不见

When it's dark, in a vacuum, if a person shines a beam of light straight across your eyes, you won't see it.

当黑暗时，在真空中，如果有人将一束光直射进你的眼睛，你就看不见它。

Like a blast from out of sight.

恰似看不见的风。

A current of air in an enclosed area.

汽车在一片扬尘的涡流中不见了。

He claims to be a pretty good sailor, so he's not afraid of getting lost.

目前他很满足在夏威夷的生活，他经常架着自己的小船出海，直到看不见陆地为止。

A large amount of money is missing.

大量的钱不见了。

He was here for a flicker of a moment but later he was gone.

他在这有一会儿了，但之后就不见了。

Although it is invisible, we know that the ultra-violet is there because it affects a photographic plate.

尽管它是看不见的，但我们知道它是存在的，因为它能依照相底片感光。

In her novel, you can't see the feudal exploitation and oppression,the kind of bloody invasion of imperialism, But she presented an "eventless tragic "to us by remembering all sorts of people and their lives in her hometown."Biography of Hulan River" is: an eventless tragic of the people; a soul tragic of the stander-by; a great tragic of the women.

在小说中，看不见封建的剥削和压迫，也看不见帝国主义那种血腥的侵略，而是通过追忆家乡的各种人物和生活画面，作者写出了一部&几乎无事的悲剧&：一部几乎无事的民族悲剧，是一部看客的灵魂悲剧，是一部伟大的妇女悲剧。

In her novel, you can't see the feudal exploitation and oppression,the kind of bloody invasion of imperialism, But she presented an "eventless tragic "to us by remembering all sorts of people and their lives in her hometown."Biography of Hulan River" is: an eventless tragic of the people; a soul tragic of the stander-by; a great tragic of the women.

在小说中，看不见封建的剥削和压迫，也看不见帝国主义那种血腥的侵略，而是通过追忆家乡的各种人物和生活画面，作者写出了1部&几乎无事的悲剧&：1部几乎无事的民族悲剧，是1部看客的灵魂悲剧，是1部伟大的妇女悲剧。

He awoke to find that both the black rat and the white rat had vanished, and so had the tiger and the lion.

一觉醒来，他发现黑白老鼠不见了，老虎、狮子也不见了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。