不设防

Instead of an open battlefield Blitzkrieg, it was going to be a direct charge on dense anti-tank defenses.

这样一来，德军的进攻将不再是一场对不设防开阔地的闪电战，而是一次对密集反坦克工事的强攻。

Every girl's heart are not keep away from, you will easily break-in to her heart.

你可知道，每个女孩子都是不设防的，你那么轻易就闯进她的心

Germany in particular used her air power to commit such experimental horrors as the bombing of the defenseless little township of Guernica.

尤其是德国，它用空军轰炸不设防的小城镇格尔尼卡，进行试验性的恐怖空袭。

Your asthma inhaler did the same for you.

哮喘吸入器让你的嘴也不设防

From Friday through the weekend, love is in the air, and it's intoxicating.

从周五直到周末，爱情让你不设防，这真让人兴奋。

They could not leave the city unguarded.

他们不能让这座城市不设防。

Beginning in 1967, Bukowski wrote the column "Notes of A Dirty Old Man" for Los Angeles' Open City, an underground newspaper. When Open City was shut down in 1969, the column was picked up by the Los Angeles Free Press along with NOLA Express in New Orleans, Louisiana.. In 1969, Bukowski and his friend Neeli Cherkovski launched their own mimeographed literary magazine, Laugh Literary and Man the Humping Guns.

从1967年开始，布可夫斯基开始为洛杉矶的一家地下报纸《不设防之城》写专栏——专栏名为&老淫棍手记&。1969年，《不设防之城》被关闭，专栏内容被洛杉矶自由出版社和路易斯安那州新奥尔良的《诺拉快报》编选出版。1969年，布可夫斯基和朋友尼利·切科夫斯基创办了他们自己的油印版文学杂志《笑文学和男人隆起的枪》（Laugh Literary and Man the Humping Guns）。

Beginning in 1967, Bukowski wrote the column "Notes of A Dirty Old Man" for Los Angeles' Open City, an underground newspaper. When Open City was shut down in 1969, the column was picked up by the Los Angeles Free Press along with NOLA Express in New Orleans, Louisiana.. In 1969, Bukowski and his friend Neeli Cherkovski launched their own mimeographed literary magazine, Laugh Literary and Man the Humping Guns. They produced three issues over the next two years. The magazine made no impact whatsoever on their careers or literature, and is only remembered because of Bukowski's association with it.

从1967年开始，布可夫斯基开始为洛杉矶的一家地下报纸《不设防之城》写专栏——专栏名为&老淫棍手记&。1969年，《不设防之城》被关闭，专栏内容被洛杉矶自由出版社和路易斯安那州新奥尔良的《诺拉快报》编选出版。1969年，布可夫斯基和朋友尼利·切科夫斯基创办了他们自己的油印版文学杂志

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

I am friends with him because he never has protective barriers, he is direct and he says what he thinks. Although he made himself unpopular sometimes because of his direct personality, he would never try to harm anyone. He may hold on to himself to much, but he would change his mind if he understands your suggestions, which probably means he is still shapeable.

我对于他的认识到现在来讲也很是有限，我和他之所以能够成为朋友有一个原因在于他是一个不设防的人，他的秉性率真，喜欢谁不喜欢谁，有什么话都会说出来，当然这种性格也使他得罪了很多朋友，但是徐微强不是那种会使心计的人，没有存心害人的想法，他有的时候也很自我，但是当他理解了你的想法之后，他也会尝试着去改变自己，这也许是他还可以塑造的理由。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失