不说话

I don't know if my tongue's able to talk.

但是我不知道我能不能开口说话

But what if those rules have made you into a passive, unassertive, accommodating, compliant person when you would really prefer to speak up more about your true feelings and desires?

但是，在你其实想说出更多的真实情感和愿望时，那些"规矩"却把你变成了消极被动、不果敢不自信、特好说话、一味顺从的人，那又该怎么办呢？

My beauty you had early withstood, and as for my manners -- my behaviour to you was at least always bordering on the uncivil, and I never spoke to you without rather wishing to give you pain than not.

我的美貌并没有打动你的心；讲到我的态度方面，我对你至少不是怎么有礼貌，我没有哪一次同你说话不是想要叫你难过一下。请你老

My beauty you had early withstood, and as for my manners —— my behaviour to you was at least always bordering on the uncivil, and I never spoke to you without rather wishing to give you pain than not.

我的美貌并没有打动你的心；讲到我的态度方面，我对你至少不是怎么有礼貌，我没有哪一次同你说话不是想要叫你难过一下。

I feel uncomfortable not for what he said, but for his way.

我不舒服的不是他所说的话，而是他说话的方式。

I am uncomfortable not about what he said but the style of what he said.

我不舒服的不是他所说的话，而是他说话的方式。

I am not uneasy with his words but the way he spoke.

我不舒服的不是他所说的话，而是他说话的方式。

As rumor is ungrounded, it can't spread far and wide; a person is speechless when justice is not on his side.

没有根据的谎言是无法传播长远的。一个人不善于说话，正义是不会站在他一边的。

I won't talk to people when I'm unhappy.

当我不开心的时候，我不会和人说话。

The stranger still regarded on the face before him a slow recession of that false calm there, imposed, as it seemed, by habit or some studied trick, upon words so embittered as to accuse in their speaker an unhealthiness, a flair, for the cruder things of life.

54异邦人继续望着自己眼前这个人脸上那故意做出的冷静神情慢慢地消失。出于习惯或乖巧心计的这种不自然的冷静似乎也包含在他的辛辣话语之中，好像在谴责说话人对人生粗野方面的不健康的偏爱。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。