不说话

When ou talk to him, never say "no". It will get you into hot water .

你跟他说话时千万不要说不，否则就会遇到麻烦。

Or you might hear about a grandparent that no one wants to talk to because no one likes him.

偶尔你会听说他们不喜欢他们的祖父母，也不想和他们说话。

Yes, it's true, I killed by my own hand the children tearing my body to birth, I cut off their throat as they were the sacrifices offered to Hecate bloodthirsty, to whom I had served as the chief priestess, an apprentice of obscure magic, all that left before the day shameless and reckless I run away with a man.

是的，我亲手杀害了撕裂我的身体出世的孩子，我割开他们的喉咙，好像这是奉献在嗜血赫卡忒尊前的牺牲，在我不顾羞耻地追随那个男人出走以前，我是并一直是她的祭司，跟她学习咒语和阴戾的魔术，我首先背叛了她，其次才是我的父亲；当我把阿布绪尔托斯的尸体抛在他面前的时候，他就不能说话也不能动了，好像被我抽干了最后一口气，他的灵魂随之从体内扯了出来，于是我懂得了怎样才能杀死一个貌似强大然而虚弱的男人。

It accepts everything royally; it is not too particular about its Venus; its Callipyge is Hottentot; provided that it is made to laugh, it condones; ugliness cheers it, deformity provokes it to laughter, vice diverts it; be eccentric and you may be an eccentric; even hypocrisy, that supreme cynicism, does not disgust it; it is so literary that it does not hold its nose before Basile, and is no more scandalized by the prayer of Tartuffe than Horace was repelled by the "hiccup" of Priapus.

巴黎每天要唱一百万公升的水，但是这并不妨碍它在适当的时候打鼓吹号敲钟，进入警备状态。①普卢塔克（Plutaroue，约46？25），古希腊唯心主义哲学家，古希腊罗马杰出活动家传记的作者。②多米齐安（Domitian，51？6），罗马皇帝（81？6）。除此之外，巴黎是个好孩子。它豁达大度地接受一切，在美女面前它是不难说话的，它的美女是霍屯督①，只要它笑，凡事都好商量，丑态使它欢跃，畸形使它喜悦，恶德使它忘忧，只要与众不同，便可博得众人欢心，伪善即使是绝顶无耻的行为，也不会使它暴跳。它是那样爱好文学，以致在巴西尔②的跟前也不会捂着鼻子，它对达尔杜弗③的祈祷所起的反感并不比贺拉斯对普里阿普斯打嗝的反感来得更强烈。

Sir William Lucas and his daughter Maria, a good humoured girl, but as empty-headed as himself, had nothing to say that could be worth hearing, and were listened to with about as much delight as the rattle of the chaise.

威廉爵士简直说不出一句中听的话，他那位女儿玛丽亚虽然脾气很好，脑子却象她父亲一样空洞，也说不出一句中听的话。听他们父女俩说话，就好象听到车辆的辘辘声一样无聊。

She does not communicate well and is seen as inarticulate.

她不太会说话，而且总是口齿不清。

He was inconsiderate of the effect of his words.

他不顾及他说话的後果。不适合

He speak to Sam which is always insubordinate.-- It cannot understood his words.

他对着Sam说话，那个总是不听话的Sam，因为它听不懂

" She thought,"No, it was obvious that he could hear, he listened so intently.

她想。不，他不聋，他只是在听人说话。

I was born in late 70's, and I have a kind of introversive personality. Up to now, I dare not to express myself in public. I don't like to talk to others and I would like to stay alone.

我是70年代末生人，我本人就有点性格内向，至今还不太敢在公共场合人多的地方表露自己，不太爱和人说话，喜欢一个人独处等等。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。