不说话

I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;--it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal,--as we are!

我现在跟你说话，并不是通过习俗、惯例，甚至不是通过凡人的肉体——而是我的精神在同你的精神说话，就像两个都经过了坟墓，我们站在上帝的面前，是平等的——因为我们是平等的！

I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;--it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal,--as we are!

我现在跟你说话，并不是通过习俗、惯例，甚至不是通过凡人的肉体——而是我的精神在同你的精神说话；就像两个都经过了坟墓，我们站在上帝脚跟前，是平等的——因为我们是平等的！

It is impossible for you to talk with your hands in your pockets.

你说话的时候挥舞双手，如果你的手插在口袋里，你就不会说话了。

The whole concert was like a stage play. She talks about the time she listened to her mother singing up to her latest album. The concert starts with Mavis Fan's mother singing a jazz piece.(Her mom was also a professional singer.) She came out to the stage holding the hand of a young Mavis. Then she came out and sang many of her old favorites. Li Chuan also came out as a special guest. This certainly came as a surprise. Before she got to singing "The Present", she hadn't said a word. All she did was sing. Then she had begun cutting her hair on stage as her way of describing a new "her". Then she said she couldn't speak because she has been her old self after all this time.

整个演唱会就如一个舞台剧，是讲述她小时候听萱妈演唱开始直到最近的专辑，一开始是由萱妈演唱 jazz 歌曲，(萱妈也是一个专业的歌手)，带著小时候的小晓出来，接著她便出场，一口气演译了多首她耳熟能详的旧作，中间还邀请到李泉作特别嘉宾，这也是一个惊喜，在演出到&现在&前，她是一直没有说话，只是一直唱，到后来更在台上剪发，是来形容一个新的她，跟著她便说因为她一直在演以前的自己，所以不能说话！

True, I couldn't speak with my lips. But now I would speak through something more lasing that spoken words—written words.

的确，我不能用我的双唇说话，但是现在我将通过文字，这种比口头表达更为持久的形式说话了。

Everything about her had been smooth and definite, even the tones of her voice and the way her light brown hair, which she wore a la Pompadour*, was rolled stiffly back from her forehead and coiled in a burnished rope on the top of her head.

她的一切都是那么安详平淡，那么不事张扬，甚至包括她说话的声调和她选择的发式；她梳的是高卷式发型她梳的是高卷式发型，甚至包括她说话的声调和她选择的发式她梳的是高卷式发型，淡褐色的头发从前额向后紧紧地卷过去用一根光亮的头绳盘绕在头顶上那是一个凡事都严肃认真的年代，的头绳盘绕在头顶上。

Im not talking for talkings sake; this is important!

我现在不是为了说话而说话，我要说的事很重要！

Stop speaking. Why is he speaking?- I don't know.

不要说话，他为什么说话-我不知道

Audio/visual unsynchronized: When Lena is having problems talking into the microphone hidden in the bush and Rosco and the sound man are in the booth, the sound man shakes his head and says "She's gotta talk into the mike, I can't pick it up."

没有心的妹妹解释：声像不同步：当丽娜冲着藏在小树丛中的话筒说话有点问题，rosco和音像师在录音间的的时候，音像师摇着头说：它应该冲着麦克风说话，我听不见他的声音。

Harry liked to talk very much and his father did not allow him to speak at mealtimes.

Harry非常喜欢说话，但他父亲不允许他在吃饭的时候说话。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。