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The Macedonians were now moving to the east-southeast, and could hardly see anything at all, because they were blinded by the rising sun.

马其顿现在已迁移到东南偏东,并几乎看不见任何东西,因为他们利令智昏初升的太阳。

If I lose the glare of Havana we must be going more to the eastward, he thought.

如果我就此看不见哈瓦那炫目的灯光,我们一定是到了更东的地方,他想。

Many of the aging bikers cut their teeth on Fonda's 1969 classic film, Easy Rider, where he played a biker-hippie who encounters death in an intolerant rural America.

其中许多熟龄车主对摩托车的启蒙,都来自於一九六九年彼得:方达的经典电影「消遥骑士」。彼得:方达在片中饰演一名嬉皮骑士,因不见容於美国保守的乡村而遇害身亡。

It's like the ebb and flow of every relationship,' Aniston says.

对我来说,为梦想努力时最困难的问题,不是资金,而是望不见尽头的孤独。

Eddie: What? I can't hear you.

什么?我听不见

Eddie: I can't hear.

我听不见

I can't ee.

我看不见

I can't hear you, EI.

埃尔,我听不见你说什么

Eighty-eight of them, nobody can tell you any different. They are

我看不见的是这一切的尽头,世界的尽头。

You know there are eighty-eight of them,nobody can tell you any differnet.

并非是我眼见的让我停住了脚步,而是我所看不见的。

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推荐网络例句

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称;三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起,称之为挽歌体诗人或者史诗诗人,他们被称为诗人,似乎只是因为遵守格律写作,而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。

This is not paper type of business,it's people business,with such huge money involved.

这不是纸上谈兵式的交易,这是人与人的业务,而且涉及金额巨大。