不说

I'd had to say,in this case,the cost of beauty is way too high.

我不得不说，从这件事情我们可以看到，美丽的代价实在是太高了。

There is no point in bringing up the circumstances of your leaving until you have to.

这是你需要做的全部的东西，到不得不说的时候再说就行了。

A:I have to say you are incurable.

我不得不说你无药可救了。

I have to say you are incurable.

我不得不说你无药可救了。

Ann: I have to say you are incurable.

我不得不说你无药可救了。

It gave to his intentions whatever of decision was wanting before; and he finally resolved, that it would be absolutely unnecessary, if not highly indecorous , to do more for the widow and children of his father, than such kind of neighbourly acts as his own wife pointed out.

如果达什伍德先生先前还有点下不了决心的话，这下子可就铁了心啦。他最后决定，对他父亲的遗孀和女儿，按他妻子说的，像邻居式地帮帮忙也就足够了；越此雷池一步，不说有失体统，也是绝对多余的。

But just one how to change them , are very infinitesimal, dindn't say it.

可是一个人能改变什么，个人的力量是渺小的，于是什么也不说。

He resolved to say nothing, for it was not his place to inflict unnecessary pain on his lord.

他决定什么也不说，这只会使他的领主痛苦。

I have to say that I did have a job where there was an inordinate amount of paperwork.

但我不得不说我过去需要做大量的文书工作。

We find the present Yog?s showing no remarkable progress after meditation for a whole day and night. Only after seven days of hard work, they begin to get a glimpse of the physical and mental processes and the nature of impermanent, unsatisfactoriness and insubstantiality. Most of the Yog?s take about a month and a half to reach the stage when may be believed to have attained the knowledge of the First Path and Fruition.

原文讲舍利弗听了一个偈之后就证得初果，说：我们不得不说舍利弗证果速度是很快的】我们发现今天的禅修者在整整一天一夜的禅修之后没有明显进展，而要经过一周非常勤奋地用功之后，才开始观到一点身心运行过程及其无常、苦、无我的本质。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。