不见了

What we do know—however incredible it may be—is that within the poem lay the entire enormous palace, whole and to the least detail, with every venerable porcelain it contained and every scene on every porcelain, all the lights and shadows of its twilights, and every forlorn or happy moment of the glorious dynasties of mortals, gods, and dragons that had lived within it through all its endless past.

别的人讲这个故事讲得可不一样。世界上不可能有两件事情完全相同。他们说，这位诗人只要吟诵一首诗就可以使皇宫消失不见，那座皇宫就像被诗的最后一个音节抹去了一般，或者被吹成了碎片一般。这种传说，当然，不过仅仅是文学的虚构。

If any one were going to die they put a screen around the bed so you could not see them die, but only the shoes and puttees of doctors and men nurses showed under the bottom of the screen and sometimes at the end there would be whispering.

倘若有人要死了，那张床边就围起屏风来，这样你就看不见人家怎么死去了，只看得见屏风底下医生和男护士们的鞋子和绑腿，有时候到末了还听得见他们的低语声。

It is well known that Huang-huai-hai Plain flourished around Han and Tang dynasties, not only boasted of the highly developed agricultural economy, handicraft industry and cultural education, but also of the population quality and proportion. while the physiognomy of the Plain has changed greatly since Song and Yuan dynasties due to the frequent deluge and the river course change of Yellow River, which caused the changes of the trace elements amount in the plain\'s soil, especially the decrease of virtual zinc which caused the cultural developing process to stagnate gradually after Song and Yuan dynasties. Trace elements like a invisible hand worked uniquely on cultural developing process.3The geographical environment and the morbid population of Lin Xiang Kingdom in Sun-Wu Kingdom Period.

二地理环境下的土壤微量元素的变化状况与历史时期黄淮海平原文明进程的关系：众所周知，汉唐时期是黄淮海平原地区文明程度最高的时期，不仅农业经济、手工业经济和文化教育高度发展，而且人口素质和人口比重也是占据极为重要地位；但是，由于黄河的频繁泛滥和改道，不仅造成了黄淮海平原地貌的巨大变化，而且也引发了黄淮海平原土壤微量元素的变化，以致有效锌严重缺乏，从而使得宋元以后的黄淮海平原的文明进程逐渐停滞下来；而在此过程中，土壤微量元素锌像一支看不见的手在起着独特的作用。

Snow has entered the house. After that accident, no matter what has happened , she never cried because she knows that she can unquestionably see him , though can not see him by eyes. When snow flake turns into red, he is sure to come near her, drawing her hands, saying:"I have come back for you."

雪进屋了。自从那次事故之后，无论发生什么，她从没有哭过，因为她知道，她一定能见到他，虽然眼睛看不见，但当雪花化作红色之时，他一定会来到她的身边，拉着她的手，说：&我来了。&

There is gain and loss in your life, so you may catch sight of those unseen

于是，看不见的，看见了；遗忘的，记住了。

You may catch sight of those unseen, and remember those forgotten.

于是，看不见的，看见了；遗忘的，记住了。

Your life, so you may catch sight of those unseen, and remember those forgotten.

落。于是，看不见的，看见了；遗忘的，记住了。

So you may catch sight of those unseen

于是，看不见的，看见了；遗忘的，记住了。

There is gain and loss in your life, so you may catch sight of those unseen

遗忘了。生命中，不断地有得到和失落。于是，看不见的，看见了

So you may catch sight of those unseen, and remember those forgo

于是，看不见的，看见了；遗忘的，记住了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。