不说话

I can't understand you if you keep jabbering like that.

如果你持续那样急促而不清楚地说话，那我可听不懂你在说些什么。

I can't understand you if you hold jabbering like those.

假如你持续那样急促不清楚地说话，那我可听不懂你在说些什么。

I can't understor you if you hold jabbering love these.

假如你持续那样急促不清楚地说话，那我可听不懂你在说些什么。

Because i am always not happy , my sister told me don't bes that man in the reality Call me and want to mind too , but i'mdifferent from others I Care about others'but impression very much , my jester, bue 1 happy Easily misword , you don't sees the Yi.

因为我总是不高兴，我姐姐劝我别这样，男人在事实上也要你去照顾。但我的担忧跟别的人不一样，感想很多。我像小丑，我一高兴就容易乱说话，而且Yi。 You也没有再写信给我。

Dear friend,As you see, I will try to continue writing however and it is the all-joy of my life. Albeit I need to learn a complex grammar and some useful vocabulary for at least another year, and it is like a child prattling anxious to show the internal aim of himself when he is still unable to talk. Yet please be sure that nothing can change one's faith to attempt!

正如你所看见的，无论如何我都将继续写作，这已成了我生活的全部欢乐，虽然我至少还需要一年的时间去学习那些繁杂的语法以及所需应用的语汇，这就像一个还不太会说话的孩子急于去表现自己的需求，但请你确信，什么也不能改变一个人对于努力的信念！

Do not sak me why, i dont want to talk with you more, face you more.

请不要问我为什么，我不想跟你说话，不想面对你。

Denying what he said and asked sobbingly,' you had promised me. You must obey that.

她不肯听，哽咽着追问：&你答应我不会死的，你说话要算数。&

One would approach at first warily through the shrub oaks, running over the snow-crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his "trotters," as if it were for a wager,and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were eyed on him —— for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl —— wasting more time in delay and circumspection than would have sufficed to walk the whole distance—— I never saw one walk —— and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time —— for no reason that I could ever detect, or he himself was aware of, I suspect.

有一只赤松鼠开始谨慎地穿过矮橡树丛，跑跑停停地在雪地奔驰，像一张叶子给风的溜溜地吹了过来；一忽儿它向这个方向跑了几步，速度惊人，精力也消耗得过了份，它用&跑步&的姿态急跑，快得不可想象，似乎它是来作孤注一掷的，一忽儿它向那个方向也跑那么几步，但每一次总不超出半杆之遥；于是突然间做了一个滑稽的表情停了步，无缘无故地翻一个觔斗，仿佛全宇宙的眼睛都在看着它，——因为一只松鼠的行动，即使在森林最深最寂寞的地方，也好像舞女一样，似乎总是有观众在场的，——它在拖宕，兜圈子中，浪费了更多的时间，如果直线进行，早毕全程，——我却从没有看见过一只松鼠能泰然步行过，——然后，突然，刹那之间，它已经在一个小苍松的顶上，开足了它的发条，责骂一切假想中的观众，又像是在独白，同时又像是在向全宇宙说话，一我丝毫猜不出这是什么理由，我想，它自己也未必说得出理由来。

They choose the porn word to say.Sometimes I can't bear it and blame them.Then they all became the small rabbit as I hurted their weaky heart.I thought the anhui yp girl was better than anyone of them in my eyes,they are all just a bull '****.They all lived in the big city and with so many love from their parents and didn't expericed harm thing.But the anhui yp xs,she worked in the workshop so long time a day and said nothing about this.She blamed nothing about the fate and just did the work.It made me so pity for her when she saw me and flash the red face.She passed me and I just wanted to give her my love in that time!

有时候我实在看不下去，批评他们几句，得，泪水马上在眼眶里打转，像是欺负了他们，一脸无辜的样子，这种女孩子，和我眼前的这个安徽硬盘小骚相比，我认为简直一文不值，就是因为生长在大城市，从小泡在蜜糖里面长大，在家里就是小公主，父母宠爱的不行，而安徽硬盘小骚，年纪那么小就在车间里干，吃苦耐劳，也不多说话，看到我脸会红，头低着从我旁边走过，让人怜惜，有时候真想一把抱住她，好好疼她。

I thought you did not know me, or you wouldnt have spoken in that way.

我想你不认识我，不然就不会对我那样说话了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。