙境展现在我们眼前，在那时，路上的行人匆匆地赶回家；劳动者和文人，智者和浪子，他们视而不见，自然也就不能理解，而只在此时才开始歌唱的大自然便把自己美妙的歌曲献给了艺术家们——她的儿子和她的主人；说他是儿子是因为他爱她，说他是主人是因为他理解她。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当夜色如一袭朦胧的面纱，模糊了匆匆的行人，模糊了河畔涓涓的诗情，当贫瘠之家在暗淡的天空下迷失了自己，直耸如云的烟囱衍变成遗世独立的钟鼓，当富裕之家成了晚间的宫殿，当整座城市悬挂在天堂之间，梦幻的仙境就在我们眼前——而那羁旅之人也正急速地往家的方向赶去；工人和文人，明智者和快乐者停下了思维，他们不再有看的欲望。而自然，又一次哼起了调子，仅对着艺术家唱起了她独有精美的歌，艺术家就像她的儿子和主人——爱着她的儿子，了解她的主人。

Arabian Nights Oh I come from a land, from a faraway place Where the caravan camels roam Where it's flat and immense And the heat is intense It's barbaric, but hey, it's home [Original first verse (1992-93):] Oh I come from a land, from a faraway place Where the caravan camels roam Where they cut off your ear If they don't like your face It's barbaric, but hey, it's home } When the wind's from the east And the sun's from the west And the sand in the glass is right Come on down Stop on by Hop a carpet and fly To another Arabian night Arabian nights Like Arabian days More often than not Are hotter than hot In a lot of good ways Arabian nights 'Neath Arabian moons A fool off his guard Could fall and fall hard Out there on the dunes

阿拉伯之夜噢我来自一片土地，从遥远的地方那里有大篷车和骆驼在漫游它广阔和宏大他有着火热的激情这是野蛮的，但是嘿，这就是我的家 [原件第一版（ 1992-93 ）： ] 噢我来自一片土地，从遥远的地方那里有大篷车和骆驼在漫游在那里他们会切下你的耳朵如果他们不喜欢你的面庞他是野蛮的，但是嘿，这是我的家当风从东方刮来太阳从西边升起杯中的沙子也许是对的起起落落浮浮沉沉围着地毯起舞飞翔另一个阿拉伯之夜阿拉伯之夜像阿拉伯的生活往往就是这样的比火热还要热在许许多多的时候阿拉伯之夜靠着阿拉伯的月亮一个傻瓜迷失了他的方向可能下落下落直到消失在那片沙丘之后实在是不好翻译自己再润色一下吧

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。