不见的

The tune was stretched and discomforting, as if the invisible hands that plucked it out were not made to handle earthly instruments.

曲调被拉长了，令人不安，好象是演奏它的那些许多看不见的手，并不是用来演奏尘世的乐器的。

Some unseen fingers, like an idle breeze, are playing upon my heart the mus......

有些看不见的手，如懒懒的微风似的，正在我的心上奏着潺潺的乐声。

This article analyzes the legal regulation model of environment protection from the perspection of exteriority,public goods,and information asymmetry.

本文从外部性、公共产品、信息不对称三个使&市场失灵&的角度分析了环境保护问题的法律调整模式，认为解决环境问题需要&看得见的手&和&看不见的手&兼而用之。

Pilger explains in clear, concise terms about the role of the "corporate media", how and why it emerged and it's dominance as an "invisible government" at the start of the 21st century.

pilger解释，在清晰，简明条款有关的作用&企业媒体&，如何以及为什么它出现和它的统治地位，作为&看不见的政府&在开始的21世纪。

If it be added by reason of the suppositum, since the suppositum of the human nature in Christ is eternal and uncreated, this will be false:"Christ as Man is a creature."

因此一个看得见的人性，也可能本质是那位看不见的神。答：由於人性的理由，或在人性实存的本质里，基於此，说出基督是个受造物。

Some unsee fingers, like an idle breeze, are playing upon my heart the music of the ripples.

几只看不见的手指，好像悠闲的微风，正在我的心上奏起涟漪的音乐。

These days most savvy coders will let browsers shrink-wrap their widthless floats and use a hiding hack to "feed" IE5/Mac a width for the float.

现在大多数聪明的编码人员会让浏览器伸缩其没有宽度属性的floats，并使用一个看不见的专门给IE5/Mac的宽度知识。

Sorrow is hushed into peace in my heart like the evening among the silent trees.

有些看不见的手，如懒懒的微的，正在我的心上奏着

Sorrow is hushed into peace in my heart like the evening among the silent trees.

有些看不见的手，如慵懒的微风，正在我的心上奏着潺潺的乐声。

Sorrow is hushed into peace in my heart like the evening among the silent trees.

有些看不见的手，如懒懒的微风似的，正在我的心上奏着潺潺的乐声。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。