不表现的

I did not know must when meet lets the human despairs the matter look like "Cheng Xiaoshi" to be same "so long as smiles, did not have what matter", did not know had in by others injury afterimage "uneven pleased" equally to believe many times "each person's extremely procedure all was the love performance, only was they cannot express", also did not know was the elephant "the bead abundant neighbour" regardless of came across any matter all to be possible equally that strong ......

没错，造成这一结果的不是在学校里心地纯洁的同学，而是某些特别的人罢了……我不知道是不是要在遇到让人绝望事情时像"成晓诗"一样"只要笑一笑，没有什麽事情过不了"，不知道是不是要在多次被别人伤害后像"齐悦"一样相信"每个人极端的做法都是爱的表现，只是他们不会表达而已"，也不知道是不是像"珠裕邻"一样无论遇到什麽事情都可以那麽坚强

This is demonstrated by the observation made by Marcus Aurelius of a man's place in that relationship:" He who does not know what the world is does not know where he is, and he who does not know for what purpose the world exists, does not know who he is, nor what the world is."

这表现在提出的意见，由Marcus奥里利厄斯一个人的地方在这关系：谁不知道这个世界是不知道他在哪里，他谁不知道作何用途的世界存在，不知道他是谁，也不是什么世界。

Decision properties are derived from constraints and are primitive data representing the status of design objects Performance properties calculate decision properties and the domain are bounded by design constraints.

决策参数是从限制条件中抽象出来的数据，代表设计对象的属性或状态；表现参数是对决策参数的计算和度量；限制条件规范及限制表现参数的域值，可视为类不变量，每个类对象都必需满足之。

At the same time, the four different genesis types of the sequence interfaces are divided: orogenic erosive sequence unconformity interface, uplift erosive sequence unconformity interface, transgression onlap sequence unconformity interface, exposural sequence unconformity interface; simultaneously the ten concrete mineral showing forms are summarized, i.e. paleo-weathering crust, drossy layer, river rejuvenation surface, paleo-karst surface, slope gravity current erosion surface, intrabasin turbid flow erosion surface, volcanic events surface, lithologic and lithofacies conversion surface, onlap surface and maximium sea flooding surface.

同时归纳出了4种不同的层序界面成因类型：造山侵蚀层序不整合界面、升隆侵蚀层序不整合界面、海侵上超层序不整合界面和暴露层序不整合界面等；同时总结出10种具体的物质表现形式，即：古风化壳、渣状层、河流回春作用面、古喀斯特作用面、斜坡重力流冲刷侵蚀面、盆地内浊流侵蚀面、火山事件作用面、岩性、岩相转换面、上超面和最大海泛面。

Ethics is an essential factor in literature aesthetic characteristics. Both literature and ethics are rooted in social life. Ethics embodied in literature is the need of both human beings and the society. Literature is the "emotionalization" of ethics, and ethics is the content of emotion.

认为道德关怀是文学审美品格中不可缺少的因素，文学与道德以社会生活为基础；文学表现道德是人类自身和社会的需要；文学描写生活离不开表现道德，文学是道德的"情化"，道德是情感的内容。

Its basic characteristic is to manifest the religious figurativeness of its content, or to symbolize the oblation, the sacrificial offering activity and the god, or to symbolize treat- ing illness and practising divination.

其基本特征是表现内容的宗教象征性和表现手法的意象化。萨满剪纸的象征性萨满剪纸不同于一般的艺术剪纸，它主要的功能是传递与沟通萨满教。

At the same time, AIA Huatai Fund's total investment in China's capital market, fund performance all depends on the performance of China's capital market, not overseas markets.

同时，友邦华泰基金在中国资本市场的总投资，基金的表现都取决于中国的资本市场表现，而不是海外市场。

So there is an idea bourgeoned in my mind, which is to use the traditional painting to express the new appearance of Beijing.

于是我开着车跑遍了北京城，去寻找最佳的表现北京新貌的景观，西直门立交桥，夜景的长安街，都是我热衷描绘的景点，传统的水墨画的弱点是不容易塑造具象的东西，于是我在宣纸和毛笔作为主要媒材的同时加入了丙稀色和排刷，希望能拓宽水墨的表现领域，在保持着线条和水墨韵味的基础上增加了色彩的力度，闪烁的霓虹，华灯初上，行人如织，车水马龙，北京正一步步的向国际化大都市迈进，把北京每前进一步的印记用绘画的形式记录下来，也是人生一大快事，怀着对北京的神圣感情，用纸和画笔，从一个画家的独特视角出发，将北京的景观、尤其是不太被人注意的人文景观留下来，是我一生的夙愿。

It is shown that the phase inversion is complete, which means that all water molecules in the system are transformed to be continuous phase at the phase inversion point. The viscosity of the system before the phase inversion point is almost constant independent on stress, which is the characteristics of Newtonian fluid.The systems after the phase inversion point exhibit high viscoelasticity and strong pseudoplasticity at relatively high stress.

结果表明，乳化剂浓度较高时，体系发生完全相反转；体系在相反转点前为W／O结构，其粘度几乎不随剪切应力的改变而改变，表现为牛顿流体行为；体系在相反转点后为O／W结构，具有很高的粘弹性，并且在较高剪切应力下表现为典型的假塑性。

Stack work, decreases in the course of off-site 10 centimeters, stack meet drive surface limit switch, stack automatically stop, under the earth trembled to centered around, at which point the Panel shows value is 0, until this process is complete, the stack can then continue to fall until the bottom.

纸堆的处事道理是，回升历程洋，离不天10公不合把握，纸堆遭受际遇传不静背的限位开关，纸堆罢手上家，自不静把握不天不静到居洋场所，此时背板表现数值因该为0，屈到这个历程达成，纸堆才可以再罢休回升屈到底部。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。