不见的

When a person doesa certain thing again and again, he'll be obliged to do it in the same way by some unseen force. Thus habit is formed.

当一个人反复的做某件事时，他就会被某种看不见的力量驱使不得不以同样的方式再去做这件事，于是习惯就形成了。

Some unseen fingers, like an idle breeze, are playing up on my heart the music of the ripples.

有些看不见的手，如懒惰的微风似的，正在我心里奏着常远的乐声。

You unseen force, centripetal, centrifugal, through space's spread

你那看不见的力量，向心的和离心的，遍布于太空。

It was a muggy evening, with a sky full of stars, and a slender, almost invisible crescent moon.

这是个很热的晚上。满天的星，一钩细到几乎看不见的月亮。

Now and again the hunter could hear a long-drawn dolorous whine of some unseen coyote.

猎人不时能听见某只看不见的小林狼发出的拖长的哀嚎。

Eighty-eight of them, nobody can tell you any different. They are

我看不见的是这一切的尽头，世界的尽头。

Ralph Ellison's Invisible Man is one of the most influential American novels since World War Ⅱ.

拉尔夫·埃里森的《看不见的人》是二战以来美国最具影响力的小说之一。

So we fix our eyes not on what is seen, but on what is unseen.

18因此，我们不能确定我们的眼睛看到的是什麼，但什麼是看不见的。

A powerful detachment of infantry of the line, broken at regular intervals, by the National Guard and the Municipal Guard on foot, and supported by serried masses which could be heard though not seen, debauched into the street at a run, with drums beating, trumpets braying, bayonets levelled, the sappers at their head, and, imperturbable under the projectiles, charged straight for the barricade with the weight of a brazen beam against a wall.

一支强大的步兵呈战列纵队，在相当的距离内，平均地安插在国民自卫军和保安警察队之间，并有无数听得到看不见的人作后盾，向大街跑步冲来，他们擂起战鼓，吹着军号，刺刀平端，工兵开路，在枪林弹雨中沉着前进，直抵街垒，象根铜柱那样把重量压在一堵墙上。

There is gain and loss in your life, so you may catch sight of those unseen, and remember those forgotten.

生命中，不断的有得到和失落。于是，看不见的，看见了；遗忘的，记住了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。