不见的

Completely invisible and easy to use, all information captured is stored in an encrypted log file.

完全看不见的，易于使用，所有被俘的信息存储在一个加密的日志文件。

It disappeared from a luggage cart at London's Heathrow Airport.

它是在伦敦的Heathrow机场上的行李车上都不见的。

So you may lose sight of those seen, and forget those remembered.

于是，看见的，看不见的；记住的，遗忘了。

Time is just like a onrush, it brings all ever-presence matters into its wave and destroy it completely.

时间像一条看不见的洪流，玉石俱焚地将所有一度的事物统统带进它的烟波中，永远地销声匿迹。

By comparing Invisible Man with other picaresque novels,such as Xiao Lai Zi,the readers can have a better understanding of the speciality ...

通过《看不见的人》与《小癞子》等经典流浪汉文学的比较，可以领略艾里森创作手法、人物塑造及语言选择的独到之处

The real speed you can't see ,like the wind,like the sun ,just like you don't know when the foliage turn yellow, don't know when you son grown the first teeth ,you don't know when you love a porson.

真正的速度你是看不见的，就像风起云涌、日落生息，就像你不知道树叶什么时候变黄，不知道你的孩子什么时候长出第一颗牙，不知道你会在什么时候爱上一个人。

The enemy's cannons in his fancy were not cannons, but pipes from which an invisible smoker blew puffs of smoke at intervals.

在他的想象之中，敌人的大炮不是大炮，而是烟斗，有一个望不见的吸烟者从烟斗中断断续续地吐出一串串烟圈。

But Mordechai speaks to us of another politics, and a greater one: Of one in which a spirit blows unseen across the surface of the water, allowing it direction, tendency, order, rule, purposiveness, light.

但我们说话莫迪凯另一个政治，更大的一：一中一水看不见的精神打击整个表面的，允许它的方向，趋势，秩序，规则，目的性，重量轻。

The rapist's unseen face is mirrored in Sophie's own.

强*犯的看不见的脸反映在苏菲的自己。

Some unseen fingers, like an idle breeze, are playing upon my heart the music of the ripple.

一些看不见的手指，如慵懒的风，在我心上奏着潺潺的乐章。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。