不见

The female Orb Weaver spins a web of fibers thin enough to be invisible to insect prey, yet __1_tough_ enough to snare a flying bird without breaking.

雌性的Orb Weaver可以织出很细的丝，连被捕的昆虫都看不见。但却是坚韧得可以将一只飞入网中的鸟缠住而不弄断。

This is for several thousand years in Chinese culture not see the underlying causes of original sin.

这正是几千年来中国文化中不见原罪的根本原因。

He is out of the sight of her.

他看不见她了。

She knew that somewhere she'd lost track of his growing up: the overbite was gone, he'd grown taller, about the same height as Ken and was no longer skinny but wiry; it'd been many years since he could finally spar on even terms with both Ken and Joe, on occasion humbling them.

她知道那某处她有失去他增加的踪迹在：上面 overbite 不见了，他已经变比较高，关於如同肯恩一般的高度事而且不再是薄的但是金属线制的；因为他可以最后互斗，它已经是许多年在甚至和肯恩和乔称之上，在致使贬抑他们之上。

I am invisible. And I will overhear their conference.

他们看不见我，让我听一听他们说些什麼。

The waves rose mountains high, as if they would have overtopped the mast; but the ship dived like a swan between them, and then rose again on their lofty, foaming crests.

有好多晚上和早晨，她浮出水面，向她曾经放下王子的地方游去。她看到花园里的果子熟了，被摘下来了；她看到高山顶上的雪融化了；但是她看不见那个王子。

When we come upon the word in Buddhist writings, it is not always clear whether the term refers to a cobra, an elephant (perhaps this usage relates to its snake-like trunk, or the pachyderm's association with forest-dwelling peoples of north-eastern India called Nagas ,) or even a mysterious person of nobility.

字纳加来自梵语，中NAG仍是一字蛇，特别是眼镜蛇，在大多数的语文印度，当我们来到这个词在佛教的著作，它并不总是很明确一词是否指的是一个眼镜蛇，大象（也许这用法是关乎其灵蛇般的树干，或pachyderm协会与林居人民的印度东北部的所谓nagas ，），甚至是一个神秘人的贵族化，它是一个术语，用于看不见的人与水和液体能量，并还与人具有强大的动物般的特质或反过来说，一个令人印象深刻的动物与人的素质。

As it seemed to me, the refined beauty and the etiolated pallor followed naturally enough.

所以，我觉得出现这种精制的美和不见阳光的苍白也就顺理成章了。

When I realised that the necklace is lost, I felt very panicky .

当我意识到那珍贵的项链不见了，我十分惊慌。

I can't see, you need to lead me there,' said Pansy.

"我看不见，你带我去"蝴蝶花说。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。