不说话

I say not flatteringly but with sincere conviction.

我说话不是奉承，而是心悦诚服。

12 Brothers, I could not talk to you as spiritual people, but as fleshly people, as infants in Christ.

所以，弟兄们，我从前对你们说话，还不能把你们当作属神的人，只能当作属血肉的人，当作在基督内的婴孩。

And *I*, brethren, have not been able to speak to you as to spiritual, but as to fleshly; as to babes in Christ.

[林前 3：1] CUVMP：弟兄们，我从前对你们说话，不能把你们当作属灵的，只得把你们当作属肉体，在基督里为婴孩的。

DARBY: And *I*, brethren, have not been able to speak to you as to spiritual, but as to fleshly; as to babes in Christ.

CUVMP：弟兄们，我从前对你们说话，不能把你们当作属灵的，只得把你们当作属肉体，在基督里为婴孩的。

As you might expect -- as his fans surely expect -- Mr. Depp's mincing, flouncing Mad Hatter bears more than a passing resemblance to Jack Sparrow, though Hatter's faint lisp and gap-toothed grin also suggest Laurence Olivier's Archie Rice in 'The Entertainer,' or a young Boris Karloff doing Humphrey Bogart.

你可以想象得到──也正如德普的影迷所期望的那样──"疯帽匠"絮絮叨叨，骂骂咧咧，这一点虽然和电影《加勒比海盗》中杰克船长一角有类似之处，但"疯帽匠"说话口齿不清，笑的时候露出大豁牙，让人不由地想起劳伦斯·奥利弗在影片《艺人》中扮演的日薄西山的歌舞艺人阿尔奇·赖斯，或是扮演《科学怪人》的青年鲍里斯·卡洛夫在演绎《卡萨布兰卡》中男主角亨弗莱·鲍嘉的那种风格。

What can you learn from a teddy bear, a little bit of stuffed fluff that can't talk?

你能从一只不会说话的泰迪熊那里学到些什么？

If you eat my food, I won't talk to you.

如果你吃我的食物，我不会和你说话的。

Nor for the life of him would he say one word more.

说完，他再也不开口说话了。

But was rebuked for his iniquity: the dumb ass speaking with man's voice forbad the madness of the prophet.

他却为自己的过犯受了责备；那不能说话的驴以人言拦阻先知的狂妄。

And there are those who talk, and without knowledge or forethought reveal a truth which they themselves do not understand.

也有些说话的人，并没有知识和考虑，却要启示一种他们自己所不明白的真理。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。