不说

The one who told me this subject refused to unveil his name.

告诉我这件事的那个人拒不说出他的姓名。

So why not unveil them, I have to say that's due to the biased viewpoint of western peoples.

所以为什么不揭发他们呢，我不得不说那是因为西方人的偏见。

And I have to say, unwelcome news.

并且我不得不说极不情愿的消息

However we still not to mention these matters, let us upspring the waltz together now.

不过现在我们尚且不说这些事，让我们一起跳起华尔兹。

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不过现在我们尚且不说这些事，让我们一起跳起华尔兹。

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不过现在我们尚且不说这些事，让我们一起跳起华尔兹。

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不过现在我们尚且不说这些事，让我们一起跳起华尔兹。

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不过现在我们尚且不说这些事，让我们一起跳起华尔兹。

She leaned back far to look up where the fireworks were and she caught her knee in her hands so as not to fall back looking up and there was no-one to see only him and her when she revealed all her graceful beautifully shaped legs like that, supply soft and delicately rounded, and she seemed to hear the panting of his heart, his hoarse breathing, because she knew too about the passion of men like that, hotblooded, because Bertha Supple told her once in dead secret and made her swear she'd never about the gentleman lodger that was staying with them out of the Congested Districts Board that had pictures cut out of papers of those skirtdancers and highkickers and she said he used to do something not very nice that you could imagine sometimes in the bed.

除了他和她而外，没有一个人在看着，所以她把她那双俊秀而形态优美、娇嫩柔韧而细溜丰腴的小腿整个儿裸露出来。她似乎听到他那颗心的悸跳，粗声粗气的喘息，因为她也晓得像他那样血气方刚的男人，会有着怎样的情欲。还因为一次伯莎。萨波尔告诉过她一桩绝对的秘密，并要她发誓永远不说出去。她家的一位在人口密集地区调查局工作的房客，从报纸上剪下那些表演短裙舞和翘腿舞的舞女的照片。她说，他不时地在床上做些不大文雅的勾当，这，你也想象得到吧。

I have to say, watching Utah in the next series, I realized how good they really were.

我不得不说，观看了爵士下一个系列赛，我了解的他们真的是多么的好。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。