不说话

People are afraid to speak publicly was the major reason they are unaccustomed to public speaking.

人们害怕当众说话的主要原因，是他们不习惯于当众说话。

This veterinary surgeon can't talk to his patients -- but they speak to him loud and clear.

兽医不能和他的病人说话，但是病人们却可以大声地、清楚地对兽医说话。

All were eager to speak to him, as is always the case with those whose words are few and weighty

大家都盼望与他讲话，这是一个不轻易说话而每次说话必有份量的人能经常遇到的事情。

Conscience is thoroughly well-bred and soon leaves off talking to those who do not wish to hear it.

"良心是从小就有教养的被抚养大的，但是很快就只去和那些不想听她说话的人说话了。"

Conscience is thoroughly well-bred and soon leaes off talking to those who do not wish to hear it.

"良心是从小就有教养的被抚养大的，但是很快就只去和那些不想听她说话的人说话了。"

"But that after thinking prior to, somehow choked bone in the throat feeling, the dining room table could not help the daughter said :"Aping. You may not know that you speak very difficult to listen to breath and speak very arbitrary, as ordered people.

但这件事前思后想，总有点骨鲠在喉的感觉，所以在饭桌上忍不住对女儿说：阿平，你自己可能不知道，你现在说话口气很难听，说话很独断，象命令人。

Indicating time relative to the time of utterance; while the latter is not deictic, the time indicated is not relative to the time of utterance, but relative to the time of another event described, or implied, in the narrative.

时和体之间的区别在于：前者是指别的，也就是说指明的时间与说话的时间相关；而后者不是指别的，指明的时间与说话的时间没有关系，却与叙述中描写或暗示的另一个事件的时间有关。

"Better learn not to talk to me," Bryant said of Smith's jabbering."You shake the tree, a leopard's gonna fall out."

&最好不要跟我说话，&科比跟说话含糊不请的Smith说，&你摇动了树就等着豹皮掉下来吧&。

Certainly Miss Mann had a formidable eye for one of the softer sex: it was prominent, and showed a great deal of the white, and looked as steadily, as unwinkingly, at you as if it were a steel ball soldered in her head; and when, while looking, she began to talk in an indescribably dry monotonous tone---a tone without vibration or inflection---you felt as if a graven image of some bad spirit were addressing you.

Charlotte Bronte， Shirley 作为一个女性来说，曼小姐的确有一双可怕的眼睛：眼珠突出，叫人看到大量的眼白，一动不动，一眨不眨地直盯着你看，仿佛那是装在她脑袋瓜子上的钢球。当她一边看着你，一边以一种难以形容的冷淡，单调的声调——一种毫无抑扬顿挫的声调——开口说话的时候，你会觉得仿佛是个凶神恶煞的雕像在对你说话。

Ertainly Miss Mann had a formidable eye for one of the softer sex: it was prominent, and showed a great deal of the white, and looked as steadily, as unwinkingly, at you as if it were a steel ball soldered in her head; and when, while looking, she began to talk in an indescribably dry monotonous tone---a tone without vibration or inflection---you felt as if a graven image of some bad spirit were addressing you.

harlotte Bronte， Shirley 作为一个女性来说，曼小姐的确有一双可怕的眼睛：眼珠突出，叫人看到大量的眼白，一动不动，一眨不眨地直盯着你看，仿佛那是装在她脑袋瓜子上的钢球。当她一边看着你，一边以一种难以形容的冷淡、单调的声调——一种毫无抑扬顿挫的声调——开口说话的时候，你会觉得仿佛是个凶神恶煞的雕像在对你说话。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。