不说话

Brabantio. But thou must needs be sure My spirit and my place have in them power To make this bitter to thee.

勃拉班修可是你必须明白，我不是一个好说话的人，要是你惹我发火，凭著我的地位，只要略微拿出一点力量来，你就要叫苦不迭了。

Originally I want to explain, but he said continuously and didn't let me break in .

我本想解释一下，可是他不停地说，不给我说话的机会。

You know I can't breathe now.

你知道，我现在不能说话了。

I wanted to speak to her, but she gave me the brush-off.

我本来要和她说话，但她却不理睬我。

Some customers are not ratIT brusque and don't seem to like conversation.

有些顾客相当粗鲁，也不愿多说话。

Some customers are rather brusque don't seem to like conversation.

有些顾客相当粗鲁，也不愿多说话。

They didn't have the same brusqueness and coarser vocal rhythms that others around them had.

他们因为说话没有当地人的口音而受到歧视，当然他们也不喜欢那些粗鄙的当地话。

S doing the talking, but whoever it is, their bubble is popping up all over.

我们搞不懂是谁在说话，反正满处都是冒的这些泡泡。

Why don't you just bite the bullet and go talk to him?

你为什么不鼓起勇气和他说话呢？

He's not meant to burn her up but to chat with her.

他只不过是想和她说说话，不是想惹她生气。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。