不表现的

The thesis will begin with the introduction of counterpart of English judicial review. According to the unscramble of counterpart prejudication in the history of Britain, I will abstract the logic category of "administrative discretion------the principle of reasonableness", and based on the logic category, I will point out that if want to justify the review of court on the administrative discretion such as "misuse of authority"and "apparently inequitable administrative punishment", we must induct the principle of reasonableness. And based on the material of concrete cases, I will analyze that there still are states of unreasonable execution of administrative discretion in the rest representations of unlawfulness in the 54th provision of our statute law of administrative litigation.

本文首先考察英国合理性审查原则的相关制度，通过解读英国历史上重要相关判例，提炼出"行政裁量权——合理性审查原则"这一逻辑规范范畴，并以此范畴为切入视角，指出，要在理论上正当化法院对"滥用职权"和"显失公正行政处罚"等行政裁量权的司法审查，必须引入合理性审查原则，并以具体案例为材料，通过分析得出，在《行政诉讼法》第54 条的其他违法表现形式中，都有行政裁量权不合理行使的情形存在，并指出，产生这种现象的原因是，《行政诉讼法》第54 条规定的七种违法表现形式采取的是不同的分类标准。

These ideas are expressed in A Modern Utopia (1905) and many of Wells's later works, but he had already given them dramatic expression in The Food of the Gods, and How it Came to Earth (1904), in which the anti-intellectual stupidity and fear of the general population are contrasted bitterly with the splendour of the new race of giants unencumbered by medieval prejudice.

这些想法表现在《现代乌托邦》（1905）以及他接下来的作品中，但在《神食》和《它如何来到地球》中他对此戏剧化的加以表现，在其中反智力的愚行和大众的恐惧，与杰出的不受旧成见束缚的新巨人种族形成了痛苦的对比。

Quote from a words in Chanel:"I not apprehensibility woman why can't just for the sake of the performance manner, before go out all dress up well once, every day who know to can be to in the clout a predestined big day?"

引用香奈儿一句话："我不能理解女人为何不能只是为了表现礼貌，出门前都好好打扮一下，每一天谁知道会不会是命中注定的大日子？"

May be hurt, but today I will not show it.Just for today I will be agreeable. I will look as well as I can, dress becomingly, talk

我不会让任何人感到我的感情受到了伤害：它们可能受到了伤害，但今天我不想表现出来。

It is becomingly that persevere in and perfecting the collective ownership of,land.

集体土地所有权制度的缺陷主要表现为：所有权代行主体不明确；所有权权能虚化；所有权权属登记制度不完善。

When the speaker commits pragmatic failures with high linguistic proficiency,"a native speaker is likely to attribute his/her apparent impoliteness and unfriendliness, not to any linguistic deficiency, but to boorishness or ill-will."

但没有按照社交准则来处理话语，就会说出不得体的话来，说话者就会被误解为"表现不好"，被看作是"不真诚，存心欺骗或居心不良的人"(Thomas，1983)。

He has to be able to project firmness—no physical clumsiness, no rapid eye movement.

他必须能表现出坚定的样子—身体不能笨拙，眼睛不能迅速转动。

Namely:"Flower Guiqu horseshoe-riding","possession of the Temple of the mountains" were hiding "Ma" and "temple" First:"Mati Yin" to performance of a horse, using bees to reflect the theme of the screen -- Hong Kong; Second: the "two old monk's faltering" to the performance of this hidden "temple", to "contain not reveal, implication Wonderland" purposes.

即：&踏花归去马蹄-&、&深山藏古寺&分别隐藏了&马&与&古寺&；第一：用&马蹄-&来表现马，用蜜蜂来反映画面的主-——香；第二：用了&两名步履蹒跚-的老和尚&来表现这个藏着的&古寺-，达到了&含而不露、回味无穷之-的。

"Because of the powerful genetic effects on incubation periods in laboratory animals, vCJD patients identified could represent a distinct genetic subpopulation with unusually short incubation periods for BSE prions, with vCJD so far occurring predominantly in those individuals with short incubation time alleles at these multiple genetic loci, in addition to having the homozygous PRNP genotype of codon 129 methionine," they write.

因为动物实验表现出基因对潜伏期的强力影响，鉴定vCJD病患表现出清楚的基因次族群和BSE传染性蛋白质的不寻常短潜伏期；vCJD病患目前显著地发生在短潜伏期对偶基因者，密码子129蛋氨酸的PRNP 基因是同型合子。

Cartier-Bresson's work was not self-reflexive - it was not a case of a photographer reflecting on photography after having abandoned reality-out-there.

译：Cartier-Bresson的作品并不是自我的表现---不是屏弃现实的摄影师在摄影上的表现。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。